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Que No Se Diga

From Visual Squash CD + Book. Coming out December 2021

Watch a video of this track by Nisa Karnsomport

Visual Squash

ANM057 Ellen Phan — BreakState

Recorded live at Iklectik on 8th July 2021 by Isa Ferri

Thanks to Lucia for inviting me

Frame Drum and Computer (Live at Iklectik)

Antiquated frames
Of night pool
Shining on steady shore
A mirror for seeing tumultuous sky
Tiles graven as sabulous coast

Ladders rolled into forlorn sheaves
Like bootlegged boose In dark doldrums
Wind between ground and lid
Arcane hovels pervade in dawn.

Accumulation of vulnerability, collective world of avalanches, this ancient land - ascendance, that so often takes on the countenance of
being in more than one place.

The patterns repeat themselves, adorned in anguish, with a feeling, compelled to vaunt - lustrous arrival in overwhelming lines.

'The Lost Columns' is a deluge of unbroken slashes in Arcadia between Arkhad and KAOSMOS. Arriving at the same place, in the presence of mutual accord.

The Lost Columns

KAOSMOS - Dizzying Dream

Routine

6“ Lathecut flexicard of one song by Delphine Dora

Fifth postcard of the series,
this singlesided flexi is playable on most turntables.

19 copies only
comes with one pretty little silver badge

https://mmli.bandcamp.com/album/dilatation

Delphine Dora - Dilatation

SHESB

157Fshtl2

Modular Combat

Like a blast of wind, lost in some forgotten place, Headflush is filled to the brim with emptiness. Recorded in a single afternoon in Brooklyn, New York Leila Bordreuil’s debut album, a collection of unprocessed amplified cello works, explore the limits of tonal perception. The hushed stereophonics of the album could leave the listener wondering if they were perhaps listening to amplified smoke; twisting, turning, and dancing in some strange light. Adrift and strikingly original, Headflush is the sound of the artist hidden in sound, absent in a bleak bliss.  

Leila Bordreuil is a Brooklyn-based cellist, composer, and sound-artist from France. She accesses concepts as diverse as jazz, contemporary classical, noise, and experimental traditions but adheres to her own vision of sound. The New York Times has described her work as “steadily scathing music, favoring long and corrosive atonalities”. Driven by a fierce interest in pure sound and inherent texture, Bordreuil challenges conventional cello practice through extreme extended techniques and amplification methods. Her composed works frequently incorporate sound-spatialization by way of site-specific pieces and multichannel installations.

Available on LP - 6/28/19 - Limited Edition Vinyl of 250

Leila Bordreuil - Headflush

A foretaste of the upcoming Album, winter 2021 (-OUS Records).
_______
Mastering by VFBM 
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Immersed in an amniotic atmosphere, we are invited to bathe in the atemporality of the world before birth.

Against a liquid sound background, horizontal sounds intervene that cross space at full speed, stretching time in their course. The speed with which they intervene has the effect of an arrow shot in the direction of a distant future, which brings us back to a linear, horizontal, narrative, historical time, that is to say, to the ordinary world perceived as a successive sequence of events.

The transparency and weightlessness of crystalline sounds act like seraphically elements that connect the fantastic and earthly worlds. At the same time, anecdotal sounds that remind us of specific moments in our lives cross our mind -- liquid, metallic, soft, subtle sounds -- and dense drones mingle to create an experience of their own, each one embedding itself in the personal experience of the listener.

From the beginning we were immersed in this atemporal amniotic atmosphere and then there was the birth, the irruption into the world, history began. We plunged into time to look for the origin, to deepen the story, to understand.

Leila Bordreuil - Headflush

Catch Wave Ltd.

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