Discover Weekly Archive - part 10

Remembering Me

Emahoy Tsege Mariam Gebru

Song Of Abayi

".play it"
available on CD 
message @rileyminteer on instagram for your signed copy /ᐠ • ˕ •マ 

15 adagio in Gminor

Stay strong even when the world tries to make you feel weak. solo piano.

Stay strong revisted

GLASS-z12

Van Horn

Van Horn (KarlSayAgain Remix)

It's A Raid

It's A Raid (feat. Post Malone)

Here It Comes Again

The Light

Sad Nudes

Ecstasy

Tondo

Song Machine Episode 2

Désolé (feat. Fatoumata Diawara)

Stream / Download "L'exode" here 🎧 https://smarturl.it/jumo-lexode 
Jumo - Et le vent ? Upcoming album on May 15th 🌽
Watch music video 🎬: https://youtu.be/puIykIgpXkc

Jumo: "Le calme puis la tempête, une course contre la routine de la ville, contre le temps qui passe.
L’exode."

Follow https://soundcloud.com/jumoproject
https://www.facebook.com/jumoproject/
https://www.instagram.com/jumoproject/

Follow @Nowadays-Records
http://www.facebook.com/nowadaysrecords
http://www.twitter.com/nowadaysrecords
http://www.instagram.com/nowadaysrecords
https://nowadaysrecords.bandcamp.com/
http://www.nowadaysrecords.com
#nwds

Et le vent?

L'exode

Stream /Watch/  DL

Jumo - L'Exode

Miniatures de auto rhythm

Ono mambo haiku

It's Cosy Inside

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

The Light

Cate Le Bon

Related tracks