L'incarnazione musicale di un Nuovo Genere oltre i generi

this progression is really unique. Can't really find a track which is as atmospheric and experimental as this :) Thanks for the inspiration! :D

From Caterina Barbieri's debut album Vertical (Important Records/Cassauna, October 2014) composed for Buchla Synthesizer and vocals.
Vertical is a meditation on primary waveforms and the polyrhythm of harmonics in synthetic sounds, stretching the boundaries between drone, minimalism and techno. Barbieri's minimalist focus arises from the exploration of the stratigraphic potential of voltage-controlled sequencers, in terms of polyrhythm and polyphony. Employing synthesis, psychoacoustics and repetition as key concepts, the italian composer stylizes the dancing of wave cycles in severe geometries of time and space.
All the tracks were played, recorded and produced in Stockholm, at EMS (Electroacoustic Music Studios) and KMH (Royal University of Music) in Summer 2013.

Released by:
    Cassauna/Important Records
Release date:
    8 October 2014


Vertical has been reissued in February 2016:
importantrecords.com/imprec/sauna22
cassauna.bandcamp.com/album/vertical

www.importantrecords.com
www.caterinabarbieri.com

--------------------------

Side A

Undular
Pneuma
Limen

Side B

Perspectiva
Traum_abc

Music composed and performed by Caterina Barbieri in Summer 2013
Recorded at EMS and KMH in Stockholm (SE)
Mixed in Bologna (IT)

Buchla Modular Synthesizer + vocals
Traum_abc vocals by Ellen Arkbro










Vertical

From Caterina Barbieri's debut album Vertical (Important Records/Cassauna, 8 October 2014) composed for Buchla modular synthesizer and vocals.

This version of Undular is a stereo mix from the original 8 channel one.

Vertical is a meditation on primary waveforms and the polyrhythm of harmonics in synthetic sounds, stretching the boundaries between drone, minimalism and techno. Barbieri's minimalist focus arises from the exploration of the stratigraphic potential of voltage-controlled sequencers, in terms of polyrhythm and polyphony. Employing synthesis, psychoacoustics and repetition as key concepts, the italian composer stylizes the dancing of wave cycles in severe geometries of time and space.
All the tracks were played, recorded and produced in Stockholm, at EMS (Electroacoustic Music Studios) and KMH (Royal University of Music) in Summer 2013.

Released by:
Cassauna/Important Records
Release date:
8 October 2014

Vertical has been reissued in February 2016: 
importantrecords.com/imprec/sauna22
bandcamp cassauna.bandcamp.com/album/vertical

www.importantrecords.com
www.caterinabarbieri.com

--------------------------

Side A

Undular
Pneuma
Limen

Side B

Perspectiva
Traum_abc

Music composed and performed by Caterina Barbieri in Summer 2013
Recorded at EMS and KMH in Stockholm (SE)
Mixed in Bologna (IT)

Buchla Modular Synthesizer + vocals
Traum_abc vocals by Ellen Arkbro









Undular

From Caterina Barbieri's debut album Vertical (Important Records/Cassauna, October 2014) composed for Buchla Synthesizer and vocals.
Vertical is a meditation on primary waveforms and the polyrhythm of harmonics in synthetic sounds, stretching the boundaries between drone, minimalism and techno. Barbieri's minimalist focus arises from the exploration of the stratigraphic potential of voltage-controlled sequencers, in terms of polyrhythm and polyphony. Employing synthesis, psychoacoustics and repetition as key concepts, the italian composer stylizes the dancing of wave cycles in severe geometries of time and space.
All the tracks were played, recorded and produced in Stockholm, at EMS (Electroacoustic Music Studios) and KMH (Royal University of Music) in Summer 2013.

Released by:
    Cassauna/Important Records
Release date:
    8 October 2014


Vertical has been reissued in February 2016:
importantrecords.com/imprec/sauna22
cassauna.bandcamp.com/album/vertical

www.importantrecords.com
www.caterinabarbieri.com

--------------------------

Side A

Undular
Pneuma
Limen

Side B

Perspectiva
Traum_abc

Music composed and performed by Caterina Barbieri in Summer 2013
Recorded at EMS and KMH in Stockholm (SE)
Mixed in Bologna (IT)

Buchla Modular Synthesizer + vocals
Traum_abc vocals by Ellen Arkbro









Traum_abc

Shebang

@m-rble
@digrecs

Artwork: AAlisa Gvozdeva
https://www.instagram.com/vizhu.figu

Mårble is the alias of musician and multi-instrumentalist Anton Glebov. "1691" is his first solo long-playing album after quite a long break, and this is a great comeback! The album is filled with spiritual and spaced-out jazz-inspired music, recorded mainly by Mårble all by himself in his former studio in Saint Petersburg during the years 2021 and 2022. The studio was a big inspiration for Anton. He and his friends made a really special place, where instead of their home studios, they finally had no limits and could play and record music with ease. Even the name of the album is an homage to the studio; the number of the studio's door was 1691.

At the time when the album was in the process of making, Mårble was listening to a lot of Afro-Cuban music and Latin jazz. You start to hear it from the first seconds, and it's such a unique blend of these genres and his rich musical experience and vision. "1691" is full of different moods and echoes, and yet it is a really complete work. The album starts with the track "Unified Force" and ends with "Magic", those are two "new-agy", spiritual tracks where your mind just wants to drift on the soundwaves peacefully, but in-between you get a huge variety of compositions. Each one has its own unique story that needs to be heard. Some of the tracks on the album are more intense, like "Chomga", "3th of December" or "Pedritto", where suddenly you get sounds of slightly distorted trumpet or singing in Portuguese/gibberish, and other tracks with a more relaxed atmosphere, like "Jr. Pomidor" you can almost call Balearic. Also, can't forget to mention the great work of saxophone and flute player Slavik Ipatov who has recorded parts for tracks "Boss Latinoss", "Yog Cave" and "Pedritto".

The artwork for this record was made by an artist Alisa Gvozdeva, who's been working on previous Mårble releases a lot. On the back of the "1691" vinyl record cover, you will be able to see the drawing of the studio, thanks to which the recording of this album became possible.

"1691" is a truly great and unique album from start to finish, and we hope you'll enjoy it just like we do.

1691

PREMIERE | MÅRBLE - MAGIC [DiG RECORDS]

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Tech Rx-Francois Dillinger & Lloyd Stellar
Neuralink-Francois Dillinger & Lloyd Stellar
Elastic Collisions -Carl Finlow	
Suburban Electro -Sinitsin	
Octodecillion -Carl Finlow	
Digital Memories Part 1-Commuter	
Compliance-Client_03	
Night Of The Notables-Fleck E.S.C
‪Convince The Computer-Morphology		‬
Breaking Fakes-D_Roots	
Exposure to Winds-214	
Lifeform-Syrte	
Greta Recognise-Ben Pest	
Counterfactual Interaction History -Client_03 (Ft. Sync 24)
Takeover-Lloyd Stellar	
Dimorphos-Astron
The Life We Choose (E.R.P. Remix)-HARDFLOOR	
Mullah Said-Muslimgauze	‬

error express

BUY VINYL: https://ike-yard.bandcamp.com/album/1982
Dark Entries flashes back to the grimy streets of New York City circa 1982 to bring us an unreleased album from cult outfit Ike Yard. Comprised of Stuart Argabright, Michael Diekmann, Kenneth Compton, and Fred Szymanski, Ike Yard sits between the sinewy proto-body music of the Neue Deutsche Welle and the shattered grooves of their No Wave peers in New York. The band’s initial run was short but blinding. They released an EP for Les Disques du Crépuscule in 1981, which was followed by their legendary self-titled LP for Factory in 1982. They disbanded within a year, frustrated by the slow pace at which the industry was able to release their increasingly challenging music. 1982 features 10 tracks which likely would have become the band’s second LP - only four of these songs have previously seen release on 2006’s 1980-82 Collected via Acute Records. Following the release of Ike Yard, they continued down their tortured path of hybrid electro-acoustic music with an arsenal of now-classic analog instruments, including the Korg MS-20 and the Roland TR-808. Skittering rhythms teeter on the verge of collapse while seasick synth warbles threaten to push us overboard. Electronic washes devolve into waves of feedback. Sneering basslines threaten dancers to move, but how can the body obey? This is dangerous music, gliding along the brink. The album features a live photo of the band by Makoto Iida and includes an insert with liner notes from Stuart Argabright. 1982 is essential for fans of post-punk and caustic electronics from Liaisons Dangereuses to Beau Wanzer.

1982

Ike Yard - 1982 PREVIEW CLIPS

Modern reality is collapsing under the prism of dirty politics around the world. 
Nationalism, Religion and digital propaganda are poisoning our values for freedom and solidarity. 
Our response is to strike back and protect our values by insisting to unity, solidarity and expression through sound with an industrial ritualistic session between brutality and innocence.

Revolt coming from Ukraine

https://soundcloud.com/reactact
https://www.instagram.com/re.act_ion/

Wetransfer Poison-Wells3-Wav 2024-02-22 0850

Poisoned Wells 013 w/ Re/Act & Revolt (03.04.24)

A1. Korridor - Dyson Sector (Cassegrain Swarm Vinyl Edit) 
A2. Korridor - Dyson Sector (Cassegrain Stellar Remix) 
A3. Korridor - Binocular Observer (Ness Remix) 
B1. BLNDR - The Untitleds (Svreca Remix) 
B2. Korridor - Vacuum Decay (Mike Parker Remix) 
C1. BLNDR - Mental Stretching (Incantation 2 Alan Backdrop Remix) 
C2. Ntogn & Luigi Tozzi - Wsjr (Orphx Remix) 
D1. BLNDR - Untitled 1 (Cio D'Or Trilogy Remix) 
D2. Luigi Tozzi - Sub-Photic Zone (Edit Select Remix) 

Released full moon of January, 2015.

Love and light

Zodiac

From Caterina Barbieri's debut album Vertical (Important Records/Cassauna, October 2014) composed for Buchla Synthesizer and vocals.
Vertical is a meditation on primary waveforms and the polyrhythm of harmonics in synthetic sounds, stretching the boundaries between drone, minimalism and techno. Barbieri's minimalist focus arises from the exploration of the stratigraphic potential of voltage-controlled sequencers, in terms of polyrhythm and polyphony. Employing synthesis, psychoacoustics and repetition as key concepts, the italian composer stylizes the dancing of wave cycles in severe geometries of time and space.
All the tracks were played, recorded and produced in Stockholm, at EMS (Electroacoustic Music Studios) and KMH (Royal University of Music) in Summer 2013.

Released by:
    Cassauna/Important Records
Release date:
    8 October 2014


Vertical has been reissued in February 2016:
importantrecords.com/imprec/sauna22
cassauna.bandcamp.com/album/vertical

www.importantrecords.com
www.caterinabarbieri.com

--------------------------

Side A

Undular
Pneuma
Limen

Side B

Perspectiva
Traum_abc

Music composed and performed by Caterina Barbieri in Summer 2013
Recorded at EMS and KMH in Stockholm (SE)
Mixed in Bologna (IT)

Buchla Modular Synthesizer + vocals
Traum_abc vocals by Ellen Arkbro













Pneuma

made with synthesizer and
autumn light
https://www.pianobook.co.uk/packs/autumn-light/

speak

For this edit, we join the track about 5 minutes in... about the time it really starts moving.

...To Those Who Wait (Edit)

HOS-606
Ron Morelli-Laugh Taker
from the upcoming "DISAPPEARER" 2xlp
to be released September 21st 2018
via Hospital Productions

DISAPPEARER

Pre-Order here

RON MORELLI-LAUGH TAKER (HOS-606)

artwork by fred tougas 
fredtougas.format.com

norr

Ecstatic Computation 

Bookings: hg@outer-agency.com

Undular

caterina barbieri

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Rémi Boitier

Antoine K.

Modular Machine Records

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