Since 2002, le Forum de la Création Musicale is the official composers association of Fédération Wallonie-Bruxelles, and is strong of more than 90 members. 
Le Forum holds two festivals : festival LOOP and Belgian Music Days; is giving a prize for young composers (prix André Souris) and is holding regular workshops and events.
Le Forum is ISCM Wallonia-Brussels section and a member of ECSA

Harmonic Space Orchestra (HSO) is a Berlin-based experimental research and performance collective with Rational Intonation / extended Just Intonation at the core of its practice.

The new album out now: 'I Inside the Old Year Dying'

http://pjharvey.lnk.to/iinsidetheoldyeardying/

Bonnie Jones is a Korean-American writer, improvising musician, and performer working primarily with electronic music and text. Born in 1977 in South Korea she was raised by dairy farmers in New Jersey, and currently resides in Baltimore, MD. Bonnie creates improvised and composed text-sound performances that explore the fluidity and function of electronic noise (field recordings, circuit bending) and text (poetry, found, spoken, visual). She is interested in how people perceive, “read” and interact with these sounds and texts given our current technological moment. Bonnie has received commissions from the London ICA and has presented her work in the US, Europe, and Asia and collaborates frequently with writers and musicians including Ric Royer, Carla Harryman, Andy Hayleck, Joe Foster, Andrea Neumann, Liz Tonne, and Chris Cogburn. She received her MFA at the Milton Avery School of the Arts at Bard College. http://bonnie-jones.com

Freesound is a concert series based in Toronto, Canada.

Dedicated to ambitious, experimental, and innovative programming, Freesound presents concerts focusing on contemporary music for large ensemble as well as hosting and curating guest artists and ensembles from across Canada and around the world.

Aristic/Music Director: Paolo Griffin

Ka Baird is a performer, composer and sound designer based in New York City. They are known for their live performances which include extended voice and microphone techniques combined with electronics and psychoacoustic interplay of flutes and other woodwinds. They create a present tense sound with a vigorous, ritualistic delivery that seeks extreme release through physical exertion and psychic extension. They have worked/collaborated with many other musicians, artists, filmmakers and choreographers, both in structured compositions and in their dedicated practice of improvisation and interdisciplinary work.

Catherine Lamb is following