Field recordings from residency at Invisible Flock, Longside, Yorkshire Sculpture Park summer 2021.

Parabolic Mic Recording – Lower Lake (Map 3).WAV

Parabolic Mic Recording – Crickets (Map 4).WAV

James Turrell Deer Shelter RØDE NT - SF1 Microphone Recording (Map 1) .WAV

DPA - 4060 Mic Test Recording At Round Wood (Map 7).WAV

Contact Mic Inside Tree Roots (Map 6).WAV

Contact Mic Attached To A Fence Near Longside (Map 5).WAV

“There must be something strangely sacred in salt. It is in our tears and in the sea.” (Kahlil Gibran)

SALT

Mercury

Sulfur

Mercury Edit

Field recordings on location at Skye Edge pigeon lofts.

Calling The Pigeons Skye Edge

Field recording near Park Hill capturing the ambience of Skye Edge overlooking the city of Sheffield.

Park Hill - Skye Edge

Skye Edge Box Head Set 2

Much of my work relies on synergies and dialogues within the sonic landscape, that of impermanence, transience, and location and materiality as a methodology and process. By doing so a dialog is created which allows the materials to have their own voice. I work with field recordings to create acousmatic and electro-acoustic compositions. Transition and flux are of interest to me both as a sound artist and martial artist and inspiration is taken from sources including Chinese Philosophy and Martial Arts.

Caterina McEvoy

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