"The Consumer"
By Fit For An Autopsy

A desecration, a wasteland, a gluttons paradise
A world infected, a breed emaciated, a disgusting way of living life Ingested genetic pollution
Bleed the well dry
Pulsing through the arteries
Corroded swollen veins
Wallow in the swill of the storm drain runoff
Born blistered and sterilized
Bloated chemical backslide
Already drowning in the acid of the afterbirth
The wheels are turning in the wrong direction
The greatest of consumers
The sow of the masses
Unholy leaders of immoral sacrifice
Foreseeable panic
Devastation and havoc
Pig and man as one the butcher’s block
A desecration, wasteland, a glutton’s paradise
A world infected, a breed emaciated, a disgusting way of living life
Ingested genetic pollution
Bleed the well dry
Narrow corridors, slowly shrinking
Close the doors, the floor is sinking
The once proud face of man, embraced by hooks hung from the ceiling
House of Swine
Kingdom of Dirt
Feed The Flies
Gorging on the sewage of the earth
Shells of men
Polluted Worms
Spineless hosts
Bones left to burn
House of Swine
Kingdom of Dirt
Feed The Flies
Gorging on the sewage of the earth
Nothing but a smear on a timeline
A shred of nothing
House of Swine
Kingdom of Dirt
Feed The Flies
Gorging on the sewage of the earth
Shells of men
Polluted Worms
Spineless hosts
Bones left to burn
House of Swine
Kingdom of Dirt
Feed The Flies
Gorging on the sewage of the earth

The Consumer

INVOLUCION DE NEANDERTHAL COSTA RICA . Una descarga infectada de death metal tipo old school según cuentan los que saben, cavernoso, bestial. La primera banda underground del sur de Costa Rica desde finales de los 90s y que marcó a nuestro pzmetal que surgió en la escena Metal nacional alguna vez.
Una producción casi visceral que confronta rifs y guturales agresivos no comunes qué parecen del fondo de una fosa común contigo adentro. 

LA VISION

⚠ WARNING


"In Carnation" may very well be one of the most unrelenting, unforgiving, and brutal works in the history of extreme music – if not the most.


This album is likely one of the harshest, most unrelenting works in the history of extreme music.

It is not merely heavy – it is a raw, suffocating, merciless descent into the essence of being. There is no reprieve, no moment to breathe, no illusions of comfort. Every track is a deeper incision into the human condition — or what we think that is. This is not an album for the faint of heart. It offers no catharsis. Only the scalpel. Only the mirror. Only flesh.



What does it mean to be human?

IN CARNATION is not just a concept album – it's a dissection of self.
The title “In carnation” – a wordplay on “incarnation” (embodiment) and the Latin phrase in carne (“in the flesh”).

But this is no divine transformation. No mythic rebirth.
This is embodiment as fact. As prison. As transient mass of nerves, blood, memory and decay.

This album offers no conclusions. It poses a single, ever-echoing question:

“Are we more than flesh?”

Or is human identity just a cycle of growth, erosion, remembering and forgetting — wrapped in skin?

Each track explores a fragment of this process:
From the moment of first cellular split, through the descent into instinct and animality, to language as blade and belief as bile — all the way to the final, unbearable clarity:
There may be no “I” at all.
There may only be flesh that remembers. And then forgets again.

IN CARNATION is not a spiritual journey — it is a journey through tissue.
No light. Only echo. No meaning. Only matter.

And yet one question lingers like blood in the mouth:
If we are only flesh — who is asking the question?


Vocals: Sascha Häusler, Lisa Lex, Raphaela Hartmann, Andy Green
Guitar: Andy Green, Sascha Häusler, Lisa Lex
Synths, Programming & Drums Raphaela Hartmann
Bass: Thomas Kaiser
Raffaela Espinosa – Flamenco-Guitar
Noriko Mori – Koto & Taishōgoto & Shamisen

Concept & Lyrics: Sascha Häusler 

Do Not Resuscitate

Cattle Decapitation

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