modified an existing patch for this week's disquiet track - intentionally more sparse, fewer effects - leaving room for collaborators

patch with burst triggers going into plaits processed by rings, sort of call/response thing via beads, added a pulsing low end drone from a looping sample of a previous recording

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More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

disquiet0636 - spaced repetition

Thanks for stopping by - please enjoy what you hear! 🤗 Any time you want to look as well as listen, head over to the YouTube channel ...

Apparently, the ‘hai’ in ‘haiku’ translates to ‘joke’, ‘fun’, or ‘unusual’, which is part of the inspiration for the odd name of this venture; an evolving project nurtured by Darren Bourne, in collaboration with countless others, past and present. The ongoing obsessions of halF unusuaL are improvisation, chance and the music / non-music boundary, with the aim of (impossibly) creating sound worlds never heard before ... Thank you so much for your support 🥰

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

Ｌ C Ｅ Ｅ  Ｍ　
-Laboratory for Contemporary Electronic Experimental Music- 
was founded by Max Elzholz.

Max Elzholz (1963),buy 1982 his first Moog Synthesizer, studied fine art and worked as a painter, sculptor, experimental computer and robotics artist in the 90s -2000s in Germany and France - In 1998-1999 at Cité des Arts in Paris and at the beginning of 2000 as Interim professor in the field of Sound art and Sculpture - since 2004 he has been involved with his project Trampelfâd , the Neoilsomgroup and the ZW  Studio .
He has been a founder of the LCEEM since 2023.Work with experimental and electronic Devices.

Exploring the Serendipity -
Sonification - Aleatoric - Improvisation - Science - 
Electroacoustic Music- Non-deterministic Systems - Live-Electronics - 
Granular Sample Textures - Databending - Comprovisations - Abstract Music -..also a variety of live and online cooperations
https://youtu.be/T_lRIvlnQ20

https://scapeone.bandcamp.com/follow_me
Kurt Baggaley, also known under the alias as Scape One is an electronic music producer based in England. Over the course of his career his music has ranged from driving futuristic electro of his early EPs to more deep and experimental ambient electronica of his Tau Sagittarii releases. His output has gradually become more conceptual with works such as 2012's Natural Phases which focuses on down tempo stripped down low-fi beats with wave formed harmonics. 2015's Former Self consisting of intricate and a slowly building hypnosis of synth sequences.
https://soundcloud.com/kurt-baggaley
https://soundcloud.com/tau-sagittarii

I'm an avant-garde musician. I like to experiment with software, instruments, and everyday objects when creating on a song.

Music is my latest artistic passion; aside from being deeply invested in making music, I create digital art, drawings, paintings, mixed-media pieces, photography, photomanipulations, poetry, and short stories. All of which can be found on my DeviantArt: Leehon.

Thank you for reading and listening.

Creating eclectic music and enjoying the journey. 
I participate in Weekly Beats (as miraclemiles) and the Disquiet Junto. 
This account has my solo and Creatures Once band music.

☦️
Making computer music since 2005. Braindance, acid, IDM, ambient, folktronica, drum & bass, dubstep, orchestral, instrumental, new age, and more. Most of this music is free on Bandcamp.

Other sounds at http://ccmixter.org/people/softmartin
and on YT a synthesizer version of IN C
https://www.youtube.com/watch?v=Gx-5G1dvy3o

The Rigs involved cooperation with various musicians; in particular
Melanie Creighton ( steamengines & synthesizers)
Manuel Mario Celeste ( vcls, viola, gtr, synthesizers)
Mortimer Craddup ( bass, drums)
Carlos de Rimini : Drums, drum programming

What's the last thing the drummer said before being kicked out of the band?

"Let's try playing one of my songs."

Here are my songs.

disquiet0636 - spaced repetition

caustic_gates