This one is fucking bonkers. Another ridiculous mix

9.12

friday at sustain-release 2021, 12-2am. thank you karen nicole for the photo :)

thank you @sustain-release-nyc

livwutang @ Sustain-Release Year 7

Recorded live in studio from @refugeworldwide, a journey into the darkside of 2-step, garage, and proto-dubstep.

Big up the bad gyals, boys and theys!

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #9 Cape Fear: A Trip to the Darkside of UKG @refugeworldwide

CCL (@ccl-url) has many tricks and plenty of surprises up their sleeve. London-born, US-bred but now Berlin-based, they are playful in what they play but serious about how they play it, whether that's head spinning 160bpm cut, "cowgirl-breaks or wiggle steppers." The key for this multidisciplinary artist and former New Forms festival curator is to find the similarities and differences between shades of sound and rhythm and exploit them to spellbinding effect. As a producer, they are no different and have always managed to find fresh in-between sounds on labels like Fever AM and Discwoman. 

The singular DJ steps up this week with almost two hours of pure sonic adventure. It's a perfect showcase of how they can soundtrack imaginary worlds from humid future jungles to robot dances in the sky. You'll hear rhythms you could never imagine and contort your body in impossible ways, all while admiring the dexterity of the DJ who has threaded together such a trippy trip.

Dekmantel Podcast

Dekmantel Podcast 427 - CCL

@ccl-url blasted us all into space in their closing set atThe Grove on Saturday night.

Campout Mix Series: CCL

Kiosk & The Lot Radio proudly present their three-day broadcast at Horst Festival’s Moon Ra stage, showcasing New York’s and Brussels’ vibrant communities at one of Europe’s leading festivals. 

Listen back to this year's closing set by none less than DJ Fart in the Club.

www.kioskradio.com
www.thelotradio.com 
www.horstartsandmusic.com

DJ Fart in the Club | Kiosk x The Lot Radio x Horst Festival 2024

deep creep live at Horst Festival for Lot x Kiosk Radio Moon Ra Stage 2024

My set closing out Room 2 on the Saturday night of Freerotation 2024.

Pariah @ Freerotation 2024, Baskerville Hall, UK (06/07/24)

Words by Ceci (@ccl-url): 

"Special thanks to Steevio & Suzybee & all the volunteers, workers & dancers 💙

This is my recording from Friday night Room 2, 12:30-2am, my first time being at the mythical Free Rotation. Playing one of the first sets & seeing the room, decor and the big bad subs of Room 2, years of fantastical lore and reality melded, I wanted to keep it sexy, wonky, trippy— imagining a psychic electric swamp and how one would levitate thru it... to the sky. No bpm trickery this time. Out to the heavenly bodies of the universe! ;)

Mastered by Wordcolour"


i <3

ani/live Fifty Six: CCL @ Freerotation

naff0007 is from a close friend and one of our favorite DJs @livwutang

In Liv's words :

For this mix, I tried to find the sweet spot between sultry and haunting; cerebral yet somatic. It came together almost on its own—a gently cascading rabbit hole of tech and dubstep, guided by indulgent pads and dubbed-out chords.

Third track blends crafted for headphone listening : )

naffcast007 ⦾ ------  ࿔ ᶫwͥuͮtang ࿔ -------

INTERVIEW + MIX > https://inverted-audio.com/mix/eden-aurelius

For the 393rd edition of the Inverted Audio Mix Series, we are thrilled to present an hour-long sonic journey from @edenaurelius. Currently based in New York, Eden’s spent many years immersed in the DIY and club scenes of NYC and Chicago, her previous home before relocating two years ago.

Last year’s debut ‘Pleateau’ was one of our favourite releases of 2024. A potent mixture of ambient and dub techno, ‘Pleateau’ has only gotten better in the spin around the sun since it was released. It hooks you in with its unhurried rhythms that pulse with a vibrant spirit. The album feels like a welcome time out from the anxieties of constant connections and endless news cycles.

Along with recent output by Purelink (who are friends and collaborators), Eden’s work feels like an essential new chapter in the long, winding story of ambient dub. As Summer takes control, we caught up with Eden to talk about her musical beginnings, all time and current favourite albums, and upcoming projects.

Read

IA MIX 393 Eden Aurelius

Hessle Audio with Pearson Sound feat. Richard Akingbehin (Live from Open Ground) - 21 July 2025

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be?  For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. 

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Terre Thaemlitz / DJ Sprinkles

“A recording from pe:rsona in France, one of the most memorable sets of the summer for me!! 

I felt a connection to this crowd in particular and that’s not something that happens often. A lot of this is down to the people behind this festival, the pe:rsona/Positive Education crew are very intentional with what they do, they champion and support a lot of artists who aren’t necessarily ‘big names’. I think this cultivates a crowd that trusts in their curation, they’ve fostered this really special energy. 

I played on Friday night between two live sets, Christian Coiffure and Renslink. They are two incredible acts to be sandwiched in-between which inspired the set to evolve the way it did. 

Big big love to the crew and to everyone who danced with me ❤️”
- @emma-jane-g

Photo: Raphael Chene & Carla Lubrano Di Sbaraglione
Mastering: Devoye Folkes

subglow/Live 6: EMA @ pe:rsona '25

Breakdown - Louis Pardo

SPEEDY G

Lis Dalton _Mix 14

@subglow / liquidtime. 
CCL(they/them) liquefaction of rhythmic and melodic matter—combustive phase transitions through wiggle-steppers, trip-no, dub-core, cowgirl-breaks, trip funk, shoe-gays, drum & face.

liquidtime / subglow 
General Inquiries: cali@charm-artists.com
EU/Worldwide: alex@biota.agency
North America: michelle@thebunkerny.com

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #9 Cape Fear: A Trip to the Darkside of UKG @refugeworldwide

CCL

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