Name: CCL b2b Kiernan Laveaux Live @ Public Records [09.09.2022] by CCL
Duration: 3 h 48 min 30 s
Description: almost 4 hours bubs to bubs @kiernanlaveaux live from de sound room September 2022

oh my days this tune has changed my life. id on this would be appreciated soooo much. best set i've heard all in a while. on repeat <3

friday at sustain-release 2021, 12-2am. thank you karen nicole for the photo :)

thank you @sustain-release-nyc

livwutang @ Sustain-Release Year 7

almost 4 hours bubs to bubs @kiernanlaveaux live from de sound room September 2022

CCL b2b Kiernan Laveaux Live @ Public Records [09.09.2022]

Roza Terenzi at KWIA [03 Aug 2023]

Juanita's Mix 096 with Kia @kia-sydney

Q. How would you describe yourself?
A. easily distracted, busy bee, passionate, nomadic, pensive.. :)

Q. What was your last memorable club night in NYC?
A. nowadays nonstop in may was epic.. that room is honestly the dream in the right context. the lighting and sound is so on point and the energy during my set time was so infectious (I played 3.30-6am before the legend PLO man). also special shout-out to groovy groovy which i played in july :) DIY parties are always extra special when done right

Q. Tell us a little bit about this mix.
A. this is a very honest/ sombre personal diary I’ve been compiling all year. it’s almost for me the musical embodiment of an infinite plane ride.. watching the sun rise and then set and then rise again. also an ode to all the new & old people that were in my life this year.

this year brought lots of purgatory moments, lots of solo transit.. times of isolation and change, also new friends, positive growth, and people coming into my life… so I guess it’s supposed to represent the ups and downs, change and the journey,

I was struggling to finish the mix and it was sitting at 80% complete for the last little while but I feel like the current situation in Palestine </3 really inspired the missing pieces of the mix. for me, I use music and storytelling as an outlet for frustration and emotion generally. lots of old classics in this and pensive moments.. hope the listeners can feel some of that emotion through listening too..

Unknown Album

Juanita's Mix 096: Kia

Recording of Nosedrip's set at Dekmantel Festival 2023.

Dekmantel Festival 2023

Nosedrip at Dekmantel Festival 2023

DJ Frog (@djfrogunit) is a producer and DJ based in Montreal who releases music on Doo Records and also hosts a monthly show on CKUT.

Sparkling 02 | DJ Frog

Punk house and techno from a modern Midwest icon.

Every DJ has their own genesis story: a pivotal sound, a formative scene, a defining philosophy. In Kiernan Laveaux's case, her philosophy, rooted in psychedelia and experimentation, sets her apart. Inspired by Nine Inch Nails, Depeche Mode and New Order, she came of age in Cleveland’s acid house and queer party scenes, developing an ethos that constantly pushes dance music’s limits. Her DJ style is scrambled (in the best way), with zany tricks like scratching, creative EQing and modulation.

This approach reflects the Midwest's DIY tradition, where artists thrive in isolation and cultivate a radical disobedience, as seen in contemporaries like Eris Drew and ADAB. As Laveaux recounted in a 2023 interview with GROOVE Magazin, "Titonton Duvante once told me that being a Midwest DJ is about playing music from anywhere and making it sound like a piece of your spirit."

Spanning two and a half hours, Laveaux's RA Podcast showcases this spirit. It’s a testament to her decade-long career, blending tracks from friends and cherished memories into a transcendent mix. It’s "music to shake your hips to and decalcify your pineal gland." (For the curious, the pineal gland helps regulate your circadian rhythm.) RA.963 will make you dance and think in equal measure—a beautiful, restless and resolutely wicked journey through a singular imagination.

@kiernan-laveaux

Read more at ra.co/podcast/963

RA.963 Kiernan Laveaux

*recorded live in Field, ON at Best Out of Town Year 4 (09/01/24)

Ciel was gracious with her eight hours on the beach, offering an extended trip through house and techno’s touchpoints before dropping it down and bringing the whole festival together for a downtempo singalong. In truth, we’ve come to expect this fidelity and care from Cindy. Memories of old Geary Ave, 500 Keele, the grotto, and community radio rebound through these blends, solidifying her place as one of the Toronto underground’s biggest exports of the past half decade-plus. Take a listen and enjoy the ride.

@ciel_dj

Ciel // Best Out of Town Year 4 (09/01/2024)

An episode that feels well overdue yet thoroughly worth the wait! A titan of the Naarm underground music scene, Pjenné has been a kindred spirit and longtime pal since the early days of MDC, and it's no surprise that her contribution is packed full of gloriously deep and immersive feels, bassy and driving in parts and light as a feather in others, speaking to a palette that has been meticulously explored and continues to evolve along with her incredible weekly radio show on PBS, Passing Notes. 

@pjenne

Q. What sounds of feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. For this mix, I wanted to channel the energy and sounds that I associate with Melbourne Deepcast rather than drawing on the darker side of my sound palette that has been at the fore of my radio and club sets of late. MDC means so many things to me, but there’s definitely an energetic, grooviness that comes to mind and this is what inspired the mix. Although the mix does showcase parts of me (heavily atmospheric, emotive and a few downtempo tracks for good measure), I’d say this is more of a mix for you. :) I imagine this mix being listened to outside, on a sunny day, but when you might also need a little extra pep in your step. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. The first that came to mind is a track by Sean Cusick and Medway (Jesse Skeens) - It is an incredibly beautiful and emotive breakbeat track from 2002 on Saw recordings, there’s just something about how the vocals and the pads wash over you - although its upbeat there's also a sombreness to it and I just think its the whole package. 

Towards the end of the mix there’s also a very very classic ambient trance number, Lazer Worshippers by Damon Wild & Tim Taylor from 1993 - Not the most deeply dug track but it's a classic for a reason.

Q. You have been lovingly broadcasting your weekly radio show Passing Notes on PBS for six years running, which is a serious achievement! Tell us what you did for your sixth anniversary on International Women's Day, and what keeps you inspired to broadcast the show week in week out?

A. It’s been a wild ride that’s for sure! I really appreciate that International Women’s Day marks each yearly anniversary of Passing Notes - it reminds me to stop and reflect on each year as an achievement that I would probably otherwise forget in the chaos of life. This year I enlisted the help of Syrian DJ and Harmony Rec affiliate Zeynep, who provided an excellent, playful and sassy celebratory guest mix. 

As for my inspiration to keep going, I’d say that I draw from the collective power of electronic artists locally as well as internationally. There’s just so much good music to share, and Passing Notes enables me to provide a crucial connection between ‘underground’ electronic music and the wider music community. I'm also inspired by live radio as a format - it provides a sanctuary for me from the highly curated nature of music today and allows me to be more playful in the way that I explore different sounds. To me it is a place free of judgement.

MDC.308 Pjenné

A clinic in minimal from the elusive Acting Press boss. 

Why do certain sounds cultivate a cult following? Simply put, it's often because they resist easy consumption. PLO Man and his imprint Acting Press lean into this. 

Searching for the Berlin-based DJ and producer, you won’t find much online presence, interviews or conventional PR. What you will find, if you look hard enough, is a catalogue of records and mixes with a kind of tape hiss charm (a spiritual successor to Basic Channel and Chain Reaction, but scuzzier and lighter on its feet).

Founded in 2015, Acting Press once seemed to belong to the short-lived "outsider house" trend, but is now synonymous with a certain strain of modern minimal, one that is analogue, spacious and pointedly opaque. PLO Man's output is equally sparse by design: this week, he joins the RA Podcast with a characteristically elusive style, accompanying the near two-hour mix is a one-answer Q&A that gives almost nothing away.

Stripped-back, ever-so-slightly sleazy and coated in dust, PLO Man's RA Podcast continues that lineage in style. Opening with the featherlight microhouse of Margaret Dygas, RA.988 unfolds into a carefully curated spectrum of minimal, dub and deep techno. Among familiar names—look out for the blinding Rhythm & Sound and Moodymann blend—are deep cuts and left turns alongside the odd outlier, like lovers' rock pioneer Gregory Isaacs.

Like the best of his forebears, PLO Man wants RA.988 to take time for you to settle in. But once you do, you won’t want to leave. 

@p_el_oh

Find the tracklist and interview at ra.co/podcast/988

RA.988 PLO Man

TheElephantFoot

@subglow / liquidtime. 
CCL(they/them) liquefaction of rhythmic and melodic matter—combustive phase transitions through wiggle-steppers, trip-no, dub-core, cowgirl-breaks, trip funk, shoe-gays, drum & face.

liquidtime / subglow 
General Inquiries: cali@charm-artists.com
EU/Worldwide: alex@biota.agency
North America: michelle@thebunkerny.com

CCL b2b Kiernan Laveaux Live @ Public Records [09.09.2022]

CCL

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CCL b2b Kiernan Laveaux Live @ Public Records [09.09.2022]

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