Berghain - part 7

This is the fifth stand-alone EP from him for Electric Deluxe, on top of his last LP ‘Comedy Of Menace,’ and offers three more exquisite samples of what the techno veteran does best. Almost a counter-point to Fixmer’s last EDLX release-the dubby, warmed through ‘When The Sun’ EP-’Bells’ is a homage to the pitch black dance floors of the night, with all his hypnotism and industrial hues in place. “Bells” opens right in the thick of it, with alarm knells and viscous vapours swirling round a lasso loop that will hook you until sunrise. “In Chains” is it’s raw cousin-just as dark, unsettled, and riled with analogue sounds. But as midnight begins to dip into eternity, closer “Subspace Two” offers up a lasting sunny reprieve. The EP ends on a serotonin-soaked moment where dub, techno and house close their eyes and sway as one. ‘Bells’ is a versatile record, which sees Terence Fixmer cater for every nocturnal occasio

BELLS E.P

Answer Code Request | Breathe

!To even start saying something about the remixers or mention their biographys or discographys would mean to expand this infosheet to a book-sized techno history volume.
!We say thank you for all the support over 20 years and thanks again for really heartfelt remix work we’ve received from our friends to realize this huge project.

K-Remixes (Digi Plus Edition)

Richard Bartz - Subway Pt. 1 (Mark Broom Remix) Snip

LIMITED DOUBLE vinyl: http://www.somarecords.com/shop/music/soma_lp107/

Lewis Fautzi | The Gare Album [SOMALP107]

1 - Signal
2 - UVB-76
3 - The Other Side Of Reality
4 - Sick
5 - Range
6 - Loudness
7 - Opaque
8 - Hope
9 - Binary
10– Psychiatric
11- Other Planet

Soma welcome the debut album from the ever-growing roster of youthful talent as Lewis Fautzi drops The Gare Album, named in homage to The Gare Club, Porto, where Lewis made his discovery of Techno. A bold 4 track single debut gave rise to the album process midway through 2013 and under the careful supervision of Soma, Lewis has provided a definitive peak in his sound cultivated on the back of years of studio work. A collection of deep, dark and twisted techno awaits heralding a coming of age for the Portuguese native.

A droning, industrial vibe is immediate from the outset as Signal crackles into existence giving way to the cavernous UBV-76 with its concrete swathes of noise. High intensity pings form the depths give a sense of what is to come. Intriguing, broken beats deepen proceeding as Lewis takes things to The Other Side of Reality. A momentarily respite before he begins to open things up. Blocker takes the tempo up a notch with a thumping kick and looped out chaotic synths that slowly build the tension. This brooding atmosphere is carried on into the tweeked out and mesmerizing Sick, the punishing, bleeped workout of Range and the relentless, discord of Loudness. By this point Lewis has really worked up into a frenzy. Tight percussive workouts keep this album firing on all cylinders. A short interlude is offered as Opaque drifts quickly through the chaos of this straight to the floor album. Through the darkness, a glimmer of Hope shines through, albeit a cold and fleeting techno version as Lewis leaves you bare and bleeding. Yet more dance floor action as the elasticated synths of Binary (recently remixed by Spanish techno don Oscar Mulero) tear through the backbone of the album. By far Lewis’ most destructive track. The static buzz of Psychiatric is a welcome come down from the headiness of the previous track allowing Lewis to lead us through the black hole, ending on the Other Planet. It’s swirling, vortex like pads sliced open with subtle percussive, other worldly bleeps. A fitting end to this hyperactive techno journey.

A definite maturity in production shines through on this fantastic LP from Fautzi as he creates a cold and calculating output, clearly focused on the future. The Gare Album has allowed Fautzi to express himself fully through electronic music, a task that he has taken to whole-heartedly.

Mastered by Conor Dalton @ Glowcast Mastering

Released by: soma
Release/catalogue number: Soma LP107
Release date: Mar 24, 2014 

8. Lewis Fautzi - Hope [Soma Records]

DE Vs. Troit - Phos (Nimsk Remix)

Format: Vinyl + Digital
Release date: August 2014
Label: Affin LTD

Pre-sale

MTD - Ground [AFFINLTD020]

Mezzanine

Teardrop (feat. Elizabeth Fraser)

FB: https://www.facebook.com/KeithCarnalNL/
RA: https://www.residentadvisor.net/dj/keithcarnal


A2 Shallow (Original Mix)| ARTS017

Warm Up

Pavement

Zerone

Woody McBride - Dr. J aCiD

Violence and Divinity

Cut Unconcious

"Remixed 002" by @bluehour909, featuring a remix of "Common Ground" by Mark Broom alias @beardman, will be out on June 5 through Blue Hour. More info: bit.ly/BluBroo

Remixed 002

Info

Blue Hour - Common Ground (Mark Broom Remix)

Drexciya - Lost Vessel

The Beautiful & Damned

Him & I

Brain Rock Remixes Part 1

Brain Rock-1 (Twr72 Remix)

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

07-Up the box

NO KEY

Deep Thought

Tessela - Hackney Parrot

Untitled / One Touch

Untitled 1 (Taken from Moveable Parts Chapter 1) (Mark Broom Edit)

soundcloud:tracks:944867614

Berghain - part 7

cdalmau