The track offers a critique of the perceptual approach to contemporary musical forms. Largely through its use of mellow tones and a dissonant chorus, it incorporates themes of both post-structural and modernist theory. Moreover, its casual racism is meant to act as a narrative reflecting the struggle of the post-modern individual in contemporary society. 

Lyrics:
Korea, is the greatest country, in the world
It melts my precious heart away 
Korea, the land of the morning calm
Tears in my eyes, I love it, i love so much

Korea is Number One in Plastic Surgery
The Wan is our money, it is our national currency
Korea maintain good exchange rate at all time
Korea have no bad people and no crime

Korea Number 1
China number 2
Korea Number 1
China number 2   

China backwards and communist, they have no samsung 
They copy our products, they have knock off samsung
People in China no speak freely 
They are oppressed, only one child family
In Korea, everyone is equal
In Korea, everyone is equal except if they are ugly

Korea Number 1
China number 2
Korea Number 1
China number 2

No other country have 250 kinds of kimchi 
No other country have little size wee wee 
This is a fact, but keep it between you and me
Korea’s excellence is not for all to see

Korea Number One

"Beyond politics, the West is suffering from what can be called a crisis of brokenness - broken institutions, broken families and broken souls"

This track can best be understood as a partial critique of a Bauerian perspective. The institution of the family is intertwined with the structures of Western thought. While it is unclear whether or not the decline of the family is merely a reflection of the decline of more broader societal norms or vice versa, from a post-modernist perspective, the individual is at the centre of it all. As relativism takes hold, society continues to regress into moral degradation. 
While it may seem that this track offers a more cynical view of the process itself, it is merely a representation of the chaotic nature of the individual's struggle. By internalizing the "mutherphuka", the post-modern individual has disintegrated the vague lines that otherwise distinguish normative social conceptions . In the process, the social sanctions otherwise associated with taboo have been delegitimized - through hyperbole, this track expresses one path the individual can take, to be consistent in their position and apply new age deconstruction to each compartmentalized sphere of their life. 


Lyrics: 
When i was a boy i was a MP
But now i’ve grown i’m a FP
They no happy that i P them
But in revenge they P me back as well

We are all P P P
Let’s be proud P P P
We are all P P P
Lets all be proud P P P (Chorus)

P is taboo in most societies
But P your family is much worse
Why should we worry about P at all
When we can all be P all the time

(Chorus)

We P each other over all the time
So why is P your father still a crime
Society should move past its primitive laws
In P your parents, there is no flaw

(Chorus)
 

Mutherphakas

According to Mead, the individual could not be understood without first understanding social interactions and communication. In fact, the individual mind and the self arises out of an entirely communicational process. This process predominantly occurs through two mechanism: a conversation of gestures and language - a conversation of significant gestures.

This track attempts to critique Mead's work by delving into an absurdist approach towards music theory. Instead of contributing to the development to the self in a meaningful way, this track attempts to deconstruct Meadian theory by introducing a third category into the communicative process. This neb-Meadean and Absurdist model simultaneously borrows from modern art the notion of "intentionality" and applies it to musical theory. The listener should ask themselves what exactly the artist intended when composing this track, and whether or not that matters at all. 


---No Lyrics----

Popepz

Orion Pie By Two

From an Epicurean perspective, the existential concept of fulfillment is best understood in terms of pleasure. In this piece, the hedonism, or lack thereof, is conceived by the artist as a superficial yet wholly relieving form of fulfillment. It seems then that in the modern world, the artist, having established the absurdity of life, indulges in pleasures that are both only incrementally relieving, and yet still have a power over him. Without them, his meaningless life is not only unfulfilling in the metaphysical sense, but also in the most primal and physical sense. 

Lyrics:
Life is never fulfilling, but we know that
We wait for rare moments, to cut some slack
I was in one of those moments, not long ago
into this meaningless life, pleasure i would sow

Somewhat drunk, I stumbled outside the door
To smoke and fuck, I desire it to my core
It was a cold winter night, i searched my pocket
The only thing i could find was my wallet

I forgot my cigarettes
I forgot my condoms 
Emptiness, only a silhouette
I've finally hit rock bottom

I forgot my cigarettes
In my time of need
Without my condoms, my heart will surely bleed

I forgot my cigarettes
I forgot my condoms
Hapless and aimless, a priest that’s shameless
I wander and squander, how am i to ponder
about such a night where my only salvation
a short lived, but bittersweet temptation
is gone, its lost, tt's my damnation
for i’ve lost this most wonderful creation
of birth control and nicotine
My soul shattered into smithereens
And i wish i gave a fuck about anything else
But i don’t, and i won’t, and i shan’t, and i can’t, 

My cigarettes and my condoms were all i needed that fateful night
To save myself from misery, to regain my sight
of what is most important - what feels good, a fuck and a smoke, a hit and a stroke
How can such a misery befall such a miserable being?
Because a smoke and a fuck is eternally freeing

CIgarettes And Condoms

This track offers a critique of the expectations of immigrants on how they ought to perceive the United States - as grandiose and unmatched. Through the use of repetition in its lyricism, as well as the choice of words themselves, it is a representation of the absurd. 
Alternatively, it draws on from literature often present in the sociology of the mass media. Mirroring the hypodermic syringe theory, the voice behind the track is producing exactly what has been fed to the subject - a hyperbolic, rhetorical, celebratory, and boastful story of the United States. 

Lyrics:
America, America....
America!
America is best country in the world, America is best country in the world
America!
America: liberty America: freedom liberty freedom liberty freedom!
America!
(Woah!)
America!
America America America!
America is best country in the world
America is best country!
America is best country in the world
America is best country.

The Immigrant Song (Censored)

We write songs that aim to disintegrate cultural barriers that otherwise predominate both academic discourse and pop culture. Through our music, we aim to encourage discussion in a manner which does not make it prey to the heteronormative, and racist undertones of contemporary music and thought. We hope that, as an individual living in a post-modern world, you are better able to grasp concepts which we feel are fundamentally important to deconstruct and understand, but impossible to access given the verbosity and and overcomplexity of 21st century modes of free expression and reasoning.

Casual-Determination