A journey from airy ephemeral tones and textures that ultimately settles back to earth in a nostalgic theme centering around the instrument that originally launched my interest in music. 

Intro developed from initial experiments with the Xoac digital frequency shifter. Later ethereal tones emerge from sequencing a series of chords on the E370 at audio rate, creating a complex blur of tonally related pitches.

Cloud scene photo shot at Hudson View Apartments in Beacon NY and treated with Paint Shop Pro with apologies to Rene Magritte.

Coming Home

Elements - Available on Bandcamp

mabu - tribal chiefs and corporate commissars

return of (Der Untergrund)    atze187 &RÖBOT

Scraping My Pain, Then I Heal (2021) | Michele Abondano

The village stood on the slope of a steep hill and faced north-northwest, overlooking Wadi Salman. The Jerusalem-Jaffa highway ran immediately southwest of it, and dirt paths linked it to a group of neighboring villages. Although the identification of the village has been debated by biblical scholars, Lifta is believed to have been established on the site of Mey Neftoach, a source of water near Jerusalem. The site retained this name during the Roman period and was called Nephto during the Byzantine era. Almost nothing is known about the village in the early Islamic period; however, during the Crusades the village was referred to as Clepsta.

The fighting in Lifta, as well as the adjacent Jerusalem districts of Rumayma and Shaykh Badr, was triggered by the Haganah in the earliest days of the war. The History of the Haganah states that “Securing the western exit of the city [of Jerusalem] entailed the eviction of Arabs from Romema and Shaykh Badr. Afterwards, the Arabs also vacated Lifta.“ Other sources supply further details. According to Israeli historian Benny Morris, the Haganah fired the first shots in December 1947, killing the Palestinian owner of a filling station in Rumayma, on the grounds that he was suspected of informing Arab forces about the departure of Jewish convoys to Tel Aviv. The next day, a grenade was thrown at a Jewish bus.

Palestinian historian ‘Arif al-‘Arif adds that a coffeehouse in Lifta was attacked on 28 December with Sten guns and submachine-guns, and that six of the patrons were killed and seven wounded. The New York Times account puts the number of dead at five, adding that members of the Stern Gang halted their bus outside the cafe, sprayed the patrons with machine-gun fire and threw grenades.

Al-‘Arif writes that most of the residents of Lifta left after the attack on the coffeehouse and the rest evacuated soon afterwards. These actions were followed by a number of others, with the Haganah, Irgun Zvai Leumi, and Stern Gang repeatedly raiding both Rumayma and Lifta. In neighboring Shaykh Badr, the Haganah blew up the house of the mukhtar on 11 January, and two days later launched a second raid in which twenty houses were damaged. Most houses on the eastern periphery of Lifta were also demolished. Morris adds that the purpose of these demolitions was to turn the Palestinian residents out of their homes; to a large extent, this goal was achieved. By 7 February 1948, Jewish Agency chairman David Ben-Gurion expressed his satisfaction with the results of the attacks at a meeting of Mapai party leaders: “From your entry into Jerusalem through Lifta - Romema, through Mahane Yehuda, King George Street and Mea Sharim - there are no strangers. One hundred percent Jews.“

sraeli Settlements on Village Lands
The settlements of Mey Niftoach and Giv’at Sha’ul were built on village lands and now have become parts of the suburbs of Jerusalem.

The Village Today
Most of the houses remaining on the site are deserted, although some have been restored for the use of Jewish families. A basin that had been built around the spring in Wadi al-Shami lies in ruins. The mosque and the village club are still visible, north of the spring. Adjacent to the mosque, on the western side, is a cemetery covered with bushes and wild grass. The village orchard of  fig and almond trees is located at the bottom of a wadi along a stream flowing from the spring. Jewish families have moved into three of the old village houses. The ruins of other houses are visible in various parts of the site. In 1987, the Israeli Nature Reserves Authority planned to restore the “long-abandoned village“ and and to turn it in an open-air natural history and study center that would “stress the Jewish roots of the site.“ This project, with an estimated cost of $10 million, would be financed from donations.

BedouinDrone - Lifta

Pre-order available now - https://handstitched.bandcamp.com/album/anatomy-of-infinity-oriens

Offthesky - Anatomy of Infinity 
Soysea - Oriens
HS49/49T
Released: 7 July

Handstitched* returns with a new release in the split-artist series - where two artists feature back-to-back on both CD and tape. Offthesky and Soysea meet somewhere in the middle for this amazing release. Both of the artists' music compliment each other very nicely, a perfect pairing of musical minds and sound.

Offthesky makes his second appearance on Handstitched*, after the mesmerising "to break is something sacred" long-player in 2019. Jason's new work "Anatomy of Infinity" features three epic pieces, shrouded in timeworn mystery, far-eastern echoes shine through, glistening and descending through a contrast of discord and awe-inspiring beams of light. 

Soysea makes a welcome appearance on Handtitched* - after hearing his music previously we were excited to get a chance to release "Oriens". Michele's music is nicely-rounded, understated drones and subtle vocals carry the listener through longitudinal divisions, meaningful and with purpose, the music is splendid, soulful and thought-provoking. 

It's amazing to get the chance, once again for another Offthesky release, this time alongside Soysea - the music is simply elegant, and contentment, which Handstitched* is very happy to put proudly out-there. Each format is limited to 50 copies each. The tape release is slid into hand-made, creased, folded and assembled cotton rag O-cards, the CD release comes in hand-made gatefold sleeves with mixed-media collage cover artworks, every design is individual, unique and made by hand.

Thanks for listening  : )

Offthesky / Soysea - Anatomy of Infinity / Oriens HS49/T [s4mpl3r]

Golden Flower

Relaxing + Dance

Cloud Rap Type Beat Skybound 2025

A soundscape of old fabrics and forgotten buildings been ruined due to acid rain, breaking down stone, metal and flesh...
Included in the official Lambmother's EP "Black Rain", also available on:
Apple Music / iTunes: https://itunes.apple.com/us/album/black-rain-single/1259979793
Spotify: https://open.spotify.com/album/591t0j6QiBRauGu72vrYel
Bandcamp: https://lambmother.bandcamp.com/album/black-rain

Elements - Available on Bandcamp

7NINE

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