Download Conifer for free/PWYW on Bandcamp: http://badbandit.bandcamp.com/album/conifer

Ghosts

7″ picture disc vinyl limited to 1,000 pieces. Features a cover of D’Angelo’s classic “Devil’s Pie.” B side is the instrumental.

Hanni El Khatib - "Devil's Pie" (D'Angelo Cover)

Pop Rock

DEEP IN YOUR SOUL

London producer Hector Plimmer takes Afriquoi's diasporic African sound into deeper electronic territories, with soaring melodies and Shabaka Hutchings’ reverbed sax forming the foundation. Released on Record Store Day on Wormfood & One House Records.

Read more & buy: http://www.stampthewax.com/2017/04/07/premiere-afriquoi-starship-hector-plimmer-remix/
Listen on Youtube: bit.ly/starship-plimmer

Listen on Youtube

Afriquoi - Starship (Hector Plimmer Remix) (STW Premiere)

L'Eclair, a beautiful soundtrack to your groovy life..

Buy the album --->https://rockthistownrecords.bandcamp.com/album/rttr002-cruise-control-by-leclair

L'Internationale Prog

"I love The Expansions their futuristic leanings inject new life into the form. Fresh material!" Ian Merchant (Black Acre)

“Exudes all the qualities I cherish most in music, warmth, integrity and a dedication to the groove… it’s a hard road to travel when you step in the footprints of giants, The Expansions are treading that path with ease and assurance.” Patrick Forge
=========
When The Expansions self released their first single in 2013, the laid-back jazz funk of Lavender, it quickly gained strong support from soul and rare-groove aficionados including Kenny Dope, Dom Servini, Patrick Forge and Andy Smith. A run of shows followed and before long, when someone was asking if there was a soul-jazz band around to play with, “The Expansions” was the answer. 

Although this popularity meant a hiatus in releasing music, the band have been constantly busy, playing around Europe with legendary British-Ghanaian soul singer, Andrew Ashong and the exceptional, upcoming talent Connie Constance. 

But always, The Expansions has remained a central focus and the true home of these four jazz and soul lovers, with occasional trips out to the country to form ideas and practice new music for the eventual album. 

Murmuration, recorded over three days at Big Noise in Southend, is constructed of single takes, with minimal overdubs, as the band attempt to capture the feeling and energy they create live. 

Debut single Breakthrough introduced the insanely catchy but deeply soulful blend of synths and groove, but here on the album that is explored to the fullest with longer breakdowns and more expansive, experimental solos. Pocket 5 displays the, possibly unexpected, influences of broken beat and almost combative rhythm playing – particularly in the complex guitar and keys breakdown where Koor and O’Keefe layer conflicting time signatures and battle to ride it out to the heavy drum return. 

Cannonball brings warm mellowness that delicately evolves through beats, touching on bossas alongside their fundamental hip-hop sensibilities. But even here there is a raucous zenith before the band sublimely recede into the silence of the a-side ending. 

Colossal album highlight Ivory Mountain is truly an epic. Evoking moments of 4Hero, there is a lightness of groove in the first half of this soulful exploration. But at the halfway point, all restraint is let go as a live string section joins the four quarters of the band for three glorious minutes of soulful disco. Evoking sounds of Quincy Jones, George Benson and Johnny Hammond, all the way through to a beautifully cacophonous finale. 

Dragonfly undoubtedly reflects on the work of Herbie Hancock and is the most direct throwback to the band’s earlier work, which is a welcome marker of how far they have come. A quintessential jazz funker. 

The album closes with the thoughtful and introverted shuffle of Miles Away. In the final eight minutes of Murmuration, The Expansions allow space and time to take precedence, with once-more-restrained peaks and developments. It becomes clear though, that the band cannot resist one last explosive finale, as they rise with screeching synths, strings and dubs for a perfect race to the finish line. 

You can hear the influences of Idris Muhammad, Grover Washington, even parallels with South London peers Yussef Kamaal and Ruby Rushton. But The Expansions have tirelessly worked to create a sound of their own and are very proud, along with label Albert’s Favourites, to finally share it.

Cannonball (Murmuration Preview)

The Expansions - Cannonball (Radio Edit)

Nncy

Holy Hive, the group that coined the genre Folk/Soul, comes out swinging with this monster of a two-sider. The A side “Oh I Miss Her So” is pulled from their recently released Harping EP: a drop dead gorgeous tune of love and longing featuring the harping of Mary Lattimore. The tune serves as a testament to The Hive’s gift for songwriting and arrangement, taking the listener on a ride from the first notes of Paul’s falsetto to the outro featuring Dave Guy’s (The Roots) gorgeous trumpet solo.The B Side is The Hive’s crushing cover of Sunny & The Sunliners’ classic “If I Could See You Now”. Homer’s world renown drumming provides an instant dance floor backbone to the tune while Paul’s signature vocals add a welcome twist giving the original version a proper run for its money. This cover is pulled from the forthcoming Big Crown Records label compilation “Dear Sunny...” a collection of Sunny covers done by the roster of Big Crown artists.

Buy the single in all formats here: 

BIG CROWN WEBSTORE: https://bigcrownrecords.com/store/bc088/

Stream on Spotify:
https://open.spotify.com/artist/1AcZuMRjIAdmksbzApOXnw


Follow Holy Hive:
https://www.instagram.com/holyhivemusic/
https://www.facebook.com/holyhive
http://www.Holyhivemusic.com

Visit us at:
https://bigcrownrecords.com 

Follow Big Crown Records: 
https://open.spotify.com/user/bigcrownrecords
https://www.instagram.com/bigcrownrecords
https://www.facebook.com/bigcrownrecords
https://twitter.com/bigcrownrecords?lang=en
https://soundcloud.com/bigcrownrecords
https://www.mixcloud.com/BigCrownRecords

Buy at BCR

Holy Hive - If I Could See You Now

"KEXP"

"Khruangbin - Evan Finds The Third Room (Live on KEXP)"

https://elparaisorecords.com/releases/martin-rude-jakob-sk-tt-duo-dichotomy-control

Martin Rude (Sun River) & Jakob Skøtt (Causa Sui drummer) team up for their 2nd album in 2020, following their acclaimed debut The Discipline of Assent. All basic tracks were cooked up from a new session on July 7th in Causa Sui’s Jonas Munk’s studio. This time around, the duo took it’s time to modulate a few ideas into several takes, but maintaining an “onwards and upwards” attitude, often relying on an original impulse or idea snagged out of the ether.

The result is a meeting of groovy electric jazz, open guitar tunings and buzzing electronics. As one reviewer remarked about their previous outing: “like one of those films where the protagonists fall through walls into completely different sets”, which is fueled by the fact that Martin alternates between double bass & guitars. The session was thoroughly produced by Jakob Skøtt, adding layers of percussion, electronics, samples, edits & effects. A duo rarely sounded this band-like before, yet the telekinetic raw vibes of the basic layers shines through. It’s a deeply layered sound, where opposites are erased:
Organic, yet synthesized.
Chaotic, yet organized.
Dissonant, yet melodic.
Jagged, yet groovy.
Experimental, yet enjoyable.

"Khruangbin - Evan Finds The Third Room (Live on KEXP)"

Celio Agostinho

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