i like this part. Random sounding, but as described in the wiki its a compilation of intervals testing perceivable pitch and as it goes on the pitches get shorter and less audible. it also has a concrete feel to me. I like it. Inspiring for my own piece.

i like the tension created between bell sounds

The way he created the work is interesting.

"Sets of six values determine the entire work. Pitches are drawn from a series of intervals: a falling minor tenth, rising major third, falling minor sixth, rising minor tenth, and falling major third."

Parts of it remind me of the music from Nosferatu.

This is mentally intense stuff here. It's certainly got the math behind it to back that up. I love the way this sounds but I'm curious what could be made using the same techniques Stockhausen uses here in terms of resembling certain melodies that could fit into other, less experimental genres: could you use those methods to make a pop melody? What would it sound like?

Musique Concrète, mixte, ou acousmatique - 1910 à auj

'Here Comes Trouble' is out digitally on Speedy Wunderground on 26th August & on 12th November on limited 7" (250 copies)

Listen / download / pre-order here - https://ffm.to/sw037_joyeria
https://www.speedywunderground.com/

SW037 // Joyeria - Here Comes Trouble

Karlheinz Stockhausen - Studie I (1953)

Concerto For Bassoon, String Orchestra, Harp And Piano/ André Jolivet

HTRK "Psychic 9-5 Club" out April 1, 2014.

Pre-order "Psychic 9-5 Club" in The Ghostly Store: http://www.theghostlystore.com/products/htrk-psychic-9-5-club

HTRK - Wet Dream

It's Just a Flesh Wound, Darling

Гудковая симфония, "Symphony of Factory Sirens" by Arseny Avraamov is one of the most influential - yet forgotten pieces of electronic/industrial music.

Produced by Arseny Avraamov, it was performed as a public event in Baku on November 7, 1922, it celebrated the 1917 October Revolution. He was also able to create a powerful and immersive sonic experience that celebrated the modernity and technological advancements of the Soviet Union.

Volksmusiksendung posts music for educational value only.

Arseny Avraamov - Symphony Of Factory Sirens

Earth Beat

Dominique Lawalrée (b. 1954) is a composer born and based in Brussels. First Meeting is Lawalrée's first archival release to date. Culled from four different albums originally self-published on his private label Editions Walrus, circa 1978-1982, this compilation highlights the composer's unique sense of ambient and minimal composition. Originally considered for release on Brian Eno's Obscure Records, Lawalrée's music is now no longer hidden. 

In this collection, the listener finds the sounds of piano, synthesizers, percussion, wurlitzer, organ, and voice, all performed by Lawalrée. Using these tools Dominique creates miniature themes that gallop across the speakers in slow motion, stretching our normal sense of dynamics and color, effortlessly widening the stereo plane. On “Musique Satieerique,” Dominique pays homage to the influence of Satie with simple repeated piano figures and a lush field of organs and flutes. And on other selections, like “Le Maison Des 5 Elements,” he takes a more wistful, ambient approach, layering keyboard lines, and invoking found/tape sounds to create a hypnogogic world of his own. Childlike in its playfulness and surreal to the bone, the music spins like a carrousel placed inside the Rothko Chapel. Lawalrée’s sense of timbre, tone, and overarching composition is like an impression of a home movie whose charm lies in its knowledge of intimacy, shared by few. An incantation of innocence.

First Meeting

Dominique Lawalree - La Maison Des 5 Éléments

Into The Night

Èlg - Vu du dôme (GRVTS012)

A1 La véritable genèse
A2 Panorama
A3 Ce sérum monstre
A4 Au bûcher
A5 Soeurs de crin
A6 Hourra
B1 Intermission
B2 Feu au club
B3 Maisondieu
B4 Un filtre en or
B5 Nouvelle lune
B6 Salvador

Vu du dôme

Buy at Boomkat

Èlg - Panorama

Violin: Lelie Cristea
Piano Accompaniment: Tamilla Guliyeva
Sound Recording by Arthur Jogerst

Darius Milhaud |  Corcovado for Violin & Piano

LIVE@ The Percy Grainger Museum (Dani Kirby - Vocals, Mat Ward - Bass)

Olivier Messiaen: Oraison, arranged for Electric Guitar and String Quartet (2019)

Carla dal Forno's "Took a Long Time" taken from a forthcoming LP release 'Look Up Sharp' out October 4th on Kallista Records.
Written and produced by Carla dal Forno
Video by Ludovic Sauvage

Direct pre-order: https://carladalforno.bandcamp.com
Retail pre-order: https://smarturl.it/LookUpSharp

Karlheinz Stockhausen - Studie I (1953)

CEM 350

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Cooper LaRocque

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