Original soundtrack for 2009 film Sidewalk Sisters (Yasam Arsizi) Directed by Yasemin Alkaya. All music composed and produced by Cem Adiyaman.

Derek Elley, senior film critic for Variety wrote: “Cem Adiyaman’s energizing, folkloric-like chamber score is a big plus.” while reviewing the movie Sidewalk Sisters.



Yasam Arsizi - Uyanis Akustik

Original soundtrack for 2009 film Sidewalk Sisters (Yasam Arsizi) Directed by Yasemin Alkaya. All music composed and produced by Cem Adiyaman.

Derek Elley, senior film critic for Variety wrote: “Cem Adiyaman’s energizing, folkloric-like chamber score is a big plus.” while reviewing the movie Sidewalk Sisters.

Cem Adiyaman: Upright Bass, Guitar, Ud, Cümbüs, Percussion, Melodica, Keyboards, Vocal
Onur Yüce: Tenor Saxophone
Çagatay Elitok: Harp
Toygun Sözen: Alto Saxophone
Nitsa Çukurel: Vocals
Jeff Peretz: Guitar



Yasam Arsizi - Cenaze Muzigi

Yasam Arsizi - Tunel Harp

Cem Adiyaman Soundtrack Sampler
All music is composed and performed by Cem Adiyaman

Cem Adiyaman - Oud, Upright Bass, Cumbus, Percussions, Guitars, Melodica, Keyboards
Harel Shachal - Clarinet, Alto Saxophone (5,9)
Onur Yuce - Tenor Saxophone (3)
Skye Steele - Violin (5)
Cagtay Elitok - Harp (1)
Toygun Sozen - Alto Saxophone (5,7,11)
Tolga Yildiz - Acordeon (4)


Ya Cikarsa - Gures

Gise Memuru - Trafik

Gise Memuru - Uc Elma

Cem Adiyaman - Guitars, Double Bass, Vocals
Omer Oztuyen - Viola
Gulsah Erol - Cello
Cag Ozcag - Cello
Kubilay Gurbuz - Bass Clarinet

Gise Memuru - Kristal

Gise Memuru - Trafik Kisa

Gise Memuru - Sabahlari Zor Uyananlar

Gise Memuru - Robot

Gise Memuru - Baba Akustik B

Gise Memuru - Alaloa

Gise Memuru - Baba Akustik A

Gise Memuru - Robot Kisa

Gise Memuru - Kara Simsek

Gise Memuru - Baskasinin Isittigi Koltuk

Gise Memuru - Baba

Cem Adiyaman (b. 1981 in Ankara, Turkey) is a Multi-instrumentalist Turkish composer for film soundtracks and contemporary music.

Never having a formal music education, while studying civil engineering in Ankara and Design in New York, he always tried to produce his own material and further investigate different genres of music. Developing a big interest in jazz and upright bass at a young age he took private lessons for a year without having an instrument and after getting one he played standards and avande-guard jazz in clubs and hotels around Ankara. He wrote jingles for popular tv shows, produced tracks for singers and expanded into more electronic music genres.

After moving to New York in 2003, he started working with aspiring film makers and started providing original film music for their short and feature length movies. Being interested in Turkish Classical Music, he immersed himself in traditional Turkish and gypsy musics as well as contemporary New York music scene.

Cem Adiyaman

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