Samples

In 2014 I created a tribute mix for the music of Mouse and No Name (also known as Auto-Psy and Erase Head, or "The Michelson Sisters"). It spread around the internet quite quickly, was re-posted by many famous DJs and producers (and other people), and is by far my most listened-to mix - all plays combined, it has something like 18,000 plays in total.
As the point of my tribute mixes is to put music from the past that is often overlooked or pushed aside in favor of other (and probably lesser) music into view again, I hope with that mix I maybe succeeded a bit.
But the output of these marvelous producers is more vast than what could be featured in one mix.
So it was due time to do a follow-up to the original mix, many years later, that focused on other output by these two - who are, in my opinion, two of the best, most creative, and most awe-aspiring producers ever!
To give a bit of background and info to Mouse and No Name for those who might not be familiar with them yet (but how could that be possible?) I included the text I wrote for my original mix, too:

i have always been intrigued by the music of stella and poka michelson. to me, it is some of the most complex, complicated, intelligent music ever made. levels and levels of beats; noize; ambiance; abstraction; is built on top of each other. they're so far away from the "dumb gabber" and "speedcore" most people think of when the word 'hardcore' is mentioned. is this hardcore? is that even techno? it is more like art - real art, abstract, maybe it would belong more to a gallery, a museum, than to a party were people dance - if museums wouldn't be so boring!
i can't find many artists that could compare to this. the sheer level of complexity is overwhelming. some of the best somatic responses productions could compare - in complexity and experimentation of sounds. or the most intricate construction of underground PCP via acardipane. yet, maybe it is not right to compare this music - as it plays in its own universe. frantic noise, shrill, alien screams - often driven home by a powerful bassdrums, and killer punctured beats and hits. for some reason, i never compared this so much with other music, but to other forms of art, movies, pictures. this would fit well to dystopian cyberpunk picture, an onslaught of screeching robots pacing through a destroyed, wrecked industrial wasteland.
there are so many things i am missing in most hardcore that are in the michelsons' productions; changes of beats, tempo, complex track structures with many twists, beginnings, endings, turnarounds. lengthy intros of weird noises, laughter, ambient drones. some michelson records fetch high sums at collectors at this time, and rightfully so.
while many other of their contemporary artists around their decades became quite "famous" by now, known also to the dreaded "gabber" and "breakcore" crowd, the michelson sisters still seem to be kind of a secret hint, with a cult following. yet, they are already legends, in their regard, in their own way.

Tracklisting: 

01. No Name - Control
02. Auto-Psy - Ovoide
03. Erase Head - Dead
04. No Name - Latex
05. Auto-Psy - If
06. Auto-Psy - Andropose
07. Erase Head - Terzog
08. No Name - Message
09. Auto-Psy - Clear
10. Auto-Psy - T4
11. No Name - 0.Vin I
12. Mouse - Davakint
13. No Name - 001100010
14. Mouse - Boîte À Musique
15. Mouse - Temporis
16. Mouse - Vitrine
17. Mouse - Untitled 1
18. Mouse - Otoctone
19. No Name - Reaktion

Low Entropy - Tribute Mix To Mouse And No Name Part 2

SONGMASHING TORTURE SET LIVE 4/29/23 
SOUTH FLORIDA HARDCORE!!!!
HCWND <3
TRACKLIST - 
DJ DANO + LIZA N ELIAZ - ENERGY BOOST (THE TWINS ARTCORE REMIX)
REVIVER - GABBERS IN MEMPHIS
GOVLINK - FRAN ARISE WWW INVADERS
JENSEN INTERCEPTER + DJ FUCKOFF - BOY U NASTY
DEEJAY CHAINWALLET - KILL A SOUNDBOY
DOORMOUSE + GARTEX - WE ARE FUCKING CRAZY
5LAUGHTER - GABBER IN THE TRAP
RXKNEPHEW - SOMEBODY COME GET HER
FORGIATOS BOOTLEG I RIPPED FROM HERE: https://soundcloud.com/weeromeo/glory
SEARCH & DESTROY - REACH THE SKY (REMIX)
NE-YO - CLOSER
MURDER CLUB - ANOTHER KESHA DIE YOUNG MURDER CLUB FLIP
REPEATER - COLLISION REPAIR SPECIALIST
HERMANOS KAPIYA - SUPERMAN (DEMO EDIT)
NURSE - LIZ VICIOUS
SUBLIME JUPITER SNAKE DUO + DONKEY BASKETBALL - CRUDE OIL
SHIVA CHILD - TRIPPIN (JUNGLE EDIT)
EPSILON - NO TRY
BLP KOSHER - JEW ON THE CANOE
3 DA HARD WAY - ORIGINAL RUDE BOYZ (DJ GORDON'S MIX)
DJ ROB + TIM B FT. DA T MC - BLEEDING EARS
RAVEROBBER + HOZZ + TANG + MURDER CLUB - COLD CYPHER
YEHME2_WUKI - THROW IT(MURDER CLUB HARDCORE EDIT)
NASENBLUTEN - CUNTFACE

GATERROR @ BACKYARD BEATDOWN 4/29/23

DJ Enthrall & Angstorm / D.K Dance – Untitled
Label: 45+8 – 45+8 01
Format: Vinyl, 12", 33 ⅓ RPM
Country: France
Released: 1999
Genre: FrenchHardcore/DarkIndustrial/Experimental/Gabber

DJ Enthrall & Angstorm - Extr. S.O.S.

Released in 1998 on the 'Snipers At Work' EP (Ambush 04).

A riposte to the then current 'Techstep' sound.

Produced on an 8-bit Amiga 1200 computer with 4MB of RAM using the OctaMED tracker program (which gave you 4 channels to 1 output).

Mash The Place Up

Mash The Place Up (1998)

Praxis U.S.A. was a compilation originally released in 2000 as a double 12" on Deadly Buda's label Deadly Systems, at the time based in Los Angeles. Compiled by Christoph Fringeli with all original material by Base Force One, Hecate, Mechos, Kovert, DJ Scud, H & The Jackal, Nomex and the notorious "Something Violent" by DJ Scud & Christoph Fringeli.
The record was re-released as two single 12"s in 2006.

Here's the final track by DJ Scud & Christoph Fringeli, titled Something Violent which is a kind of remix of two different tracks in one, Something Stronger by Scud from Ambush 01 and Welcome to Violence by Base Force One from Praxis 27.

Written & Produced by Christoph Fringeli and Toby Reynolds
Graphics by Deadly Buda.
This was also the "title song" of The Molehill Report #1
https://datacide-magazine.com/the-molehill-report-1-january-2022/

"....Chance of Successs? - 100%!"

Noise & Politics links:
https://linktr.ee/noise_politics

Praxis U.S.A.

DJ Scud & Christoph Fringeli: Something Violent [from Praxis U.S.A., 2000, Deadly Systems 007]

It is what it is and it ain't what it ain't.

Live at Dominator Netherlands

Live SpeedCore to HardCore recorded at Boucherie Sonore Act.3 - 24082024
 
This is Le Talium Extreme !

Live Boucherie Sonore Act.3 24082024

Revisited set (first part) of project speedcore dungeon
All tracks by EXM / Fanatic Speed Killer


Speed Pain Mixx

The finest 47 minutes of Bloody Fist's entire existence as a label occurred sometime in early 1997 on a forgotten week night, when a live set by Memetic (Ian Beckwith / Darren Blayden) was performed using two battered Amiga computers. This particular live set encapsulated perfectly the Bloody Fist sound and aesthetic of the time: hectic, rough, unpredictable, industrial, furious, crunchy, idiotic, surreal, defiant, smart-arsed and reckless. It happened at the legendary Hunter On Hunter Hotel in Newcastle, Australia and was recorded on a battered cassette, then released on Bloody Fist as FISTC-15, a split cassette with Fraughman later in 1997.

It has been ripped from the original deteriorating cassette and uploaded here for you and your poor neighbours. 

Memetic Recorded Early 1997 @ The Hunter On Hunter, Newcastle, Australia

Made in 2007.
Was the basis for https://soundcloud.com/cep2plet/15-metalbeats-ie.
Was the basis for https://soundcloud.com/cep2plet/metalbeat-phaser-stretch-echo-quartet.
Was the basis for https://soundcloud.com/cep2plet/flying-hall-dimension.
Was the basis for https://soundcloud.com/cep2plet/voice-metal-flange.
Was the basis for https://soundcloud.com/cep2plet/crazy-beats.
Used in https://soundcloud.com/cep2plet/cep2plet.
Used in https://soundcloud.com/cep2plet/you-are-cep2plet.
Used in https://soundcloud.com/cep2plet/we-are-cep2plet.

CEP2plet Makes Crazy Beats (Sample)

From Hammerhead Rhythm Station.
This instance is from 2007.
Served as the basis for https://soundcloud.com/cep2plet/cesnod-cachne.
Used in CEP2plet - We Are CEP2plet.

Hammerhead User Banks; Breakbeats 4; Number 4 (Sample)

Made with Cool Edit Pro 2.
Made in 2017.
Used in https://soundcloud.com/cep2plet/cep2plet.

This is the executable file coolpro2.exe (Cool Edit Pro 2) in waveform.

coolpro2.exe (Sample)

Made with Cool Edit Pro 2.
Made in 2017.

Seven random PDF files from my hard drive.

.pdf Files (Sample)

Made with Paint and Cool Edit Pro 2.
Made in 2017.

2000x2000 pixel image of blue, yellow, green, and red, in that order, in the following file formats: monochrome bitmap, 16 color bitmap, 256 color bitmap, 24-bit bitmap, JPEG, GIF, TIFF, and PNG, in that order.

Color (Sample)

Made with Cool Edit Pro 2.
Made in 2017.

JAR files from the lib folder of the Java Runtime Environment 1.8.0.141.  They are charsets.jar, deploy.jar, javaws.jar, jce.jar, jfr.jar, jfxswt.jar, jsse.jar, management-agent.jar, plugin.jar, resources.jar, and rt.jar, in that order.

.jar Files (Sample)

Prometheus Burning - Beyond Repair (Xanopticon Rmx)

/-\.|2.'|'.|.$.'|'...:
(.().|\|.|_./-\.|\|.C-.[-.|2...:
|).|2.[-./-\.|\/|.[-.|2...:
|\/|.[-.|\/|.[-...:
|\/|.(_).$.|.(...|\/|./-\.|<.[-.|2..:

|_.().().|<…|=.().|2...|\/|.`/…
(.().|\/|.|\/|.[-.|\|.'|'.$.../-\.|\|.|)…
|2.[-./-\.|)...|\/|.`/...'|'.|2./-\.(.|<…
|).[-.$.(.|2.|.|*.'|'.|.().|\|.$...'|'.()…
|\|./-\.\/.|.C-./-\.'|'.[-...'|'.|-|.|2.().(_).C-.|-|…
'|'.|-|.[-...'|'.|2./-\.(.|<.$...|...(_).|*.|_.()./-\.|)...
/-\.|\|.|)...|2.[-.|*.().$.'|'..:

|.|=.../-\...'|'.|2./-\.(.|<...|-|./-\.$..."(Original)"...
"(CD Version)"...().|2..."(CD Sample)"...
|.|\|...|.'|'.$...'|'.|.'|'.|_.[-...;
'|'.|-|./-\.'|'...\/\/./-\.$...|=.().|2...
/-\.|2.(.|-|.|.\/.|.|\|.C-...|2.[-./-\.$.().|\|.$...
().|\|...|\/|.`/...|*./-\.|2.'|'..:
'|'.|-|./-\.'|'...|.$...|\|.().'|'...|*./-\.|2.'|'...().|=...
'|'.|-|.[-...'|'.|2./-\.(.|<...'|'.|.'|'.|_.[-...:

'|'.|-|.[-...|).[-.(.|.|3.[-.|_...|_.[-.\/.[-.|_...|=.().|2...
|\/|.`/...'|'.|2./-\.(.|<.$.../-\.|2.[-.../-\.'|'...
$.().|\/|.[-...-1/n dB...
\/\/.|-|.[-.|2.[-...n > 4..:
/-\.|)._|.(_).$.'|'...'|'.|-|.[-...\/.().|_.(_).|\/|.[-...
().|=...`/.().(_).|2...$.|*.[-./-\.|<.[-.|2.$...
/-\.(.(.().|2.|).|.|\|.C-.|_.`/...|=.().|2...
$./-\.|=.[-.$.'|'...|*.|_./-\.`/.|3./-\.(.|<..:

|\/|.().|2.[-...|_.|.|\|.|<.$...|=.().|2...
|\/|.(_).$.|.(...|\/|./-\.|<.|.|\|.C-...:
https://us.metamath.org/
https://oeis.org/
https://inspirehep.net/
https://complexityzoo.net/Complexity_Zoo
https://neugierde.github.io/cantors-attic/
https://www.wolframalpha.com/?source=nav
http://www.philtulga.com/MusicalMath.html
https://en.wikipedia.org/wiki/Morse_code
https://squarekufic.org/
https://www.nikoli.co.jp/en/
https://artofislamicpattern.com/resources/educational-posters/
https://www.getty.edu/publications/virtuallibrary/pdf/9780892363353.pdf
https://db.biblhertz.it/noack/steno.xml

Hammerhead User Banks; Breakbeats 4; Number 4 (Sample)

(.[-.|.2.|.|_.[-.'|'...

Recent comments

(.[-.|.2.|.|_.[-.'|'...

Related tracks

Hammerhead User Banks; Breakbeats 4; Number 4 (Sample)

(.[-.|*.2.|*.|_.[-.'|'...

Recent comments

(.[-.|*.2.|*.|_.[-.'|'...

Related tracks

(.[-.|.2.|.|_.[-.'|'...

(.[-.|.2.|.|_.[-.'|'...