Le Songe Des Palladins ( In Dub 2021)

Fowl And Fruit

spilled out from tangles invites the listener into an intimate space, to take a seat beside the singer, and to pause; to visit four delicate soundworlds, each of which explores in its own way the intimacy and physicality of the human voice. These four pieces were written for Juliet Fraser over the past five years. As a collection, they represent a partial survey of the solo repertoire for voice and tape/electronics Juliet has been building in recent years, but also of a generation’s compositional approach to the voice. Displaying an understated lyricism, these composers’ approaches show the breadth of creative possibility for crafting a sonic environment for the voice to inhabit.

Lisa Illean writes music of extreme sensitivity and refinement, of shifting shades and wide-open spaces. 'A through-grown earth' combines voice and pre-recorded lines for harp, strings, voice, electronic material and retuned zithers, resulting in an undulating texture that gently turns between microtonal modes and non-tempered tunings. 'Heave', by Sivan Eldar, is a work that questions the boundaries between matter and forms, and that tells a story of growth: out of the earth, into one’s own body and,  finally, memory, blurring all distinctions as the protagonist slips from earth into skin, body into light. Nomi Epstein describes 'collections for Juliet' as ‘a recording project piece for voice created from a detailed set of instructions and a small catalogue of ‘collections’ of three or four glissandi. A great richness emerges from this material through the detail heard at the micro-level and an overwhelming physicality is evident as the voice painstakingly rises and falls. Lawrence Dunn uses a twelve-note Just Intonation tuning system in 'While we are both', combining voice with fixed media that constantly drifts, reflecting perhaps the states (waking, awake, asleep) and times of day (light, morning, dark) found in Caitlin Doherty’s text. The effect is an uncanny combination of blazing harmonic brightness overlaid with long, aqueous ripples.

Soprano Juliet Fraser has a repertoire dominated by the very old and the very new. Juliet is an active commissioner of new music and has worked particularly closely with composers Rebecca Saunders, Bernhard Lang, Michael Finnissy, and Cassandra Miller. She regularly performs as a guest soloist with ensembles such as Klangforum Wien, Musikfabrik, Ensemble Modern, Plus-Minus, and Talea. Juliet is a core member and co-founder of EXAUDI vocal ensemble as well as the founder and artistic director of the eavesdropping series and symposium in London.

spilled out from tangles

A through-grown earth

HCR23 | Lisa Illean: A through-grown earth [excerpt]

Resurrection Sunday

Aucun pilote

The pronotum is a prominent plate-like structure that covers all or part of the thorax of some insects.

Pronotum

Jaka Berger - prepared drums
Marina Džukljev - piano
Samo Šalamon - acoustic guitars

Music by Berger, Džukljev and Šalamon
Themes by Jaka Berger

Released at FMR records (UK) in 2019.

Physical copy avaliable:
marinakeys@gmail.com
or
www.fmr-records.com

released May 3, 2019

Recorded by Jure Gruden
Mixed and mastered by Jure Gruden and Jaka Berger
Recorded in Dejan Berden studio in 2018
Artwork by Brgs

https://marinadzukljev.bandcamp.com/album/fresh-dust-trio-hilarious-experts

Fresh Dust Trio - Coal Trains

ラミニウス

Caribdis

Two worlds, photography and Sound Art mixed together.
/ latente / photo book by Claudio Rosa and music by SAN Ā T ANA.

Analog photography, used as a means of orientation within a new collective human condition, intimately reveals a vitality forced into domestic environments where presences and absences interpenetrate and coexist.

The Frames
Photographs taken using an analog point-and-shoot camera loaded with 400 ISO Kentmere black and white film. The entire process of shooting, developing the negatives and acquiring the images was performed by the artist in his own laboratory.

The Music
7 short compositions based on repetition were born as a function of the image. The geometries and the superimpositions of the different planes intersect and interpenetrate, showing a vitality not yet considered. The music therefore tries to tell what is hidden but which somehow re-emerges, generating a loop of different states of being.

Claudio Rosa, visual artist, originally from Sant’Antioco, carries on his double research on visual perception and on the reuse of objects of mass consumption characterized by a strong geometry. His art seeks the spontaneity of a child's play but does so through a methodical, and even obsessive, semantic processing, apparently cold but deeply linked to childhood.

SANĀTANA aka Marco Salaris is a musician born in Sardinia in 1988. His music has its roots in Noise and Drone Music, developing and finding new trajectories more akin to Electroacoustic and avant-garde music. His creative process is articulated around the improvisation, listening and sound processing practices, typical of Electronic Music. In 2019 he released his first solo album "SANATANA" for the SUPRANU Records label.

supranurecords.com  
credits
released January 11, 2021

Composition: Marco Salaris aka SANĀTANA
Percussion samples: Giacomo Salis L 01, L 02, L 04
Graphics and Handmade book: Claudio Rosa
Communication and management: SUPRANU Records
Master: TeraMastering di Marco Vincis

all rights reserved

/ latente /

L 05

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Hulusi For Ghosts [disquiet0478]

Founded in 2009, Huddersfield Contemporary Records (HCR) is a label devoted to new music. Based at the University of Huddersfield, and established in partnership between CeReNeM (the Centre for Research in New Music), Huddersfield University Press, and hcmf//, HCR features both established and emerging artists at the cutting edge of music making, including diverse innovations in instrumental composition, electronics, and free improvisation. HCR releases have been recorded and produced both in-house at the university and with a broad selection of professional partners, including hcmf//, ZKM, and Radio Bremen, and have attracted exceptional press attention for a label of its size. HCR produces outward-facing compilations, internationally contextualised but centred on new music in the UK. The label develops concept-driven releases, typically featuring a single performing artist and multiple composers, often drawing on the resources of CeReNeM’s industry partnerships and its international research network.  
 
Since 2015, HCR has been exclusively distributed by NMC Recordings.

HCR23 | Lisa Illean: A through-grown earth [excerpt]

HCR: Huddersfield Contemporary Records