Dengue Dengue Dengue - Simiolo (Cero39 RMX)

Bacilah coqueta - DDD! & LRDLM

SON PALENQUE !!!! OTRO hit de PALENQUE RECORDS


DISCO LANZADO EN 2012 - disponible everywhere

A Pila El Arroz- SON PALENQUE- del disco Kamajanes de la Musica Palenquera

Names You Can Trust presents the debut vinyl release from Romperayo, a new band led by drummer Pedro Ojeda (Los Pirañas, Frente Cumbiero, Ondatrópica). Further expanding the burgeoning live music scene of Bogotá, Colombia and featuring many of the same talented family of musicians, Romperayo similarly takes its musical cues from Colombia's rich musical history. These recordings dive deep into the country's coastal traditions with a unique present day twist via the inspired percussion of bandleader Ojeda, a melting pot of rhythms played with his own manic flare and style.

El Busetero Buscapleitos is deeply inspired by the rhythms and textures that made their way through the Caribbean and into the local picos (sound systems). A nod to musical outfits of the 1970's such as Wganda Kenya & Son Palenque, the song is a mixture of styles from West Africa, Trinidad and Haiti married with popular Colombian rhythms of the Caribbean coast like cumbia and chandé.

Que Viva La Vida y Que Muera La Muerte derives from the other coastal region of Colombia, the Pacific. Inspired by the Afro-Colombian form curralao, traditionally played with wooden drums, shakers & a marimba, it is here updated and electrified in a stripped down tribute to the grand orchestra of Peregoyo y su Combo.


Recorded in Audiovision Studios, Bogotá.
Mixed by Eblis Alvarez at Isaac Newton Studios.
Mastered by Frank at The Carvery, London.

Composed & Arranged by Pedro Ojeda.
Pedro Ojeda- Drums & Percussion
Eblis Alvarez - Synthesizers
Ricardo Gallo - Organ & Keyboards
Juan Manual Toro - Bass
Marco Fajardo - Saxophone


Buy Vinyl

Romperayo - El Busetero Buscapleitos

STREAM/DL: protun.es/NOIZE820

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Colorgasm

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Rex Colter - Colorgasm

Nirsonico es la faceta digital de DJ Nirso, después de 15 años trabajando con la música en sus formatos más clásicos, desde bandas de rock hasta grupos corales. Rodrigo comienza a explorar el mundo digital, irónicamente, sonando muy orgánico. Ritmos tropicales basados en tambores, música de alma negra de Sudamérica y el Caribe.

Ser brasileño es una gran influencia en su sonido, mezclando estilos musicales de diversas partes de su país con el sabor de la cumbia. Esa mezcla es parte de las intenciones que quiere manifestar en este EP, buscar nuevas maneras de aproximar la música brasileña con la música del continente sudamericano. Un universo de colores que vibra y danza en conjunto.

REG030 
Producción y Composición: Rodrigo Fonseca (DJ Nirso) 
Masterización: Andreh Torres (RDStudio, Brazil) 
Mastering: Alvaro Ernesto
Diseño: Maria Da Gandra, Maaike van Neck, David Bugueño*
Producción Ejecutiva: Colectivo Regional
08 de Junio, 2015.

*Ilustraciones tomadas del libro World Musical Instruments (Pepin Press)

Free Download

DJ Nirso - Cumbiambera Tripolar (Señor Chancho Remix)

Classic bass

Here's a new song,
Hope you like it, please give feedback :)

Do not copy my music track

you can believe that   version 4

Dat Garcia presents Maleducada  

A voice emerges, materializing, curing. Analog feelings, ancestral glitch. 

Along the sun’s cosmic belt, the renewal of Argentine folktronics takes another twist: the movement - regional, continental and global - has emerged with a strong female presence in the Buenos Aires scene. Enter Dat García, one of the freshest and most captivating female artists out there right now. ZZK Records welcomes her to the family and invites you to listen to her 1st album, Maleducada (Un or poorly educated). 

Maleducada is Dat’s way of expressing and exorcizing through song the bad emotional upbringing common among so many young people of her generation, the children of adults censored during the tough times of 1980s Argentina, when the military dictatorship silenced, oppressed and even murdered many of those dedicated to artistic or political expression. While women were brought up to be respectable housewives and good mothers, the youth of an empowered generation was born alongside democracy and today they walk the streets of Buenos Aires. 

Dat is one of the spokeswomen and storytellers of the new women’s movement that questions traditional values and emphasizes body consciousness to construct a new more equal society. 

“We weren’t taught to be free to feel, nor were we taught to eat well or look after our bodies. Researching this made me realize that we are emotional machines, and that can translate into health or disease,” says Dat, who during the production of the album went through a healing process to recover from a rare form of cancer, which motivated her investigation into the power of the emotional over the physiological and expression as healing therapy. That’s where Maleducada came from. 

Dat García grew up in Monte Grande, on the outskirts of Buenos Aires, and from a young age she was involved in Argentine folklore music. In 2013, she immersed herself in digital music, opening up a world of tools for expressing her inner sounds, with the help of Pedro Canale aka Chancha Via Circuito. There, Dat started to flirt with the idea that styles ranging from chacarera to trip hop, sounds of synths, charango and flutes, could all be mixed together. Her powerful music is composed with lyrics that invite the listener into her world and a groove in which the timeless Latino folklore gene persists. 

This is a golden age. While in 2006, Zizek was first a club night and then a sensation, ten years on ZZK is a combination of a school, a platform, a record label, and an audiovisual production company, bringing together voices and sounds for the digital generation. Dat dialogues with the panorama of new (and old) women’s voices in the region like Mariana Baraj, Sofía Viola, La Yegros, and also Juana Molina and Li Saumet. And at the same time, her work crosses over with the whole scene of this golden age, where producers are free to make the music they want, inspired by past traditions but always looking towards the future. 

Dat forms part of this new generation of musicians who explore their roots, manifesting in new ideas, with new technologies. Dat has a timeless vision of what folklore is, one that speaks of a being and a feeling. “You don’t need to make music in an adobe hut in the middle of the Pampas to feel that it’s folklore. There’s a ton of stuff we do with a weight of tradition behind it that we don’t see. And a lot of it comes from everyday life, from emotion, from the feeling of the people.” 

If up until now the digital folklore scene was almost exclusively a men’s club, Dat Garcia comes in to flip the switch and change the paradigm and make sure women’s voices are heard, telling powerful, profound stories that welcome us to her world of folkfuturist sounds and aesthetics.

Maleducada

Dat Garcia - Nunca Olvidarme Mi Acento

There’s something brewing in the Ecuadorian underground.  In 2015 ZZK Records introduced the world to the sensorial sound of Nicola Cruz, shortly after in 2016, Mateo Kingman.  This year has seen numerous projects emerging from Ecuador’s effervescent and vibrant scene, none more exciting than EVHA.    
  
It isn’t the past, it’s now, and it’s magical. El Viejo Hombre de los Andes, EVHA (The Old Man of the Andes), is a band formed by four creators who put heart and soul into everything they do: combining ritual dance rhythms, faraway plateau choirs and sacred songs with bold contemporary beats. 
  
Recovering the ancestral protests of traditional Ecuadorian music (“Uiuí”), urgent calls for nature's protection (“Todo su cuerpo brilla”), the repetitive striking of the hoe in the field and the endless green of the forest. But also combining textures of laughter, deep rivers and majestical lakes, Ecuador’s magic captured in sound.   
  
We find refreshing and delicate electronic glitches transitioning into hip hop-influenced voices from mountain top ceremonies among fast looped marimba arpeggios, contrasting beats and touches of ambient.  This ethno-electronic experiment is full of flavors from various regions; sanjuanito, pasillo and bomba sample flirtations with ethereal beats. 
  
The record El Viejo Hombre de los Andes has a clear connecting thread, absorbing forms and colors from native Ecuadorian music and strengthening them into a tight conceptual construction with captivating and current sounds.

EVHA - Caminar a Donde Sea

Ruido Selecto - Piratería Caribeña y Contrabando
FMX 005
Folcore Records website: https://folcore.org
NEW! -> GET EP tracked version: https://folcore-records.bandcamp.com/album/pirater-a-caribe-a-y-contrabando

Acerca de Ruido Selecto:

Ruido Selecto es un proyecto de música electrónica que adopta ritmos jamaiquinos y tropicales como materia prima de su sonido, en esencia la música negra es un claro referente y por esta razón su estilo sonoro incita a la danza y al baile como se refleja en sus producciones y presentaciones en vivo a través de un poderoso live act. El proyecto es creado por Juan Esteban Herrera, guitarrista, explorador sonoro y productor musical de la ciudad de Medellín - Colombia.

Acerca de Piratería Caribeña y Contrabando

Es un mix con música original pensando en la conexión Africa - Caribe, inspirado en los barcos de la diaspora que alguna vez trajeron consigo la esclavitud pero que también trajeron el ritmo, nuevas músicas y la cultura del trueque a gran escala a lo largo del continente americano. 

El mix fue grabado en formato live set en el cual se emplearon sintetizadores, máquinas de ritmo y un sampling frenético, todo esto bajo una estética dub, el resultado suena a selva tropical con patrones rítmicos ancestrales, un viaje chamánico que evoca también la verbena del caribe colombiano con lineas acidas de un bajo sintetizado.

About Ruido Selecto

Ruido Selecto is an electronic music project that adopts Jamaican and tropical rhythms as raw material for its sound, in essence, black music is a key part of the sound of the project and for this reason its musical style incites to dance. 
The project is created by Juan Esteban Herrera, guitarist, and music producer from Medellín - Colombia.

About Piratería Caribeña y Contrabando:

It is a mix with original music thinking about the Africa - Caribbean connection, inspired by the diaspora boats that once brought slavery but also brought the rhythm, new music and the culture of large scale barter along the continent. American.

The mix was recorded in live set format in which synthesizers, rhythm machines and a frenetic sampling were used, all this under a dub aesthetic, the result sounds like tropical jungle with ancestral rhythmic patterns, a shamanic journey that also evokes the verbena of the Colombian Caribbean with acid lines of a synthesized bass.

<a href='https://theartistunion.com/tracks/cae053'>Download for free on The Artist Union</a>

Dengue Dengue Dengue - Simiolo (Cero39 RMX)

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