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J'ai tant fouillé la terre
à la recherche de traces de toi
Puis j'ai enfoui profond
tous les restes de nos repas

Et je n'savais que faire
J'ai modelé avec mes doigts
ton corps en glaise
Et j'l'ai avalé
Je n'sais pas pourquoi

Ingurgiter ton image

0078 Forefinger

Aïsha Devi’s “Of Matter and Spirit” LP is due for release on 2nd October via Houndstooth.
Pre-Order 2xLP / CD: http://store.houndstoothlabel.com/of-matter-and-spirit.html
Pre-Order on iTunes / Google Play: http://found.ee/AD-OMAS-DL 

PR: Kathryne Chalker - kathryne@insideslashout.com

Continuing from her Conscious Cunt EP released on London’s Houndstooth label, Aïsha Devi’s debut album Of Matter and Spirit sees the Swiss-Nepalese producer and vocalist further her highly personal project.

Here, the conceptual musician and label owner resumes her dark and intricate self-journey, described as both an identity search and spiritual quest challenging our perception of reality and the possibility of alter-invisible dimensions, ‘the disconnection between matter and spirit in our society’.

‘Mazdâ’ is “an ‘R’n’B incantation. It’s about burning the ego and finding inner peace. It's a meta love song.” 

Of Matter And Spirit

Mazdâ

Buy album

Aïsha Devi - Mazdâ

Kam gjetur këtë shirit në një shportë plehrash

Young Hearts Run Free

Speech Therapy

Kali Malone - Black Gate I

Encantada

https://bank.bandcamp.com/album/salpinx

BNK-011
Wetware - Salpinx
Track - Fuck Them All

Free track

Salpinx

Fuck Them All

Wetware - Fuck Them All (BNK-011)

READ > inverted-audio.com/visual/music-video-gosheven-well-tuned-dreams

Today we are happy to premiere @gosheven ‘Well Tuned Dreams‘ @opal-tapes alongside an eerie video which features apocalyptic footage of explosions (and various other graphical evidence of human madness), spaceships, children either playing or being controlled by adults.

Gosheven - Well Tuned Dreams [Opal Tapes]

Multivitamin

peu à peu

http://www.jjfunhouse.com/catalogue/jj013

All music composed by Gust De Meyer on a Casio VL Tone 1 synthesizer,
recorded (each track in one take) and mixed on a porta-sound Fostex 250 in 1983
Mastered by Kris Delacourt
Published by Jj funhouse, October 2017
Previously released by Ding Dong Records on tape in 1983 and reissued by Waving Hands records in 2015

Gust De Meyer - Casiowork 1.2.2 (JJ013)(Releasedate: 18.10.2017)

Organ

Jun Konagaya - Schlafen (2012)

Appears on Physically Sick 2, released March 6, 2018

Physically Sick 2 is a charity compilation by Allergy Season and Discwoman curated by Umfang, Frankie Decaiza Hutchinson, and Physical Therapy. 100% percent of profits from the compilation will go to the Brooklyn Community Bail Fund. Out Tuesday March 6th, 2018 and available exclusively through Bandcamp.

https://physicallysick2.bandcamp.com/

Terracotta [Allergy Season]

artificial hell

Brendan Dougherty’s LP Economy and Failure is a work stemming from two tumultuous years for the artist: births, deaths and other big changes. The music was made in hotel rooms, airports, cafes and various studios using a basic setup of laptop and headphones. In contrast to Dougherty’s 2016 LP Sensate (Entr’acte), which used heavy synth patterns to create jittering rhythmic pulses without drum sounds, Economy and Failure sees the drums return on longer arrangements that bear some resemblance to techno. These tracks are interspersed with shorter études in texture and pulse. The resulting pattern heightens the tension between minimalism and emotional depth, making Economy and Failure a peculiar and poetic piece—and "Perfecter" is a perfect example of these qualities.

Brendan Dougherty – Economy and Failure
PE-013

Format/Editions: LP, limited Edition of 300 copies / files
Release Date: June 1st 2018

Get the LP

Brendan Douhgerty – Perfecter

Buy / Listen: www.janushoved.bandcamp.com/album/the-great-vague

Tettix Hexer - Visible Winds Of Spring

Roly Porter "Kistvaen" LP

Vinyl & digital pre-order: https://subtextrecordings.bandcamp.com/album/roly-porter-kistvaen

http://subtextrecordings.net/

Kistvaen

Pre-order

Roly Porter - An Open Door

It makes less sense to say that Maths Balance Volumes formed in 2002 than to say that, since that year, they have been collapsing into something, again and again. Just as the three members fell together with no plan or allegiance to any style or genre, each track falls together as the broken pieces of songs and sounds meet to make a temporary and frightening whole. Things make their way into a Maths Balance Volumes song when they don’t or won’t work anymore, when they have escaped their owner, or hidden away where nobody is supposed to find them. When things fall together—when the wooden creaks and radio hisses gather for a minute alongside bass lines and melancholy voice—there is a beauty that sounds like it was made by nobody and for nobody.

The city of Mankato, Minnesota has been the steady gathering point for the band since its beginnings. Mankato had always provided an ominous backdrop: built on stolen Dakota land, the city was the site of the largest mass execution in US history, when 38 Dakota prisoners were hanged on in 1862 in a straightforward act of genocide. But in their music of the past twelve years, Maths Balance Volumes has made music in and of a hometown overshadowed and unsettled by its history, music for a world in which things have never been okay. Traditional American folk genres seep in at times, but never as the incarnation of a living popular culture—only as ghosts or unliving effigies.

A Year Closer tells us already in its title what its theme is: approaching death, time ticking away and getting closer with each track of the record. We are told in the first song that our protective mask isn’t working, warned by the storm clouds and a ticking bedroom clock in “Dark Skies.” We hear fears of death approaching in the sad words exchanged by lovers who see they will run out of time, or already have, as in “We Had Time” or the romantic lament of “When I Drink.” In “Work Last Monday,” all of life passes with cold automatism in an “office apartment,” as a narrator broods over early onset dementia, remembers the details of rituals for respecting the dead, and thinks of how a hole is opening up in reality itself. The singer of “Over the Hill” isn’t apparently afraid of growing older and becoming a “man,” but only leaks a few disjointed details of his plans for disappearing, collapsing, turning into a tree, and finding a home. “Angel of Mercy” tries to resurrect the Christian promise of a life after death, anxiously asking if anyone is up there waiting for us after the oblivion of this world. 

But these are just the moments when A Year Closer speaks in words clear and audible enough to be understood. The giddy, agitated voice of “The Price” speaks only to itself in a private language, hidden away in a tin can somewhere. Musically, A Year Closer is a series of pieces that make symphonies out of separate processes of decay and disappearance: unidentified cracking and creaking objects, broken equipment, and lost melodies that seem to have escaped other songs and wandered into the room looking for a place to hide. These are the moments that the listener of Maths Balance Volumes always knows are coming, waits for, and settles in temporarily for a moment of repose. Maybe this is the meaning of A Year Closer: while waiting for the worst, things come together, a “we” with no name but with a rhythm, a tenuous but definite harmony to share as the clock ticks. Even if, when the lights are turned on, it turns out nobody was there. - Paul Buchholz

Taken from PP48 A Year Closer LP coming soon

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Cesar Daniel Zuñiga Güezvėy