César Chew - Drums and Effects
Rezo- Soloè

Kloszart Project Experimental Music - Rezo

Kloszart Project - Experimental Music -  Memoir in Motion

César Chew - Drums and Synthesizer.
March 27, 2016

México, México

Kloszart Project - Experimental Music - Memoir in Motion

Kloszart Project - Experimental Music -  Ordinary Day  (México, City)

César Chew - Drums and Synthesizer.
March 24, 2016

México, México

Public transportation -  Metro
Mexico City is served by the Sistema de Transporte Colectivo, a 225.9 km (140 mi) metro system, which is the largest in Latin America. The first portions were opened in 1969 and it has expanded to 12 lines with 195 stations. The metro is one of the busiest in the world transporting approximately 4.5 million people every day, surpassed only by subway lines in Moscow (7.5 million), Tokyo (5.9 million), and New York City (5.1 million). It is heavily subsidized, and has some of the lowest fares in the world, each trip costing 5.00 pesos from 05:00 am to midnight. Several stations display pre-Columbian artifacts and architecture that were discovered during the metro's construction.[citation needed] However, the metro covers less than half of the total urban area. The Metro stations are also differentiated by the use of icons and glyphs which were proposed for people who could not read. The specific icons were developed based on historical (characters, sites, pre-Hispanic motifs), linguistic, symbolic (glyphs) or location references and has being emulated in further transportations alternatives in the City and in other Mexican cities. Mexico City is the only city in the world to use the icon reference and has become a popular culture trademark for the city.

Kloszart Project - Experimental Music - Ordinary Day (México, City)

Kloszart Project - Experimental Music -  amuck

César Chew - Drums, Synthesizer and Video Editing.
February 28, 2016

México, México

amuck
When things go amuck, they are wildly out of control. Someone running amuck is showing no self-control.
This is a word that has to do with chaos and disorder. A riot is an example of people running amuck. In a cafeteria, if people are yelling and throwing food, they are going amuck. This word applies to times when control has been lost: people are showing no self-control, and the situation is out of hand. Sometimes, going amuck is positive, though. If a football player scores five touchdowns in a game, you could say he's running amuck.

Kloszart Project - Experimental Music - Amuck

Kloszart Project - Experimental Music - Drum Light

Drums and Synth - César Chew

Feb 2, 2015

México

Kloszart Project - Experimental Music - Drum Light

Kloszart Proyect -  Soundscape - Heading north (Yendo al norte) experimental music

Drums and synth - César Chew

Feb 1, 2015

México

Kloszart Project - Soundscape - Heading North (Yendo Al Norte) Experimental Music

Kloszart Project - Experimental Music -  Psycho Drum

César Chew (Chacal del Tamborazo) - Drums and percussion.
April 17, 2016

México, México

Kloszart Project - Experimental Music - Pyscho Drum

Kloszart Project - Experimental Music -  Drumming Around the Room

César Chew (Chacal del Tamborazo) - Drums and percussion.
August 2, 2016

México, México

Kloszart Project - Experimental Music -  Drumming Around the Room

Kloszart Proyect - Minimal Music -  Somni de nenes

César Chew - Brushes, Cymbals and  Synthesizer
Artista - Ana Termes Lis

January 10, 2016

México city

Kloszart Project - Minimal Music - Somni de nenes

Kloszart Project - Experimental Drums -  D1-9 18:37

César Chew - Drums.
September 18, 2016

México, México

Kloszart Project - Experimental Drums - D1-9 18:37

Kloszart Project - Experimental Music -  Overactive Cockroach

César Chew (Chacal del Tamborazo) - Drums and voice sounds.
August 2, 2016

México, México

Kloszart Project - Experimental Music -  Overactive Cockroach

BeforetheRobots - Free Improvisation - Michał Kiedrowski and Chacal Del Tamborazo.

BeforetheRobots is a project that works remotely.
Michał Kiedrowski  lives in the city of Krakow, Poland and Chacal del Tamborazo in México, City.  

Make music, not war. 

Michał Kiedrowski - Violin.
César Chew (Chacal del Tamborazo) -  Drums.

November 29, 2016.


Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its own right.

Free improvisation, as a genre of music, developed in the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and modern classical musics. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann and John Zorn, drummer Christian Lillinger, trombonist George Lewis, guitarists Derek Bailey, Henry Kaiser and Fred Frith and the improvising groups Spontaneous Music Ensemble, The Art Ensemble of Chicago and AMM.

https://en.wikipedia.org/wiki/Free_improvisation

BeforetheRobots - Free Improvisation - Michał Kiedrowski and Chacal Del Tamborazo

Kloszart Project - Experimental Music - Complex Sonority
César Chew (Chacal del Tamborazo) - Drums and voice sounds.
December 30, 2016

Manuel Felguèrez -  Arte

México, México

Kloszart Project - Experimental Music - Complex Sonority

Kloszart Project - Experimental Music - Sonorité Complexe
César Chew (Chacal del Tamborazo) - Drums and Flute.
January 4, 2016

Lilia Carrillo -  Arte

México, México

Kloszart Project - Experimental Music - Sonorité Complexe

Kloszart Project - Experimental Music - Robust Imagination
César Chew (Chacal del Tamborazo) - Drums.
January 25, 2017
México, México

Kloszart Project - Experimental Music - Robust Imagination

BeforetheRobots - Free Improvisation  in Kawiarnia Naukowa Michał Kiedrowski and Chacal del Tamborazo.  
Krakow, Poland
July 5, 2016

Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its own right.

Free improvisation, as a genre of music, developed in the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and modern classical musics. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann and John Zorn, drummer Christian Lillinger, trombonist George Lewis, guitarists Derek Bailey, Henry Kaiser and Fred Frith and the improvising groups Spontaneous Music Ensemble, The Art Ensemble of Chicago and AMM.

https://en.wikipedia.org/wiki/Free_improvisation

BeforetheRobots In Kawiarnia Naukowa (Free Impro) Michał Kiedrowski and Chacal Del Tamborazo

Kloszart Project - Experimental Music - El Diálogo de las Bestias
César Chew (Chacal del Tamborazo) - Drums and Fx.
January 4, 2016
Demon Sculpture by shainerin.deviantart.com

Lilia Carrillo -  Arte

México, México

Kloszart Project - Experimental Music - El Diálogo de las Bestias

Kloszart Project - Experimental Music - El Diálogo de las Bestias
César Chew (Chacal del Tamborazo) - Drums and Fx.
February 26, 2016
Demon Sculpture by shainerin.deviantart.com
Jackson Pollock - Arte

México, México

Kloszart Project - Experimental Music - El Choque de la Piedra

Kloszart Project - Experimental Music - When Ideas Fall
César Chew (Chacal del Tamborazo) - Drums and Fx.
February 26, 2017
Jackson Pollock - Arte

México, México

Kloszart Project - Experimental Music - When Ideas Fall

Kloszart Project - Experimental Music - Chanekeh 
César Chew (Chacal del Tamborazo) - Drums and Fx.
March 12, 2017

México, México

An alux (Mayan: [aˈluʃ], plural: aluxo'ob [aluʃoˀːb]) is the name given to a type of sprite or spirit in the mythological tradition of certain Maya peoples from the Yucatán Peninsula and Guatemala, also called Chanekeh or Chaneque by the Nahuatl people. Aluxo'ob are conceived of as being small, only about knee-high, and in appearance resembling miniature traditionally dressed Maya people. Tradition holds that aluxob are generally invisible but are able to assume physical form for purposes of communicating with and frightening humans as well as to congregate. They are generally associated with natural features such as forests, caves, stones, and fields but can also be enticed to move somewhere through offerings. Their description and mythological role are somewhat reminiscent of other sprite-like mythical entities in a number of other cultural traditions (such as the Celtic leprechaun), as the tricks they play are similar.[1]

Some Maya believe that the Aluxob are called into being when a farmer builds a little house on his property, most often in a maize field (milpa). For seven years, the alux will help the corn grow, summon rain and patrol the fields at night, whistling to scare off predators or crop thieves. At the end of seven years, the farmer must close the windows and doors of the little house, sealing the alux inside. If this is not done, the alux will run wild and start playing tricks on people.

Some contemporary Maya even consider the single- and double-story shrines that dot the countryside to be kahtal alux, the “houses of the alux” (although their true origins and purpose are unknown).

Stories say that they will occasionally stop and ask farmers or travellers for an offering. If they refuse, the aluxes will often wreak havoc and spread illness. However, if their conditions are met, it is thought the alux will protect a person from thieves or even bring them good luck. If they are treated with respect, they can be very helpful.

It is believed that it is not good to name them aloud, as it will summon a disgruntled alux from its home.

The word “duende” is sometimes used interchangeably with “alux”. Duende is a Spanish word for a supernatural creature (commonly a goblin) or force. In fact, because of such striking similarities, some suspect that the Maya’s belief of aluxob developed through interactions with the Spanish or pirates during the 16th century. Pirates of that era were often from the British Isles, where belief in faeries was quite common, especially amongst those of lower socio-economic class (as pirates generally would have been). However, the Maya themselves would claim that the alux are the spirits of their ancestors, or the spirits of the land itself, preceding contact with Western civilization.

The supposition that aluxob featured in the mythical traditions of the pre-Columbian Maya is possibly supported by similar conceptions postulated from depictions in pre-Columbian artworks, but there is no direct evidence.

Kloszart Project - Experimental Music - Chanekeh

Cèsar Chew - cans, cymbals and fx.

Cuando nos olvidamos de nosotros mismos, somos el universo.

Kloszart Project Experimental Music - El mundo de los pajaros.

Cèsar Chew- drums, hammond y synthesizer.

En esa esquina arrinconada el recuerdo de algun vivo.

Kloszart Project Experimental Music - Carrer Nou

Ojo Del Eco

Blair Latham- Bass Clarinete and loops.
Cèsar Chew-drums.

Cozumel 2010.

Cèsar Chew- drums, synthesizer y lyric.

La inspiraciòn creativa viene con el tiempo
Pinta como quieras y muere feliz
Los hombres de verdad danzan sobre su sangre
El corazòn tiene razones que la razòn no entiende
Cuando nos olvidamos de nosotros mismos somos el universo.

26 de Octubre 2012
Estado de Mèxico.

Kloszart Project - Experimental Music - Somos el universo.

Chacal del Tamborazo is an artistic name of César Abraham Chew Aguilera. He is an accomplished percussionist with more than 25 years playing and practicing. His favorite genres are jazz, free jazz and contemporary Music. Originally from Mexico City, he currently resides in Vancouver, Canada.

His current projects are: 

contemporary theater project Concrete and Metal directed by Angelo Moroni (Canada)
music and dance project Voyage through the Underworld organized together with Angelo Moroni (Canada)
Cha'ak'ab Kanorhati  with Anastasia Masloboeva (Russia)
Before the Robots with Michał Kiedrowski (Poland)
Chacal Ensamble
Nahual with Alex Catona (Canada)

Chacal del Tamborazo has shared scenarios with more than 200 musicians: Marco Eneidi (USA), Remi Álvarez (Mexico), Herbin Baptiste (France), Germain Bringas (Mexico), Blair Latham (New Zealand), Milo Tamez (Mexico), Paulina Owczarek (Poland), Misha Marks (New Zealand), Alfonso Muñoz Don Malfon (Spain), Itzam Cano (Mexico), Anastasia Masloboeva (Russia), Arturo Báez (Mexico), Rafał Mazur (Poland) , Jacob Wick (USA), Michał Dymny (Poland),  Joshua Zubot (Canada) Alex Catona (Rumania) Ray Dickaty (England) John Cornell (USA) Thiébault Imm (France) Lisa Mezzacappa (USA ) Ted Crosby (Canada) James Meger (Canada) and Juan Castañón (Mexico) among others.

He also participated in several sound projects like Colectivo Ojo del Eco and Eco-Danza performed with saxophonist Blair Latham and dancer Lucero Trejo; Tambores Pintores, directed by Milo Tamez and 15 TAMBORES under the direction of Julio Estrada.

Between 2010 and 2017 he worked as a drummer  and artistic director of Enanos Café Galería, which is considered one of the most important sites for creative music in State of Mexico.

In 2014 he started his own projects -  Chacal Ensemble, Kloszart Project, Cha'ak'ab Kanorhati Nahual and Before the Robots.

Chacal del Tamborazo - Experimental Music

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