Para esta pieza El Otro Folclor Radio, utilizó como pista musical báse parte del dj set Sunset Grooves Podcast #191 de  Aka-Tony con licencia Creative Commons https://creativecommons.org/licenses/...
Esta pista se fusionó con loops de cantos indígenas de las etnias Wuarao y Yanomami de la Repíblica Bolívariana de Venezuela, extraidos de la Fonoteca de Pueblos Originarios.
Las visules son de Graffitis de las calles de La Candelaria Bogotá Colombia.
Música o Báse Musical, link de soundcloud https://soundcloud.com/sunset-grooves...
Cantos y voces Indígenas. Link Fonoteca de los Pueblos Originarios https://pueblosoriginarios.com/multim...

Yanomami Sound

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Bandcamp

game 0ver

El Chivo

From David Gilmour's solo concerts at the Royal Albert Hall on May 2006 as part of his On an Island tour.

David Gilmour - Take A Breath Live (Remember That Night)

Evening Mood

The Devils Orchard, taken from the album Heritage out on Roadrunner Records September 19th 2011

Heritage

The Devils Orchard

For more info: http://bit.ly/1Ngpxwm
Order Here: http://bit.ly/1BGS2C4

Katatonia - My Twin (From My Twin)

Mambo Soul (improvisacion #1)

Dead Letters is the first track taken from new album Dead End Kings, go to the album site to sign up to the mailing list and download the track for FREE: deadendkings.com. A continuation of 2009’s inspired & acclaimed Night is the New Day, Dead End Kings sees Katatonia conjure yet another milestone in audial melancholy & angst.

The Katatonia of 2012 is more potent, focused and creatively impactful than ever before. Jonas Renkse and Anders Nyström - alongside guitarist Per Eriksson, bassist Niklas Sandin and drummer Daniel Liljekvist – are at the peak of their powers right now, and their brand new studio album Dead End Kings provides incontrovertible evidence of their unstoppable artistic momentum. A rich, adventurous and endlessly evocative masterwork that exhibits all the Swedish quintet’s established traits while absorbing countless fresh ideas into that monumental sonic brew, this is plainly the strongest and most beguiling album in the Katatonia catalogue to date. It also proves that sadness comes in many shades and that no one is safe from its cold allure.

“Dead End Kings represents progression and taking things to the next level,” says Renkse. ”The writing was a little more intense and spontaneous for this one. I think that’s the biggest difference. But it was made with the same mindset as the last few albums. It just had a little more fire involved. We don’t want to repeat ourselves. We are still hungry for new music.”
Dead End Kings was recorded at Ghost Ward Studios & The City Of Glass. The album was produced by Anders Nyström & Jonas Renkse, & mixed by David Castillo. Additionally, Katatonia is joined once again by Frank Default on sampling & atmospherics, plus a special guest appearance by Norwegian vocalist Silje Wergeland of Dutch legends The Gathering/ex-Octavia Sperati.

Artwork is supplied by long-time visual collaborator Travis Smith.

Tracklist*
1. The Parting 
2. The One You Are Looking for is Not Here (with Silje Wergeland) 
3. Hypnone 
4. The Racing Heart 
5. Buildings 
6. Leech 
7. Ambitions 
8. Undo You 
9. Lethean 
10. First Prayer 
11. Dead Letters 
* Deluxe edition includes two extra bonus tracks

Released August 27th 2012

For more information on Dead End Kings, go to the album site at: deadendkings.com

Katatonia - Dead Letters (from Dead End Kings)

25 years ago today, on the 4th December 1993, Porcupine Tree made its first ever live appearance at the Nag's Head in High Wycombe, UK.  By then 2 albums and an EP had been released under the name (and a third one was half finished), all of which gave the impression that Porcupine Tree was a band, when in fact it was a solo project, just me messing about in my bedroom studio, although Colin and Richard had both guested on one song each on Up the Downstair released earlier that year. Positive press and a growing fanbase had led to increased pressure for live appearances, so in late 1993 I asked 3 brilliant musicians I knew, Colin Edwin (from my home town of Hemel Hempstead), Richard Barbieri and Chris Maitland (both of whom had played with my other band No-Man) to join me in forming a real band line up of the project. For some reason they all agreed, and on the strength of the buzz about the project, Richard Allen at my then record company Delerium managed to book this show, as well as 2 others and a BBC radio session.  After one week of rehearsals this was our first ever gig in front of an audience, performing a 7 song, 70 minute set in a backroom of a pub to about 200 people that had traveled from all over the country.  The first song played was Voyage 34. which you can find elsewhere on the web, but here is a mixing desk recording of the second song Always Never.  This would have also been the first time I had sung in front of an audience, at least since the days of my various school bands, so I can only imagine now how nervous I must have been at the prospect!  

The rest, as they say, is history...

PORCUPINE TREE - Always Never(Nags Head 4/12/1993)

We are delighted to premiere,  "Goyo Tuyero", a brand new song from Venezuelan avant-garde folk outfit, Insólito UniVerso, completed during the recent lockdown.  Officially to be released digitally on July 21st, but available from today as a Bandcamp exclusive, alongside "Jota", via Olindo Records.

On their 2018 Olindo Records debut, “La Candela del Río”, Paris-based quartet Insólito UniVerso took inspiration from a wide range of sources, from psychedelic folk & electronic experimentation, to traditional Latin American music, particularly through the rhythms and instruments of Venezuelan folklore. Mixed by The Heliocentrics’ Malcolm Catto and Fumaça Preta’s Alex Figueira, the album was hailed far and wide, championed by Bandcamp Weekly and shortlisted for Best Group of the year in the 2020 Songline Awards.

“Goyo Tuyero'' is a whirlwind of keyboards, synths and maracas. It transforms keyboardist Edgar Bonilla’s transcription of a phone recording he made many years ago of legendary Venezuelan harpist José Gregorio (Goyo) López playing a fantastic & otherworldly composition of his own at an intimate family gathering. Written in the style of a joropo tuyero rhythm from central Venezuela, Goyo Lopez was drawn to its distinctive character, which differentiates it from the joropo llanero of the plains where he was born and raised. Far from simply replicating the style, López jumps unexpectedly out of harmony, giving the sensation of being thrown into outer space. This exact feeling is emphasized in this version adapted for keyboards by adding synths, whilst Andrés Sequera supplies maracas with an added sting.

Goyo Tuyero / Jota

Goyo Tuyero

Exclusive Premiere: Insólito UniVerso "Goyo Tuyero" (Olindo Records)

Diseñador gráfico, fotógrafo de fantasmas, dibujante de mentiras, guitarrista artrítico y baterista sordo.

Mambo Soul (improvisacion #1)

Daniel Perez

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