First single from Wax (GEN049) out on May 22 on Genot Centre on tape & digital.

On Wax (GEN049), https://soundcloud.com/klahrk & https://soundcloud.com/kavarimusic pair up to present a basket of hammering, blasting club tracks with a focus on radical digital sound manipulations. The duo presents a sound design show-off consisting of raspy stretch algorithm artifacts, vocoded pulses and slimy granular flurries. Rhythmically, high impact overdriven kicks and syncopated motifs give the tracks a high energy urgency and momentum. Simmering, crusty chopped up break beats accompany stroboscopic pads, glistening metallic percussion and sweeping electro-acoustic gestures. Maneuvering naturally between almost snapping, bursting, fragmenting passages, effervescent glistening chords sometimes emerge, ready to get whacked by mangled, contorted drum machine outbursts.

// About GEN049
/ https://soundcloud.com/klahrk about the album
“This project with https://soundcloud.com/kavarimusic has been in the works for many years and I am so happy that it is finally being released. I have known her for almost 5 years now, and we have been making music on and off together throughout this time, resulting in this project. We finally met in person last year, which was really special and I cannot wait to share this music we have made together, especially via Genot Centre.”

// BIO
/ Klahrk
https://soundcloud.com/klahrk is a London based artist, producer, label owner and DJ. The founder of Ware Collective & an affiliate of Activia Benz and SFX, he has released projects spanning across many mediums. 

/ KAVARI
https://soundcloud.com/kavarimusic is an artist, music producer, and DJ based in Glasgow, Scotland. 
Having been nominated at the Scottish Alternative Music Awards for 'Best Electronic' Artist in 2022, her work has been covered by the likes of DJ Mag, Low Arts Club, Resident Advisor, Glamcult, Mixmag, and many more. Growing a reputation for herself as arguably one of the fastest growing names in the Scottish underground music scene. 
Fashioning a sonic landscape of corroding textures that interlace with fragile ambiance, KAVARI lures souls to dance together in purgatory.

Klahrk & KAVARI - Wax (GEN049)

B2 track by @isak-hansen-213823504, taken of his closing album in his trilogy "Chapter Three, Tears of the Phoenix".
Order: https://strangetherapy.bandcamp.com/album/chapter-three-tears-of-the-phoenix

Continuing his very personal brand of modern noise music, this chapter contains total annihilation, fragmented and broken imperfect glimpses of violated structures. Brutal vocals muse on post-modern social and human drama - reaching droning undertones and convoluted distortions in an experimental yet coherent path full of corrosive but engrossing elements of despair.
___________________________

Format: 12" vinyl, cassette and digital
Release date: 15/05/2022
Mastering: Peter Peter

B2 Iron Sight - A Kiss So Wet [ST016]

Vocal by: Mantris Nikkita
https://soundcloud.com/mantrisnikkita
________________________________________________

Voy a beber la venganza en una copa y sin verguenza
un trago por cada madre, por las que si tuvieron paciencia
un sorbo atragantado que sacie el morbo de verte ahogado
asfixiado en el estanque de tu ego destrozado

Y aunque esta batalla esté en desventaja
apuntaste a mi cora y yo que me dejé
por dartelo todo todo me quedé sin nada
me rompiste la cara, mi cara, mi cara.

Abrazados, tu recuerdo en mi pecho está tatuado
como fuego entre mis brazos, hoy cenizas del pasado
tengo claro, que la vida de este amor nunca fue en vano
te di lo mejor de mi, y lo que doy es sin reparo
abusaste, de mi generosidad y me atrapaste
por el cuello y contra el piso mucha sangre derramaste
y me juraste, por tu vida que ahora solo ibas a amarme
pero yo te juro que voy a matarte.

El peso de tu cuerpo se quiebra con una palabra
puedo destruirte sin mancharme las manos
El peso de tu cuerpo se quiebra con una palabra
puedo destruirte sin manchar mis manos
El peso de tu cuerpo se quiebra con una palabra
puedo destruirte sin mancharme las manos
El peso de tu cuerpo se quiebra con una palabra
puedo destruirte sin mancharme




Voy a beber la venganza en una copa y sin verguenza
un trago por cada madre, un sorbo atragantado
Voy a beber la venganza en una copa y sin verguenza
un trago por cada madre, un sorbo atragantado
Voy a beber la venganza en una copa y sin verguenza
un trago por cada madre, un sorbo atragantado
Un sorbo atragantado que sacie el morbo de verte ahogado
asfixiado en el estanque

Tengo claro que la vida de este amor nunca fue en vano

Abusaste, de mi generosidad y me atrapaste
por el cuello y contra el piso mucha sangre derramaste
Me juraste, por tu vida que ahora solo ibas a amarme
pero yo te juro que voy a matarte.
________________________________________________
Photo: https://soundcloud.com/mishaaahsim

YO TE AMABA

YO TE AMABA w/ Mantris Nikkita

Three years after their debut album ‘When My Darkness Came To Light’, Exploited Body has returned with their new album ‘Here, I Abandon’.

‘Here, I Abandon’ marks a new beginning, documenting the grievous first steps on the path of healing. The title references reaching a point, where all that doesn’t serve oneself must be left behind. The record is an exercise in “noise pop”, featuring prominent vocals from Exploited Body while combining their signature blistering distortion with their love of catchy melodies.

The album opens with ‘Only Your Eyes Could See My Wings’, a fragile and minimal ballad dedicated to their partner, who helped them find their way out of their pain-shrouded mind. Emerging from the fog, echoing vocals and thunderous piano drones lead into the disarmingly vulnerable vocal passage, the most personal song Exploited Body has ever shared with the world. ‘Demon Of Hatred’ is a slow-burning mantra about ending the cycle of trauma that began long ago, that manifests itself as a rage-filled beast. The screeching metal and cavernous bells collide under the somber vocals until it’s all ripped to shreds by violent pillars of noise. ‘After All (In The Ruins Of Limerence)’ deals with losing oneself in another person and awakening from the fever dream that is limerence. Along with the swinging vocal melodies, the dissonant mechanical humming break out into an onslaught of distorted kick drums before dissolving into harmonic bliss.

‘Replacing A Scar With Another’ explores themes of self-sabotage and self-harm, how we often reject help that is offered to us, creating new wounds to tend to instead of mending the old ones and trading old harmful beliefs into new even more detrimental ones (“replacing a god with another”). ’Self-Surrender’ is about shame, self-deception, requesting others to ‘hold your light’ until the sun’s out while you wallow in the dark abyss of self-pity, but now the time to has come to face yourself. The ethereal production paired with a delicate melody is reminiscent of a haunting lullaby with ghostly voices creaking in the midst of ringing synths, before everything comes to a head for a disjointed crescendo.’ Abandon’ is the purge that marks the point of no return, stripping off your weakness piece by piece, like an exorcism through the brutal wall of noise that the song builds up to. The closing track ‘Tear Me Apart Until All That’s Left Is Love’ is the bittersweet moment of letting yourself disintegrate and splinter into pieces to make room for what lies at the core of it all. A soft landing back into your body, before the colossal aftershock kicks in and sends you on your way to what comes next.

The album is written, produced, mixed and mastered by Nori Kin and features artwork by Changeless-affiliated Helsinki-based photographer Markus Watkins & Nori Kin.

@exploitedbody

Here, I Abandon

Exploited Body - After All (In The Ruins Of Limerence)

Three years after their debut album ‘When My Darkness Came To Light’, Exploited Body has returned with their new album ‘Here, I Abandon’.

‘Here, I Abandon’ marks a new beginning, documenting the grievous first steps on the path of healing. The title references reaching a point, where all that doesn’t serve oneself must be left behind. The record is an exercise in “noise pop”, featuring prominent vocals from Exploited Body while combining their signature blistering distortion with their love of catchy melodies.

The album opens with ‘Only Your Eyes Could See My Wings’, a fragile and minimal ballad dedicated to their partner, who helped them find their way out of their pain-shrouded mind. Emerging from the fog, echoing vocals and thunderous piano drones lead into the disarmingly vulnerable vocal passage, the most personal song Exploited Body has ever shared with the world. ‘Demon Of Hatred’ is a slow-burning mantra about ending the cycle of trauma that began long ago, that manifests itself as a rage-filled beast. The screeching metal and cavernous bells collide under the somber vocals until it’s all ripped to shreds by violent pillars of noise. ‘After All (In The Ruins Of Limerence)’ deals with losing oneself in another person and awakening from the fever dream that is limerence. Along with the swinging vocal melodies, the dissonant mechanical humming break out into an onslaught of distorted kick drums before dissolving into harmonic bliss.

‘Replacing A Scar With Another’ explores themes of self-sabotage and self-harm, how we often reject help that is offered to us, creating new wounds to tend to instead of mending the old ones and trading old harmful beliefs into new even more detrimental ones (“replacing a god with another”). ’Self-Surrender’ is about shame, self-deception, requesting others to ‘hold your light’ until the sun’s out while you wallow in the dark abyss of self-pity, but now the time to has come to face yourself. The ethereal production paired with a delicate melody is reminiscent of a haunting lullaby with ghostly voices creaking in the midst of ringing synths, before everything comes to a head for a disjointed crescendo.’ Abandon’ is the purge that marks the point of no return, stripping off your weakness piece by piece, like an exorcism through the brutal wall of noise that the song builds up to. The closing track ‘Tear Me Apart Until All That’s Left Is Love’ is the bittersweet moment of letting yourself disintegrate and splinter into pieces to make room for what lies at the core of it all. A soft landing back into your body, before the colossal aftershock kicks in and sends you on your way to what comes next.

The album is written, produced, mixed and mastered by Nori Kin and features artwork by Changeless-affiliated Helsinki-based photographer Markus Watkins & Nori Kin.

Exploited Body - Self-Surrender

cenaceae - bugspawn

Artwork, written, mixed and mastered by Ioannis Nafpliotis

Side effects of a model's life

Buy / Stream

Adelynn Dz. Kiichi - Through Sadness

Listen to "Shadows Unbound (Ytem Remix)" by W.ANNA.W taken from "Petals of Nehan" out on June 20th via Over My Body

Pre-order: https://overmybody.bandcamp.com/album/petals-of-nehan

Petals of Nehan unfolds as a sonic journey where powerful and unpredictable movements of sound intertwine with cultural influences and personal sensibilities. Each track shifts in form at times intense, at others restrained yet quietly imbued with an inner strength evoking petals drifting with intention. Through these evolving textures, the EP explores the power of music to bridge the inner and outer worlds.

In the collaborative track “Forsaken Voices” with xato, a flowing current of sound emerges from the merging of sensibilities, leading to a deeper musical exploration.

The EP also features remixes by Sweden-based duo Quit Life, France-based artist Ytem, and Austria-based Kenji Araki. Their contributions bring distinct perspectives shaped by their diverse cultural backgrounds, expanding the sonic landscape of the release.

W.ANNA.W is a Japan based artist, vocalist, and producer who weaves ambient, experimental, and organic sounds into intimate yet expansive sonic landscapes. Her music transcends genre boundaries, evolving freely with quiet, expressive depth. Through her work, she invites listeners into a reflective, introspective dialogue a space to pause, listen, and feel.

Links:
𝙒.𝘼𝙉𝙉𝘼.𝙒
https://soundcloud.com/0i8ndx78ay8s
https://www.instagram.com/anpp233
Ytem
https://soundcloud.com/ytem
https://ytem.bandcamp.com
https://www.instagram.com/ytemmm
Over My Body
@overmybodytw
https://overmybody.bandcamp.com
www.instagram.com/overmybody.tw
Artwork by 310
www.instagram.com/__.gncd1100101.__

pre-order / bandcamp

W.ANNA.W - Shadows Unbound (Ytem Remix) (Over My Body)

stab my back (AVEII)

Free Download

Bausa - Skifahren (Atzendent Edit)

Positive Images

Nothing Remains

Helsinki • Est. 2019

info@changeless.net

Exploited Body - After All (In The Ruins Of Limerence)

Changeless

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