Name: TriDot SC4-T Direct Speech w/ Sennheiser AVX by Chanon Wangtrirat
Duration: 45 s
Description: TriDot SC4-T Direct Speech w/ Sennheiser AVX

TriDot SC4-T Direct Speech w/ Sennheiser AVX

Voice recording from about 1ft in front of the mic. No EQ or processing has been used. For more information visit :- http://martinmitchellsmicrophones.wordpress.com/2014/04/15/vitavox-admiralty-pattern-no1359-1944/

26. Vintage Microphone Recording. Vitavox Admiralty Pattern No1359 (1944)

Piano Quart de queue Young Chan enregistré en simultané sur plusieurs micro

Test Piano DPA 4061

12 string acoustic guitar recorded using an HMN Sound MicroLav. No EQ or processing has been used. Many thanks to Mike Wood for the guitar playing. For a full explanation of this technique visit :- http://martinmitchellsmicrophones.wordpress.com/2014/08/20/a-great-technique-for-recording-acoustic-guitar-an-omnidirectional-lavalier/

A Great Technique For Recording Acoustic Guitar….. An Omnidirectional Lavalier!

Chopin Nocturne Op.9 No.2 (MicroLav X 2) on Yamaha C7 Grand Piano.
MicroLav with S-Linear Phantom XLR.
Recorded on Zoom H6 

Processed



Chopin Nocturne Op.9 No.2 (MicroLav X 2) on Yamaha C7 Grand Piano

Here are 2 very different versions of the same harp recording made in a huge cathedral with a 7 second reverberation time!
The first version, (though very grand), is considerably blurred by out of phase reflected sound arriving at the microphones. The mics used in version 1 are an M-S pair of AKG C414BTLs mounted on a stand 2-3m in front of the performer. On the floor at the base of the mic stand I also placed a pair of Shure MX393C boundary mics set at 90 degrees. Playing back this 2nd version of the same performance, recorded on the MX393s, it is hard to believe that this is the same concert! The reverberation of this enormous echoing space has all but vanished and the resulting recording is clean and sharp, and gives the impression of being much closer to the performer. No EQ or processing has been used. For further information visit:- https://martinmitchellsmicrophones.wordpress.com/2014/09/26/what-is-the-use-of-boundarypzm-microphones/

What is the use of PZMs? Compare these 2 recordings.

Last Shot

Composer by Boss Keetawat
Guitar by Film Tofimer

StargazerMusic

This drum recording of the Sennheiser MD441-U was recorded with the mic positioned about 2m in the air just in front of the kit. No additional mics have been used and no EQ or processing added. The recording illustrates the wide frequency response, dynamic range and highly detailed transient response of this remarkable dynamic microphone.
For more information please visit :-  https://martinmitchellsmicrophones.wordpress.com/2017/05/02/sennheiser-md441-u-another-classic-dynamic-microphone-1971-to-the-present/
Many thanks to Matt Bucher for the impromptu drum solo.

37 Vintage Microphone Recording Sennheiser MD441-U. Drums.

Walking by a local lake the other day I came across a small flock of Canada geese about 40ft away quietly pottering about on the grassy bank. Suddenly one of them started squawking/honking. I started recording and within a few seconds it flew high into the air and passed straight over my head. On the recording the strange creaking sound of the bird’s wings and the movement of air can be clearly heard. It sounds close up, even though the bird is at least 30ft above me. It then flies round the lake and lands back with the others and carries on honking very loudly. Definitely not a bird you would want to get close to! Would probably make a good guard dog! For more information visit:- https://martinmitchellsmicrophones.wordpress.com/2018/05/28/the-parabolic-microphone/

TriDot SC4-T Direct Speech w/ Sennheiser AVX

Chanon Wangtrirat

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