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🌊 Underwater Peruvian Coast
by Aton & the Resonants
(Official Album Presentation – English)

From the depths of the Pacific mists, a new sonic vessel emerges:
Underwater Peruvian Coast.

This is not a collection of songs.
It is a breathing ritual — a submerged memory woven in pulse, mist, and ancestral vibration.

Each track carries the breath of the sea meeting the Andes.
Each bass line exhales like the landó rhythms lost in the ocean fog.
Each percussion hit is not meant for dancing — but for remembering.

Born in the E minor resonance, infused with Afro-Peruvian ghosts, and textured by the underwater trip-hop spirit, this album invites the body not to move outwardly, but to move inward.
To breathe with hips.
To listen through the skin.
To awaken memory not as nostalgia — but as vibration.

You will hear no sharpness here.
Only warm bass, seeds of percussion, wind carrying forgotten songs, and a heartbeat submerged in the mist.

Grooves evolve like underwater currents — unseen but undeniable.
Textures whisper like ancient water spirits — real but ungraspable.

Each beat is a threshold.
Each silence, a tide.
Each bass pulse, a whisper from deep earth and deeper waters.

Underwater Peruvian Coast is not a soundtrack for the surface world.
It is a portal for those who still feel the tides inside their ribs.

It was designed for twilight listening.
For barefoot breathing.
For bodies who still remember that water and earth are not separate things — but phases of the same dreaming.

Let yourself drift without needing to swim.
Let yourself breathe without needing to rush.

This is an offering.
A ritual.
A slow remembering.

Created and channeled with reverence by:
Aton & the Resonants
under the pulse of Enano Bendito Records.

🌀 Activation Phrase:
"The body is dreaming water.
The mist sings to me.
I float in the rhythm of the submerged earth."

🌊 Underwater Peruvian Coast
por Aton & the Resonants
(Presentación Oficial del Álbum – Español)

Desde las profundidades de la niebla pacífica, emerge un nuevo navío sonoro:
Underwater Peruvian Coast.

Esto no es una colección de canciones.
Es un ritual que respira — una memoria sumergida entre pulso, bruma y vibración ancestral.

Cada track lleva el aliento del mar encontrándose con los Andes.
Cada línea de bajo exhala como ritmos de landó perdidos en la niebla oceánica.
Cada golpe de percusión no busca hacerte bailar — sino recordarte.

Nacido en la resonancia de Mi menor, impregnado de ecos afroperuanos y texturizado por el espíritu del underwater trip-hop, este álbum invita al cuerpo no a moverse hacia afuera, sino hacia adentro.
A respirar con las caderas.
A escuchar a través de la piel.
A despertar la memoria no como nostalgia — sino como vibración viva.

Aquí no encontrarás asperezas.
Sólo graves cálidos, semillas de percusión, vientos que cargan canciones olvidadas, y un latido sumergido en la bruma.

Los grooves evolucionan como corrientes submarinas — invisibles pero innegables.
Las texturas susurran como espíritus acuáticos ancestrales — reales aunque inatrapables.

Cada golpe es un umbral.
Cada silencio, una marea.
Cada pulso de bajo, un susurro de la tierra profunda y de aguas aún más profundas.

Underwater Peruvian Coast no es una banda sonora para el mundo superficial.
Es un portal para quienes aún sienten las mareas latiendo dentro de sus costillas.

Diseñado para escucharse al anochecer.
Para respirar descalzo.
Para cuerpos que recuerdan que el agua y la tierra no son cosas separadas, sino fases de un mismo sueño.

Déjate llevar sin necesidad de nadar.
Déjate respirar sin necesidad de apurarte.

Esto es una ofrenda.
Un ritual.
Un lento recordar.

Creado y canalizado con reverencia por:
Aton & the Resonants
bajo el pulso de Enano Bendito Records.

🌀 Frase de activación:
"El cuerpo es agua que sueña.
La niebla me canta.
Floto en el ritmo de la tierra sumergida."

Salt sleeps on my skin

Spiritual journey / LDSR 194

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Artist: Warsnare
Title: Warchestra
Format: Digital (Album)
Release Date: February 23rd, 2018

At the time of writing this, Daniel Potter, pka Warsnare, is racing across his native London, in a veritable juggling act of creative effervescence – putting the finishing touches to his full-length debut, "Warchestra"; rehearsing tomorrow's eponymous 360° preview show at The Albany Theatre (with himself on synths/piano and a full string ensemble); overseeing the post-production on the first music video in support of the album; graciously making time to coordinate with us on the release of this modern opus via Infinite Machine. As we skype, he seems (other than, obviously, very busy) equally apprehensive and enthused, equally exhausted and energized... but most importantly, unequivocally accomplished. True to his oeuvre's title's portmanteau, his path has been both uphill battle and graceful symphony – but he has deftly conducted both to their victory and resolution, respectively.

In late 2015, devastated and blindsided by the sudden, tragic loss of his mother, Daniel embarked on a grieving process more practical and inspired (and inspirational) than most of us can muster on our best day. Crossing the pond and immersing himself in the cultural hearth of Brazil, he would go on to assimilate the choro, the samba, the bossa nova and even touches of proibidão into his compositional vocabulary. Studying and collaborating with countless local talent, and then employing this collaborative elan back home as well, he meticulously accrued a truly holistic collection of works – furiously turbulent one moment, eminently soothing the next; blending the timeless humanity of virtuosic acoustic piano, strings and vocals, and the machinistic futurism inherent to jungle, breaks, grime and other incarnations of the UK hardcore continuum; engaging in both literal and figurative cultural exchange; and, lastly, but no less importantly, flirting with a generous injection of pop pizzaz. Few artists before Warsnare have attempted such ambitious cross-over endeavours, and even fewer have succeeded. We hold these few in well-earned reverence – Goldie, Roni Size, The Prodigy, Paul Woolford, etc. If "Warchestra" is anything to go by, he is well on his way to joining the pantheon.

The aptly-titled "Intro" starts us off with a titanic wall of sound, pitting simple waveform synth incursions against the might of a lilting string contingent - setting the stage for the titular war to come. "Syndrome" marries Charlie Stark's raspy baritone with a brooding, Zimmer-esque, never-resolving, ever-escalating ostinato string piece, and 130bpm junglism. "Live Life" keeps the jungle but pivots into more soulful melodic territory, punctuated by a luscious mantra performed by Vienna Shilling. "Kairos" recruits Mercury Prize nominated and Ted Hughes Award winning poet, playwright and rapper Kate Tempest for an arpeggio- and wordplay-heavy piece of orchestral grime. "Beautiful Day" then erupts as an ebullient piece of uptempo, bass-heavy, amen-laden, nigh-anthemic diva jungle... the diva in question being Vienna Shilling on her second album appearance. "Chronos" reiterates the mission statement of "Intro", this time via xenoid vocal manipulations and dramatic, narratively-charged piano runs. "Quanto Tempo" enrolls Belo Horizonte songstress Laura Lopes (no, not the Duchess of Cornwall's progeny) for an intoxicating cut of bossa nova house. "Tuner" maintains the contrast thesis of the album via its juxtaposition of junglist ferocity and music box tenderness. Lastly, "Without You" re-enlists Charlie Parker for a profoundly touching, elegiac interplay of dulcet tones, string slurs, piano heartbreak and broken beat interjections – both fitting closer to the album and full-circle moment in its context.

Mastered by Cyrcular Mastering.
Artwork by Greg Haynes
Words by Liar.

I'M GONNA LOVE YOU JUST A LITTLE MORE BABY -BARRY WHITE-(MAIN MIX M+M)

DJ CHAP

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