Bazztard - FuckingBazztard

Steve McQueen ///// available @ Undergroundtekno

Pankilla - Gamer 2: Japonský Kočičky [CBR-056]

overdosed tekno mix vol.2

Chapperz - Darkest Hour

TRACKLIST: 

1- Jill Scott–	Love (Falcon & Dreazz Remix)

2- Jarman Aka Raiden –  Flat 32

3- Phace – Cold Champagne

4- Mayhem & Impulse - Chamber

5- X'plorer & Dee'pulse  - Sahara

6- Falcon - Sjimmy Shake

7- Stakka & Skynet–	Decoy

8- Meth – Sleaze

9- Fierce & Vicious Circle – Spectre

10- Survival – 1502

11- Psidream – Refraction

12- SicSoundz - Coke Fueled Fuck VIP

13- Black Sun Empire–	Smoke (Sinthetix Remix)

14- Sta & Paul B – On the run

15- Skinny & Lynx – Melting Pot

16- 2 Cities – Tech Has Taken Over Me

17- Universal Project–	Vessel

18- Pyro & Phono - Scramble (Collision Pt.3)

19- Kemal – Plan B

20- Kemal – Mechanizm

21- Crossfire –  Counterforce

22- Black Sun Empire–	B'Negative (SKC&Chris SU Remix)

23- Noisia & Spinor – Lifeless

24- The Sect –	Voices

25- Konsta – Autumn (Acetate)

Melting Podcast #86 - PEIVOL

Surprise ! Starting a new series called Re:Verse that's all about bootlegs you can download and play for free !

FREE DL - Voodoo People (Diverse Bootleg)

Paperfunk Recordings has always respected — and will continue to respect — the technoid and techno-DnB sound, and we've always strived to contribute as a label to the development of this branch of Drum & Bass.

While techno-DnB emerged back in the early 2000s alongside titanic subgenres like neurofunk and techstep, technoid drum and bass was born under far more intricate and subtle circumstances. The rise of the technoid subgenre is directly tied to a particular group of artists and their unique sonic influence during the years 2007 to 2011.

Its peak — the true triumph of technoid — was in 2008, right at the center of this period. That was the golden age of the subgenre we love, when labels like Offkey, Sinuous, and many others were putting out astonishingly heavy releases with utterly mad and unpredictable sound design.

We’re bringing that tradition back. We’re reviving the raw power and chaos of technoid and techno-DnB — and with great pride, we present to you our new compilation: TECHNOID: GREATEST COMEBACK VOL. 1

This series will feature works by artists who embody the very essence of why these subgenres continue to captivate us. The scent of kerosene, automatic hydraulics, power machines, mechanical undertones, and metal slams in place of drums — this is what awaits you when you press play on TECHNOID: GREATEST COMEBACK VOL. 1.

Frosta & Diopolice - Absurd

BAD - DRUM & BASS INSTRUMENTAL DJ TOOL (10)

Store & Downloads

Wicked Wobble

Stream//Buy: Technique.lnk.to/WardanceLPSo

Follow us on Spotify bit.ly/TechniqueRec

When artists with the pedigree of Drumsound & Bassline Smith drop an album, it’s big news. With roots stretching back to the absolute foundations of rave music, this production team has legendary status. While keeping their underground credentials intact, they’ve been able to achieve mainstream chart success, perform on some of the biggest stages this music has to offer, and bring through many other monumental artists in their role as bosses of Technique Recordings. So this brand new collection of material is, no doubt about it, going to create waves.

With the first assured, slick bass tones and the eponymous vocal in the intro of Come With Me, we’re delivered straight into the big room sound that has set parties alight across the world. As the tune builds and drops, though, it becomes something diferent. There’s a dirty, grinding mid-range bass to get that screwface going. There are sonic references to other Drumsound & Bassline Smith tunes for the real fans to spot. As soul, filth, and production flourishes combine, we’re being shown the blueprint for the rest of the album.

You see, there are hints at a junglist past in tunes like Warrier and Ouija, but combined with the huge sound that the DBS studio is capable of creating. That collision of old and new comes to a head most clearly in the Brinsley Forde-laced Beautiful Danger, as gorgeous reggae vocals blend into a tear-out bassline-led rave-wrecker.

And then there are the nods to Drumsound & Bassline Smith’s history in the recon gured versions of Odyssey and Outlaw Renegade. These tunes, originally released a decade apart, both share the distinction of crossing sub-genre boundaries, and are as likely to be heard in a jump-up party as on a festival main stage. The inclusion of them here provides a marker of just how representative of the whole DnB scene these producers really are.

Of course, this overview barely scratches the surface. There’s the cinematic majesty of the collaboration with Prolix, Welcome to the Machine. There’s the gangsta funk of Roadblock, and the skank-out call-and-response of Technique Badboy. There’s the skippy syncopation of Control. There are subtleties and gems to be discovered throughout the whole album, as much a treat for the listener as for the raver.

So, this, their third LP, is like a gallery exhibit of the many facets of Drumsound & Bassline Smith. Their past, their present, and maybe their future, is laid out in intricate detail and with the sheen of sheer production class which marks them out from the crowd. Every tune on this album tells a chapter of their story while simultaneously being a straight-up banger. There aren’t many producers who could pull that off , but this is Drumsound & Bassline Smith were talking about here. So, of course they can.

Tracklisting:
1. Come With Me
2. Warrier
3. Technique Badboy 
4. Control
5 .Wardance
6. Ouija
7. Odyssey VIP
8. Beautiful Danger feat. Brinsley Forde 
9. Roadblock
10 . Outlaw Renegade VIP 
11. Welcome to the Machine Vs Prolix

For interview requests and further information, contact:
info@techniquerecordings.co.uk

Chapperz - Darkest Hour

Chapperz

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