Short demo of a Brig-A-Tone Kustom Audio amplifier - the Firebolt into a 1x12 BadCat cabinet. The guitar is a Fender Jaguar HH equipped with Porter H90 pickups.  Overdrive on last 4th of demo is a Push+Pull SanB. 

28w, 4x6v6, 2x6sl7(octal preamp tubes), Valco-inspired circuitry.

reverb.com/shop/brig-a-tone-kustom-vintage-audio

Recorded with a Focusrite Scarlett 18i8 with a SM57 into Logic Pro with light tape style compression. No EQ adjustments or mastering.


BrigATone Firebolt with a Jaguar w/P90 pickups

Timefactor Vintage Bit Filter Mod settings demo requested by a friend.    Twisting some knobies.   Two amps used - Vox AC15 style and Fender Hot Rod Deluxe II with panning into Logic. Overdrive at end of clip is a Walrus Audio Voyager.  No post compression or EQ.   .WAV file

Eventide Timefactor (.WAV recording)- Vintage Mode,  Bit Filter Mod adjustments

Timefactor Vintage Bit Filter Mod settings demo requested by a friend.    Twisting some knobies.   Two amps used - Vox AC15 style and Fender Hot Rod Deluxe II with panning into Logic. Overdrive at end of clip is a Walrus Audio Voyager.  No post compression or EQ.   .AIFF recording

Eventide Timefactor (.AIFF recording) - Vintage Mode,  Bit Filter Mod adjustments

The second track from our new Kid Life worship album "Lead Like Jesus"!

www.fbceugene.com

Follow The Leader

Nighttime mood setting track and loop.  1 take, no edits.

Minimal EQ, stereo amp setup.

Painting by @simachtlu on Instagram.

Oceanlight

Quick collab with Corey Lofthus on percussion/samples.

Ambient Oscillate Intro Loop (ft. Corey Lofthus)

A cover of "A Song For Milly Michaelson" by Thrice.

Performed by Wolves in the Walls.  Recorded in an afternoon in a living room.

Mixed and mastered by Nicolas Kauffmann - BassetHoundSound.com

https://thewolvesinthewalls.bandcamp.com/releases

https://www.facebook.com/pages/The-Wolves-in-the-Walls/325075784356890?ref=bookmarks

No rights reserved.  All songwriting credit belongs to Thrice and Dustin Kensrue.

A Song For Milly Michaelson (Thrice)

Ambient song sketch idea for the band Wolves in the Walls.  EP releasing Spring 2016.  

https://thewolvesinthewalls.bandcamp.com/releases 

Rise & Fall - Wolves in the Walls

Recorded live at the First Baptist Church of Eugene choir room with two AKG 414 mics in the room.  1 overdub take for electric guitar (Winston Arblaster) performed at New Hope Church of Eugene.  No automation, quantizing or pitch correction. 

"Christoper James Koehn is a songwriter from Oregon who's spent time in dangerous places like L.A. and Springfield. His passions are melancholy cowboy music, taking pictures of historic bridges and sarcasm. He just finished recording his first EP with some local outfit named Basset Hound Sound."

Less To Say - Christopher James Koehn

Recorded live at the First Baptist Church of Eugene choir room with two AKG 414 mics in the room. 1 overdub take for banjo (Mark Thomas pictured) performed at New Hope Church of Eugene. No automation, quantizing or pitch correction.

"Christoper James Koehn is a songwriter from Oregon who's spent time in dangerous places like L.A. and Springfield. His passions are melancholy cowboy music, taking pictures of historic bridges and sarcasm. He just finished recording his first EP with some local outfit named Basset Hound Sound."

Beautiful Contradictions - Christopher James Koehn

"Great I Am" worship song at First Baptist Church of Eugene feat. Jimmy Kellar

Kenna Buchberger's cover of "Valentine" by Kina Grannis. Acoustic guitar played by Jack Rising.

Valentine

Specializing in high quality live sound for small venues and events like weddings and private parties. Small project studio & creative space. I play in the band Wolves in the Walls and freelance in the Pacific Northwest. 

Basset Hound Sound

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