Lazy Music

Renee's Song

Faelight

Erudita Eletroacústica, Eletrônica, Ambiente

ARCOFLEXA - C3 N8

(About song) -

The song track is a based on a modern classical atmospheric track that shares musical elements of Orchestral instrumentations along with dreamy ethereal soundscapes including ambient synth along with an accompanying plucked string instrument.

(Song Interpretation) -

"The Crying Road" - is the concept of a road that has "Shed and Shared" with the tears of many travelers a powerful metaphor. This ins't a personal journey, but a universal one, the tears representing the full spectrum of human emotion - from sorrow and hurt that weighs us down, to the joy and happiness that comes from new beginnings. The road is a witness to both profound sadness and hopeful renewal. The songs somber nature doesn't mean it's solely about despair; rather, it's about the beautiful and complex tapestry of life's journey, acknowledging that both tears of sorrow and tears of joy are part of the path.

Best Always!,
Joella

(Song features) -
Classical piano's, orchestral strings, choir, immortal synth lead, conveyor lead, willing string pluck

The Crying Road

Everyday Life

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Lyrics:

Look at the desperate man
Clutching with broken hands
Wondering how it ends
Stumbling back and forth
Looking to start a war
I’m lucky he was a friend
Wait
Take me apart and I’ll flow like water slowly fade
I’m disappearing again
He would’ve risked it all
He wanted to heed the call
This was the last attempt
But as he turns to go
A broken voice cuts through the cold
"this ain’t how it ends"
Wait
Take me apart and I’ll flow like water slowly fade
I’m disappearing again
Time and space, there’s never enough and i don’t mind waiting for
The day
Everyone here will go mad
I was the foolish man
Living to fight again
But dying to find the end

Take Me Apart

Pieces EP

All This

for videos: https://www.instagram.com/thisisikiigai/

The Book Of You And I - Alec Benjamin (acoustic COVER)

Orginally written for a ballet by Philip Glass for Uakti quartet, from the album Águas da Amazônia (1999). Electric pipe organ and mandolin.

Rio Tiquiê de Águas da Amazônia

Pieces

Lucida

Charlie Cunningham has emerged as a truly under-the-radar success story. He has headlined London’s iconic Queen Elizabeth Hall and has become a regular fixture in Europe’s most prestigious concert halls. Splitting his time between piano and nylon string guitar, Charlie creates melancholic yet rhythmically driven songs. When expressed with his warm voice and characteristic restraint, something timeless takes shape.

Despite his dyslexia making it near impossible for him to read music, Charlie earned a music degree and by his mid-20s worked a variety of odd jobs and wrote songs in his free time. Eventually, he moved to Seville, immersed himself in Flamenco music and focussed intensely on his guitar playing. Planning to stay for 3 months, he stayed for 3 years. Once home, Charlie found work playing in bars across London and Oxford ¬—eventually returning to songwriting. Charlie has subsequently released 2 albums and 4 eps which have garnered over half a billion streams.

Next on the horizon is his third album Frame. A collection of lush, delicate pop songs brimming with references to art rock, golden era jazz, and neo-classical composition—all the while maintaining the pared-back and clear-eyed musicality for which he is so well recognised. Throughout the album, Charlie and long-time producer, Sam Hudson Scott, create the fragility, power and tension found in timeless songwriting, reanimated through a modern lens.

All This

CharlieCunningham

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