A piece exploring a transition from the harmonic series to a twelve-tone musical language. Performed in a workshop session by the Birmingham Contemporary Music Group.

Transitions

Uses 8Dio Studio Solo Violin and 8Dio Dubstep
-------------
A soundtrack-style piece composed for the 8Dio 2013 Stand Out Contest, showcasing a couple of instruments. Contrasts heavy percussion and modern electronics with a string orchestra and solo violin. Enjoy!

8Dio 2013 Stand Out Contest Submission: “Hunter's Moon” by Charlie Lockwood

"Under the constellation of the Pleiades, they made the image of a little Virgin, or the Figure of a Lamp;  it is reported to increase the light of the eyes,  to assemble Spirits, to raise Winds,  to reveal secret and hidden things." -Three Books of Occult Philosophy, Heinrich Cornelius Agrippa, 1531

One movement from a larger piece I'm working on for piano and electronics, based on both 16th century astrology and modern observations of the same stars and constellations.

Pleiades

A stereo reduction of a piece I composed at the University of Birmingham, 2014. The original uses 8 channels, with each channel treated as a point source for the glitch material.

Windup Dance Machine (stereo reduction)

A montage of soundtrack-style pieces I've written over the past year or so.

Demo Montage

Entry for a competition, remixing elements of Destiny's Door by Hans Zimmer. I focused primarily on the solo voice line, using it to create rhythmic pads. The accompaniment was entirely reharmonised and reorchestrated, and I added an electric guitar line to the climax.

Beyond (Bleeding Fingers Contest)

I spent a while messing around with various effects plugins before recording this. Kind of an ambient, slightly glitchy thing. Hooray for delay!

Shards - Live Guitar Improvisation

So I've been watching Hannibal recently, and in between all the other things I have to do with my life I put together a track inspired by the show's music. This is not entirely my design - the melody at the end is my interpretation of a tune from the soundtrack (originally composed by Brian Reitzell), though I may have misquoted it. Oops.

One of these days I might also get around to releasing the autoharp Kontakt instrument I used at the end, as it's based off a recording session I did last year.

Designs

Major-key dubstep should be more of a thing. From an EP I'm knocking together out of some old, half-finished things in my Cubase folder. Stay tuned for more details.

Handshake

Final piece written for my MA at the University of Birmingham. An exploration of rhythm and pitch in an electroacoustic context.

Komorebi

A Sleeper is a five movement piece that uses recordings from a music box as its main material. The overture introduces all the material for the piece, and each family of sound is expanded on in the episodes that follow. Whirling cogs, the metallic resonances of the music box, glitches and sound synthesis, and finally the melody of the box, are all transformed into sonic dreamscapes.

I - Overture
II - A Machine for Dreaming
III - A Silence, Broken
IV - Night Terrors
V - Lullaby for a Sleeper

Composed as part of my PhD studies at the University of Birmingham. A Sleeper was premiered at BEAST FEaST 2016.

A Sleeper

A short electroacoustic piece featuring the vocal talents of David Cameron, Boris Johnson, Theresa May, Nigel Farage and Michael Gove.

This piece both highlights some of the dumb things they have said post-Brexit and invents some entirely new dumb things. But if they can get away with lying like they did, I figure I can get away with rearranging some interview recordings.

Tremendous Fun! or Brequiem In C Minor

Slow, mechanical sonar pings reveal submerged objects and wrecked ships, changed by the sea into something rich and strange.

-----

A nautical-themed piece of music, inspired by the discovery of the wreck of the HMS Terror in 2016 and the wreck of the Mary Rose at the Portsmouth Historic Dockyard. Also includes a fragment of the sea shanty 'Shallow Brown'.

Premiered at the 'Kelp Road' concert, part of the Arts and Sciences Festival at the University of Birmingham, March 2017

Submerged Objects

Music composed for the Horror Zone http://www.horror-zone.nl/

Plague Hospital

The Alchemical Laboratory of Zacherius Radius

Witches' Ritual

The Dark Ages

Lambreghts Lot

Four chords and five notes, taken from a fragment of manuscript labelled "Munich".

-----

This piece was written to celebrate what would have been the 80th birthday of Delia Derbyshire, an early pioneer of electronic music and one of the few women working in the field at the time. Last year, I was able to visit the Delia Derbyshire Archive at John Rylands Library, University of Manchester, where I found the tiny fragment of musical notation that I reinterpreted into this work.

Munich Fragment was premiered at The Delian Dome, 1st December 2017, a concert organised by BEAST and Delia Derbyshire Day.

Munich Fragment

The main theme for Abacus.

Available now on Steam Early Access: https://store.steampowered.com/app/822660/Abacus/

Abacus - Main Theme

Music written for University of Birmingham GuildTV, here in extended versions for your listening pleasure.

Leading Stories Theme - Extended

Sports Report Theme - Extended

Live recording from Aldeburgh Music Festival 2012 - please excuse the slightly rubbish sound quality!

Conducted by Charlie Lockwood (also known as me...)
Violins: Nathan Southwick, Ruth Nelson, Graham Sale
Viola: Frederick Reece
Cellos: Rachael Keeble, Eleanor Jones, Bethan Lloyd
Piano: Alex Groves

Confluence II

My final project for Studio Composition at the University of Birmingham.

Features vocals from Nick Charlesworth.

Free EP available from Bandcamp: https://charlielockwood.bandcamp.com/album/wake-ep or through the "Buy" link above.

Wake

Composer of: post-acousmatic music
Experimental classical
Music for films and games
Sound design
Other music

Charlie Lockwood

Pinned to spotlight

Popular tracks