As Mars retrogrades through the ninth house of wisdom and exploration, Gogo Yubari lands on earth with one purpose, and one purpose only: futsukayoi or 日酔い / ふつかよい .
As a forever student she pounds hard techno to meme techno to trance and with the anti-establishment spirit of punk, DIY mentality and humor she’ll leave you drunk for days.

Alter ego 🥁 GOGO YUBARI 🥁:   Gogo Yubari's Stampfkampf

Charlotte De Cock - Schön!

Text written by Vincent Van Meenen in 2019 for my yet to be released magazine.

Charlotte De Cock - Ik kan niks

Thrilled to share my first set in a year which i ended with the track FIRESTARTER whilst blowing fire. 


This square - Conscienceplein - was one of my father’s favourite whereabouts to be a dragon before he shot himself.

Firestarter X Zorro

nieuwe66

Everything

stoom ablazen

@  O.K. Korrall (BURNING MAN 2016 Sunday morning)

@ the Timemachine at Afrikaburn

Welcome to my journey from the Knife to Klaus Schulze to C Cat Trance to older aboriginal sounds to Mercan Dede to interviews with Jim Morrison, I wanted to illuminate the deeper , ethereal music in combination with some of our older masters plus other styles of music to create a magical story that enlightens the soul and spirit.

A journey with DAOUD

‍Charlotte De Cock
‍Written by Aman Imamura, December 2025

Charlotte de Cock embodies radical autonomy as a way of life. Not art as product, but art as existential act. She is someone who repeatedly creates her own worlds: homes, identities, exhibitions, rituals. To build new structures wherever the existing world falls short. She refuses the role of the artist as operator or provider. She sees herself as a catalyst: a field of energy that sets others in motion.

Her core is transformation through confrontation breaking cycles by first making them hyper-visible. She uses beauty as a trap, humor as a weapon, ritual as leverage. She doesn’t believe in “participation,” but in initiation: anyone who enters her universe steps into a space where ordinary logic is temporarily suspended. Where play and rebellion become the same gesture.

She doesn’t position herself as an artist in a world, but as someone who builds worlds. Spaces where intensity, absurdity, spirituality, punk, and devotion coexist. She doesn’t choose between love and rebellion, between chaos and discipline, between child and alchemist. She is the tension itself. The site where opposites collide and transform.
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What she embodies:
– Radical self-creation: houses become temples, exhibitions become rites, art becomes alchemy.
– The refusal to think small: not a career, but a myth under construction.
– Transparent vulnerability fused with relentless willpower.
– The transmutation of personal trauma into collective ritual.
– A hunger for intensity as fundamental right.
– Always on the fault line: between laughter and tears, ego and surrender, glitter and death-drive.

Charlotte de Cock stands for the possibility that a life can be a work of art and that art is not made to be recognized, but to remake reality.
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Charlotte De Cock's World

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