After the release of his debut EP "Netrunners Anonymous" in 2020, Charon Wyld has been honing his composition skills through numerous lockdowns, using them to infuse synthwave with progressive rock and metal in his newest release, "Give Me Infinity".

This EP is definitely a lot more rock and metal inspired than the first one.  With that one I tried to make it more Synthwave sounding on purpose, this time I just did what I felt like and ended up with this.  My ears definitely have improved mixing wise although I didn't concentrate too hard on increasing my skills.  Learning how to compose orchestral pieces definitely helped a lot with this one, even if it probably doesn't sound like it.  

I'm happy with how it turned out, composition wise I wouldn't change anything.  It would have been nice to have it professionally mixed and mastered, but it's nice to say I did it all myself, and it turned out alright, so it's all good.

CHARON WYLD - Blood Tastes Better By Moonlight -9.7 Lufs

CHARON WYLD - Interitus Fatali -9.6 LUFS

CHARON WYLD - The Confessions Of Peter Joseph -9.6 LUFS

CHARON WYLD - Most Triumphant! -9.7 Lufs

"Blue Glass Blues" is the fourth track off Charon Wyld's debut EP, "Netrunners Anonymous". This was a forced creation rather than an inspired one, but I am happy with the result, even if it's not really sticking to a certain genre.  I had decided to write something sad in harmonic minor, and although it didn't exactly turn out how I originally thought, I can't really complain since I found it good enough to get on the EP.

Blue Glass Blues

"I Knew They'd Catch Us!" is the third track off Charon Wyld's debut EP, "Netrunners Anonymous".  This one starts off all ambient and builds and builds and doesn't stop.  Inspired by Mega Drive, Perturbator and Guns 'N' Roses, this was originally a more Synthwave/Rock style song full of guitars but decided to convert it into a more cyberpunk sounding thing.

I Knew They'd Catch Us!

"Solo Chases Never End" is the second track off Charon Wyld's debut EP, "Netrunners Anonymous".  This one was inspired by Mega Drive, Nobuo Uematsu and 80s Rock.  I tried to make it a little more traditionally darksynth in some ways but my rock/metal roots always seem to come out.  And I mean, I couldn't say no to darksynth versions of metalcore breakdowns.

Solo Chases Never End

"Let The Games Begin" is the first track off Charon Wyld's debut EP, "Netrunners Anonymous". A synth infused rock track, calling back to the best era, the 80s.  This track was inspired by artists such as Carpenter Brut and Meteor, but I like to chuck solos in most of my songs so it ended up a little bit crazier.

Let The Games Begin!

A Darksynth/Synthwave artist, influenced by Meteor, Carpenter Brut, Mega Drive, Perturbator, Irving Force. Outside influences are Nobuo Uematsu, Plini, Bill & Ted, Cyberpunk, Avenged Sevenfold, Metallica, Parkway Drive.

Charon Wyld

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