If i only could listen to one song for all of my life, i would choose this one

Tremendo equilibrio, concepto. Me hizo leer sobre Marcel Duchamp. No se de quien es el piano, tal vez de Nicolas. Y su baseeee Una pieza maestra 

Extended version of Paper Trails, Nicolas Jaar & Dave Harrington

Brought to you by http://musiquedabeille.tumblr.com/

Darkside - Paper Trails (RA Sessions)

Daft Punk - Beyond Nicolas Jaar Dave Harrington Remix

Spielzug - Le Vent Nous Portera (Pierre2G Edit)

Syl Johnson - Is It Because I'm Black (Ripped @ David August Live @ Boiler Room Berlin 2014-04)

Florian Rietze - Forgive Me EP - out on Délicieuse Records.
Stream & Order the vinyl 12" ☞ smarturl.it/ForgiveMeEP

@florianrietze
@d-licieusemusique-records

Stream / Vinyl

Florian Rietze - Forgive Me

Something We All Love

Produced by P.e.ø & P.ø.g
Cover by Bastien HBSN (http://bastienhebeisen.blogspot.fr/)

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P.e.ø & P.ø.g - La Femme Est À Côté De L'amour

Nina Simone - Feeling Good (Nicolas Jaar Edit)

PillowTalk - Sunny

Encore - Nicolas Jaar

Stavroz - The Ginning EP - out on Délicieuse Records.
Stream ☞ http://smarturl.it/TheGinning

@stavroz
@d-licieusemusique-records

Ijsbrand & Gert had always wanted to create balkan inspired music, and hence came the duo Stavroz. Beyond just sharing the same musical tastes, these two buddies bond over both being sound engineers (live for Ijs, studio for Gert), which makes them real "goldsmiths" behind each and every production (such can be seen in this short clip which presents their title 'The Ginning'). 
Their music is imprinted with original inspirations while keeping to a jazzy/burlesque influence, leaving little to be left displeased. The bridge, so it seems, borderlines between minimal and jazz-house.

The first title of the EP, 'The Ginning' is constructed around guitarist, Max Honckelinx. The track’s instrumental harmony is skilfully constructed by the duo as they borderline minimal and deep house.

The second original title of the EP, 'The Finishing' is merely a dialogue between a rhythmic stratospheric universe and the sax of Nathan Daems, well preserved from the first studio recording. The end result leaves us with 8 minutes of lyricism soaked in sophistication and technicality.

In regards to the remixes, Felkon, who has been presented several times before on the Délicieuse, takes on 'The Ginning' by including vocals which create a more dance-like ambiance. 
Britta Arnold, a legendary pioneer from Bar 25 and Katerholzig, worked on 'The Ginning' as well with Sascha Cawa. They delivered a version more obscure yet wickedly effective.

As for the remixes of 'The Finishing', Powel continues to captivate us while executing his deep and melancholic twists. He entirely redesigns the piece’s structure by retiring the "voice" of the sax. 
And then there’s our man, Viken Arman, who spins his version of 'The Finishing' by refiguring the rhythm pattern and adding a new dimension to the bass.

Encore - Nicolas Jaar

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