Spotify: https://open.spotify.com/track/6ogetBON9HR13gEEqvHs0j?si=b8f3cf581d224413
YouTube Music: https://www.youtube.com/watch?v=g5rRQ-gJ-jc
Originally intended for a new EP I'd been working on. Figured I'd make it separate given how well it turned out.

Zeros and ones.
Living in my head.
Am I alive?
Are these just words I've said?

Solstice

Virtual Memory

Deep and Heavy Beat

Drink 182 - This Ain't A Drinking Song 5.31.21 Cliffside Sunset bRAD

NOVALIS is the „nom de plume“ of the early romantic poet, Karl Friedrich von Hardenberg (1772-1801), and inspired the Hamburg musicians Heino Schünzel (bass), Jürgen Wenzel (vocals, guitar), Lutz Rahn (keyboards) and Hartwig Biereichel (drums) when they set about looking for a band name in autumn 1971. May 1973 saw the release of their debut “Banished Bridge” which had been recorded in English. Starting with the arrival of their second album, released in April 1975 (Wenzel having been replaced by guitarist Detlef Job), their use of German lyrics ensured the band’s constantly growing up popularity. With their classic “Sommerabend” NOVALIS earned their nationwide breakthrough in 1976, followed by their accomplished offerings “Brandung” (1977), “Vielleicht bist du ein Clown” (1978) and “Flossenengel” (1979), which were all recorded with their new vocalist, Fred Mühlböck.

The “Neue Deutsche Welle” (Germany New Wave) brought a whole new set of parameters to the German music scene in the early Eighties, NOVALIS’ traditional rock on recordings such as “Augenblicke” (1980), “Neumond” (1982) and “Sternentaucher” (1983) no longer sounding contemporary.

Drummer Hartwig Biereichel comments on the recordings featured on “1984 Live”:
“Live cuts are always tricky. I can hear the reviewers who (still) take every new NOVALIS records apart with their extremely critical comments: there are sonic distortions, there are hisses and sizzling noises, the guitar is frequently too loud and so on, they’ve hit the wrong note a number of times – and so on and so forth… Of course, all this is true; after all this it’s a real live recording with all its faults and shortcomings. But it’s authentic and totally unprocessed (apart from Eroc’s wonderful remastering), those tiny technical mistakes are and have always been part of a NOVALIS show. That’s what makes it alive and gives it energy.

NOVALIS were a rock band that always found it difficult to condense the sheer power of their music into the grooves of a record at the studio. On “1984 Live” we whoop it up, as can be heard on “Grenzen” and the “Schmetterlinge/Irgendwo, Irgendwann”-medley.

Following the 70s phase which produced “Sommerabend” and “Wunderschätze”, among others, NOVALIS had only three options at the beginning of the 80s if we wanted to continue to be creative as a band and enjoy our music: 1.) Continue to come up with awesome numbers, which isn’t all that easy; 2.) Copy ourselves and merely mark time; 3.) Risk new, experimental approaches which may not have gone down too well with some of our fans, a number of which were no longer prepared to follow us on this path. As disappointing as our waning success may have been back then, it’s comprehensive from today’s point of view. The titles which were new at the time include “Ich hab noch nicht gelernt zu lieben” (featuring Lutz’ intricate keyboard technique), “Cassandra” (with its wild, unbridled rock drive and Fred’s transverse flute) and “Über Stock und Stein”. This song had previously been a pure studio track – we ourselves were surprised that it worked on stage and went down so well.
“Mit den Zugvögeln” (dreamily romantic and with atmospherically tension) and “Vielleicht bin ich ein Clown“ (pretty prcise despite a number of tempo changes) hail from an earlier phase. Fred’s voice on “Nimm meine Hand” and “Bumerang” betrays that he had personal problems at that time. He quit for good soon after this concert. Still we were always in perfect harmony on stage – which you can hear because a number of titles are performed much more dynamically than their LP versions (for example “Kleinwenig mehr” with Heino’s speedy bass fingers and “Wer Schmetterlinge lachen hört”/”Irgendwo, Irgendwann”, including Detlef’s orgiastic guitar). Listen to this track with your headphones on and you’ll feel right at the centre of the stage!”

Ich Hab' Noch Nicht Gelernt... - live @ „Open Air“, Hamburg, 1984

the re-release of another Triple M classic

I Rock I Roll Prophet Da Boss ft. Calico Cutty

Intermezo

Ingen Anelse (Instrumental)

Introductrists!

I know that you are scared but baby hold on to me so I can make you believe.

Dead Eyez - Hold on to Me

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Stylenice

Dragons Theme (Remix206)

Check this out first: 

https://freebeatsforall.wordpress.com

Take a kook at my throughput (number of beats). I potentially crank out beats at a higher pace than anyone on SoundCloud. 

How is that? I don’t use a DAW. 
Thus my beat comes from heart (or often my nuts) and most importantly, I  play what I am feeling. 
My beats typically go from my hardware  and uploaded instantly. No remastering , no using a quarter note with 7:1 compression during a waxing gibbous, etc. I simply lay my shit down and keep it moving  i have had my shine (when it was really going down) so now am just enjoying a life long passion. 


Notes of Interest:

1. I started PLAYING  Techno in early 87. 

2.  95% of my beats, are played lLIVW (one take) and with Hardware

  Most my current gear lineup is as follows:
- Roland JDX-1
- Roland SH-101
- Yamaha MX
- Korg Microkorg, 
- Novation Mono station, 
- Korg Monologue, 
- Yamaha DJ X, 
- Roland 303
- Elektron model samples
- iKaossilator
- Korg Monologue (BASS!)
- Moog Model D
- Behringer  DeepMind 12

3. This is merely a hobby for me. I endured tragedy of the worst kind in 2020 and my musical prowess showed through allowing me to express myself in a productive manner. 

4. . Most of what you hear is already conjured up in my mind prior to putting hands on keyboard

5. I never solicit funds. My beats are #AllFreeAllTheTime. 

6. I have the lowest beats to follower ratio for two reasons 
  — I don’t pay for promotion or followers or any if that. I do this for REAL and don’t care about being a starboy
— I play only  what I want and merely share with everyone. . 

7. Finally, i an dying—literally Specifically from a broken heart (kids its real, can and does happen)  yes, it is sad; however  i have the blessing to express myself in am abstract form such  as this  I have accepted my fate. I have no idea how long i have, but this library of music is intended for use many many many years from now. I want my great-great grandchildren to say “Damn!  Triple G Grandpappy’s shit KNOCKED!” :-)Just know if don’t FEEL the beat is mot published. So it is a library my feelings n.  
Once I am gone, i pray it my music remains up for everyone enjoy. I ha e afraid to create something for everyone

Deep and Heavy Beat

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