Name: Antimaterial Worlds - Grip The Release by Chemical X Club
Duration: 3 min 10 s
Description: Grip The Release by Antimaterial Worlds out now on Chemical X under exclusive license to Mad Decent.

'Problem Areas' appears on 'R Plus Seven' by @oneohtrix-point-never released September 30th 2013.

iTunes - http://smarturl.it/eb8fi6
Bleep - http://smarturl.it/hge9h2
Amazon - http://smarturl.it/c23n1u
Google Play - http://smarturl.it/t1zi9e

http://www.pointnever.com
https://www.facebook.com/oneohtrix
https://twitter.com/0PN

R Plus Seven

Problem Areas

Buy on iTunes

Oneohtrix Point Never - Problem Areas

Grip The Release by Antimaterial Worlds out now on Chemical X under exclusive license to Mad Decent.

Antimaterial Worlds - Grip The Release

BONDAID#7 FIESTA!
2015.11.22 sun before Holiday 
START : 23:30 at WWW Tokyo
ADV ¥3,000 | DOOR ¥3,500 | UNDER 23* ¥2,500

液状化するダンス、レイヴ、アートの融点。ダブの霧に身を潜めるミステリアスなロンドンの才女 Inga Copeland と“点描トランス”と称されるミラノの革新派 Lorenzo Senni を迎えた新感覚の屋内レイヴが開催！

Co La (Software)、Andrew Pekler (Entr’acte)、D/P/I (Leaving)、TCF (Ekster)、M.E.S.H. (PAN)といった世界各地の先鋭的な電子音楽作家を招聘してきた〈melting bot〉プロデュースの越境地下電子イベント〔BONDAID〕が第7回目のラッキー・セブンを迎えて送る祝祭“FIESTA!”を今年で５周年記念を迎える渋谷WWWにて開催。ゲスト・アクトはHype Willimas (Hyperdub)での来日パフォーマンスが大絶賛だったロンドンの女流電子作家Inga Copelandの日本初のソロ・ライブとミラノのサウンド・アートティストLorenzo Senniの〔Sonar〕でも評判となった“点描トランス”と称されるレイザーを使った、こちらも日本初となるインスタレーション“Oracle (神託)”。本公演は今年の6月に東京のLIQUIDROOMと大阪のCONPASSで行われたベルリンの実験／電子レーベル〈PAN〉をフィーチャーしたイベント〔PAN JAPAN SHOWCASE〕に続く、現在のイメージ化するジャンルと抽象化するダンス・ミュージックの坩堝を体現したコンテンポラリーな屋内レイヴ・ナイト。音楽、ダンス、アート、ファッションの先鋭がシーンを超えて集まった全14アクトでかつてない夜をお届けします。

LIVE :

Inga Copeland [ex Hype Williams  / from London]
Lorenzo Senni “Oracle Set” [Editions MEGO / Bookman Editions / Presto!? / from Milan]
Kyoka [raster-noton]
Metome
Renick Bell [Quantum Natives / the3rd2nd]
Koppi Mizrahi [Qween Beat / House of Mizrahi] 
& yumeka [OSFC] “Vogue Showcase”

VJ : Ukishita [20TN! / Nice Air Production]

DJ :

Toby Feltwell [C.E]
Sapphire Slows [Not Not Fun / Big Love]
Yusuke Tatewaki [meditations]
HiBiKi MaMeShiBa [Gorge In]
Hibi Bliss [BBC AZN Network]
Pootee
SlyAngle [melting bot]

#LEFTFIELD #ELECTRONIC #RAVE 
#TRANCE #DANCEHALL #VOGUE 
#TECHNO #GLITCH #GORGE #NEWAGE
#CONTEMPORARY #DANCE #ART

ADV TICKET OUTLET : 10.15 ON SALE

e＋ / WWW / RA / Clubberia
disk union (Club / Dance Online, Shibuya Club, Shinjuku Club / Honkan, Shimokitazawa Club, Kichijoji)

*23歳以下のお客様は当日料金より1000円割引になります。ご入場の際に生年月日が記載された身分証明書をご提示下さい。Under 23 get 1000 yen discount off door charge with Photo ID.

※20歳未満の方のご入場はお断り致します。年齢確認のため顔写真付きの身分証明書をご持参下さい。Over 20’s only. Photo ID required.

Info : WWW 03-5458-7685
B1F Rise Bldg, 13-17 Udagawacho, Shibuya-ku, 150-0042, Tokyo

主催 : BONDAID | http://bondaid.jp
制作 / PR : melting bot | http://meltingbot.net
協力 : Inpartmaint / p*dis | http://www.inpartmaint.com
会場 : WWW | http://www-shibuya.jp

Inga Copeland - Advice To Young Girls (w/Actress)

buy this: https://y1640.bandcamp.com/track/spit-intent

Spit Intent

SPIT INTENT

Life

STREAM / BUY: https://houndstoothrecords.lnk.to/dnafeelings

Aïsha Devi has announced the release of her second album ‘DNA Feelings’ out 11th May. In conjunction with the album announcement comes first track ‘Inner State Of Alchemy.’
 
TWO SERPENTS OF FREQUENCIES CIRCLING AND ELEVATING, HEALING ATOMIC AND ENERGETIC FORM 

Follow Aïsha:

https://www.aishadevi.com
https://www.facebook.com/aishadeviaura/
https://www.instagram.com/aishadevi5d/
https://twitter.com/aisha_devi
https://soundcloud.com/aisha-devi

DNA Feelings

Inner State Of Alchemy

STREAM / BUY

Aïsha Devi - Inner State Of Alchemy

Eartheater — IRISIRI 
Format: LP/CD/Digital
Cat.No: PAN 86
Release Date: 08 June 2018
Purchase: http://p-a-n.org/product/eartheater-irisiri-pan-86/
BC: https://alexdrewchin.bandcamp.com/album/irisiri

Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fearless physical investment and gut-wrenching vocal sincerity.

IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and collisions of mutated tropes from numerous sonic vocabularies. Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks - unleashed in unpredictable disruptions.  Technoid stabs mingle with crushed black metal. An icy OS reads poetry against a bed of granular synth swells.  Drewchin's sirening whistle-tone vocals drape over relentless harp arpeggios. Eartheater confounds expectations of structure and resolution before deciding to thread in a sugary melody that snaps us back into some conception, however hazy, of pop songwriting. Guest spots on  IRISIRI charge Drewchin's ideas with concordant energies, from the stark imagist poetry of Odwalla1221 on Inhale Baby, to the sheer lacerating force of Moor Mother's unflinching verse on MMXXX.

Drewchin's lyrics, strewn with flourishes of wordplay and symbolism, explore themes of her autodidactic experience - playing with the tutelage of the ‘pupil’ within the ‘iris' mirrored in the palindrome  IRISIRI. One motif appears as a song name,  C.L.I.T., which Drewchin breaks down into "Curiosity Liberates Infinite Truth." The acronym stands as a microcosm of the Eartheater project in its holistic combination of idiosyncratic spirituality and cheekiness, presented with an earnest confidence that some could consider confrontational. In spite of this lexicon’s maximal effect, it comes from a very personal place as she states, “curiosity has had to be the currency of my education". On OS In Vitro, she reminds us that "These tits are just a side-effect," and "You can't compute her," as if to acknowledge the clouding effect of sexuality and technology in the face of a higher self-significance. In the record’s accompanying video piece, Claustra,  she slides between "the owning of my loneliness" and "the end of the loaning of my onliness”, encapsulating images of self-purifying 
isolation and the rejection of artistic exploitation with the flip of two syllables. The transmuting landscape of IRISIRI is riddled with evocative poetry and evidence of Drewchin’s development as an artist since her debut in 2015.

Drewchin performs and collaborates with art duo and close friends FLUCT. In February 2017, she starred in Raul de Nieves and Colin Self’s opera The Fool at the Kitchen. In April 2017, featured on two tracks from Show Me The Body’s  Corpus I mixtape alongside  Denzel Curry  and Moor Mother. She’s currently composing work for the contemporary chamber orchestra,  Alarm Will Sound, that will debut in May 2018. Her new live set sees her accompanied by the concert harpist Marilu Donivan.

The release is mastered by Rashad Becker at D&M, featuring photography by Elise Gallant.

@alex-drewchin
http://www.eartheater.solar/
http://www.p-a-n.org/

IRISIRI

Eartheater — C.L.I.T. (PAN 86)

Amnesia Scanner — Another Life 
Cat.No. PAN 96

purchase: https://bit.ly/2mo0hyu
pre-order album: https://bit.ly/2JxE61G / https://bit.ly/2uxWLWx
video: https://youtu.be/5CEmVTzmzpw

Amnesia Scanner, the Berlin-based music duo, performing arts group, experience design studio and production house, created by Finnish-born Ville Haimala and Martti Kalliala, present their second release on PAN; a cyber-grunge bug-out anthem.

AS A.W.O.L. features the passionately defiant vocal debut of Oracle, Amnesia Scanner’s shadowy third member who will also be featured on a number of upcoming pieces.

AS A.W.O.L marks the second chapter in a large cycle of new work to be released with PAN throughout 2018. It follows the single AS Chaos on PAN, two 2016 EPs AS and AS Truth on Young Turks and the critically acclaimed, independently released audioplay Angels Rig Hook and AS Live [][][][][] mixtape.

The release is mastered by Jeremy Cox. It is accompanied by artwork, a t-shirt and video by Amnesia Scanner’s long-time collaborators PWR Studio.

@amnesia-scanner

http://p-a-n.org

Another Life

Amnesia Scanner - AS A.W.O.L. (PAN 96S2)

Iku - Body Horror

Order: bit.ly/2NZ7nWB

Berlin-based events organisers and label Creamcake are pleased to announce their latest online release, Iku’s Body Horror EP (released August 3) with lead single “À Tes Yeux” out July 19.

The Frankfurt-based musician and visual artist dropped her first album Fugue: Some Temporal Patterns Other Than the Forward March on Prague’s Genot Center last year. Also known as Johanna Odersky, Iku’s music production complements the Städelschule student’s sculptural work, exploring the silhouettes separating internal and external worlds and the mechanisms of inclusion, exclusion and domestication they reveal. Seeing the material and the immaterial as being entangled, her interest in how forms structure and give meaning to physical space is also reflected sonically.

In Body Horror, she uses associative sampling, often densely layered and interwoven as a play between clarity and blurriness. “À Tes Yeux”, in particular, carries on this gentle metaphor of vision and visibility with a title that translates to “To Your Eyes”. Its French lyrics are foregrounded in a mix of half-articulated piano progressions and an incomplete guitar sample that swirls suspended in a milieu of synth elements set adrift. Going back and forth between clear and failing perception, Iku’s music reflects the delicate line between the familiar and the uncanny.

The “À Tes Yeux” single release precedes the Body Horror EP, which will be released in full on August 3. There will be a launch party and NextGen showcase at Berlin’s OHM club — also featuring Cecilia live, CYPHR, Dis Fig and Flagalova — on August 9.

The cover is made by Sarah Ksieska.
The release is mastered by Nathan Shah.

@ikukojohanna
@ivy_94

Iku - Not You Me (feat. Ivy)

Puce Mary — The Drought
Format: LP / CD / Digital
Cat.No. PAN 87
Release Date: 5 October 2018 
Pre-order album: bit.ly/2KGmn9f / bit.ly/2KGL7Ot

Building from a reputation of arresting live performances and critically acclaimed releases Puce Mary breaks new ground with The Drought, evolving from the tropes of industrial and power electronics to forge a complex story of adapting to new realities. Remnants of noise still exist, sustaining the penetrative viscerality offered on previous records, however The Drought demonstrates an intention to expand on the vocabulary of confrontational music and into a grander narrative defined by technical and emotional growth.

Bringing together introspective examination with literary frameworks by writers such as Charles Baudelaire and Jean Genet, Puce Mary’s compositions manifest an ongoing power struggle within the self towards preservation. The traumatised body serves as a dry landscape of which obscured memories and escape mechanisms fold reality into fiction, making sense of desire, loss and control. The Drought presents both danger and opportunity; through rebuilding a creative practice centred on first person narrative and a deliberate collage of field recordings and sound sources Puce Mary injects an acute urgency across the album seeking resilience.

“To Possess Is To Be In Control” makes use of lyrical repetition as an ambiguity of two selves, or a divided self, attempting to consume one another, while “Red Desert,” named after Michelangelo Antonioni’s 1964 film, portrays the individual subsumed by surrounding environmental forces. The seven-minute epic “The Size of Our Desires” acts as the emotional tipping point of the record; amongst the ominous drone and dense feedback flutters almost-beatific melodies, while the lyrics reveal a romantic call to be swept up in the midst of an increasingly uninhabitable world.

Rather than escape, The Drought dramatises a metamorphosis in which vulnerability is confronted through regeneration. Noise and aggression no longer act as an affront to react against but part of a ‘corporeal architecture’ where space, harmony and lyricism surface from the harsh tropes of industrial music. The Drought chronologises a transformation through a psychological famine, new ways of coping akin to plant survival in a desert – to live without drying out.

The release is mastered by Rashad Becker, featuring art by Torbjørn Rødland

@pucemary
p-a-n.org

The Drought

Puce Mary - Fragments Of A Lily (PAN 87)

Eartheater - Phoenix: La Petite Mort Édition 
Format: DL
Cat.No. PAN 112-R
Release Date: 26 February 2021
Purchase: pan.lnk.to/LaPetiteMort

Last year, Eartheater released her latest album, Phoenix: Flames Are Dew Upon My Skin, via PAN.Eartheater is now sharing a fully reworked version of the album, Phoenix: La Petite Mort Édition, out February 26, 2021 on PAN. Originally conceived as a “sleep” mix for CRACK Magazine, Eartheater re-sculpted her entire album Phoenix into a seamless ambient edit.“This is Phoenix crushing, undressing, and compressing like carbon particles under the weight of boulders folded into silky soil, and decomposing. She is folding over and over and over and over like the rolls of young gummy stone. This is one REM cycle. I suggest listening to Phoenix: La Petite Mort Édition while asleep after climax. You are wet ash smudged across a pillow case.” - Eartheater

Antimaterial Worlds - Grip The Release

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