AMAZING!!!! thanks for exist ❤️❤️

Stream/Download: https://anonymousclub.ffm.to/ketamean

FOLLOW ANONYMOUS CLUB:
Instagram: https://www.instagram.com/anonymousclub.club
Twitter: https://twitter.com/_anonymousclub
Bandcamp: https://anonymousclubdotclub.bandcamp.com/
Web: https://anonymousclub.club/
SoundCloud: https://soundcloud.com/user-922785436

Ketamean

Ketamean (NY Mix) [feat. Sabrina Fuentes]

Stream/Download: https://chemicalx.ffm.to/scripture

Eartheater Socials:
http://instagram.com/eartheater
http://twitter.com/younggummystone

Scripture

Written by BEA1991 and Sega Bodega, produced by Sega Bodega.

Tranquility (Part 2)

Stream/Download: https://chemicalx.ffm.to/mitosis

Eartheater Socials:
http://instagram.com/eartheater
http://twitter.com/younggummystone

Mitosis

The Girl Who Lost The World

Eartheater — IRISIRI 
Format: LP/CD/Digital
Cat.No: PAN 86
Release Date: 08 June 2018
Purchase: http://p-a-n.org/product/eartheater-irisiri-pan-86/
BC: https://alexdrewchin.bandcamp.com/album/irisiri

Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fearless physical investment and gut-wrenching vocal sincerity.

IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and collisions of mutated tropes from numerous sonic vocabularies. Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks - unleashed in unpredictable disruptions.  Technoid stabs mingle with crushed black metal. An icy OS reads poetry against a bed of granular synth swells.  Drewchin's sirening whistle-tone vocals drape over relentless harp arpeggios. Eartheater confounds expectations of structure and resolution before deciding to thread in a sugary melody that snaps us back into some conception, however hazy, of pop songwriting. Guest spots on  IRISIRI charge Drewchin's ideas with concordant energies, from the stark imagist poetry of Odwalla1221 on Inhale Baby, to the sheer lacerating force of Moor Mother's unflinching verse on MMXXX.

Drewchin's lyrics, strewn with flourishes of wordplay and symbolism, explore themes of her autodidactic experience - playing with the tutelage of the ‘pupil’ within the ‘iris' mirrored in the palindrome  IRISIRI. One motif appears as a song name,  C.L.I.T., which Drewchin breaks down into "Curiosity Liberates Infinite Truth." The acronym stands as a microcosm of the Eartheater project in its holistic combination of idiosyncratic spirituality and cheekiness, presented with an earnest confidence that some could consider confrontational. In spite of this lexicon’s maximal effect, it comes from a very personal place as she states, “curiosity has had to be the currency of my education". On OS In Vitro, she reminds us that "These tits are just a side-effect," and "You can't compute her," as if to acknowledge the clouding effect of sexuality and technology in the face of a higher self-significance. In the record’s accompanying video piece, Claustra,  she slides between "the owning of my loneliness" and "the end of the loaning of my onliness”, encapsulating images of self-purifying 
isolation and the rejection of artistic exploitation with the flip of two syllables. The transmuting landscape of IRISIRI is riddled with evocative poetry and evidence of Drewchin’s development as an artist since her debut in 2015.

Drewchin performs and collaborates with art duo and close friends FLUCT. In February 2017, she starred in Raul de Nieves and Colin Self’s opera The Fool at the Kitchen. In April 2017, featured on two tracks from Show Me The Body’s  Corpus I mixtape alongside  Denzel Curry  and Moor Mother. She’s currently composing work for the contemporary chamber orchestra,  Alarm Will Sound, that will debut in May 2018. Her new live set sees her accompanied by the concert harpist Marilu Donivan.

The release is mastered by Rashad Becker at D&M, featuring photography by Elise Gallant.

@alex-drewchin
http://www.eartheater.solar/
http://www.p-a-n.org/

IRISIRI

Eartheater — C.L.I.T. (PAN 86)

Toxic Femininity

Beauty is Like a Thing

'Beauts' single by @shygirl_93 track prod. by Prinz George
out now as part of PDA COMPILATION VOLUME 1 - AND THE BEAT GOES ON

SHYGIRL — BEAUTS

Water can put out flames 
But nothing can stop this day
I feel a high tide in my eyes 
Brimming at the sight of you 
I feel a high tide in my chest
Ready to flood this house 
Gush down the hallway 
Crashing through the windowpane 
Wash the pain away 
Water can put out flames
But nothing can stop this day

Written and performed by Eartheater 
Produced by Acemo and Eartheater
Mixed by Kiri Stensby 
Mastered by Heba Kadry 
Cover art direction by Christian Velasquez 
Photography by Sam Clarke

Eartheater - High Tide (prod. Acemo, Eartheater)

Written and performed by Eartheater
Produced by HaraKiri & Eartheater
Mixed by Kiri Stensby
Mastered by Heba Kadry

Eartheater - Solid Liquid Gas (prod. Hara Kiri)

Official music video: https://youtu.be/m13T6p8CxBk
Purchase: https://cutedoor.bandcamp.com/

Written, Produced and Mixed by Cute Door
Mastered by B.Leo at Geneva Sound Factory

Eartheater - High Tide (prod. Acemo, Eartheater)

Chemical X Club

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