can't believe its been 5 year's,  still fresh af😭❤️

Edit stuff

Stream/Download: https://chemicalx.ffm.to/airborneashesrmx

Eartheater Socials:
http://instagram.com/eartheater
http://twitter.com/younggummystone

Airborne Ashes

Airborne Ashes (Eartheater & Aleksandir Remix)

Esoteric

Prayer At The Dinner Table

Artist: Eartheater
Album: Metalepsis
Release Date: 2/24/15
Hausu Mountain, HAUSMO 25
For more information, visit:
http://hausumountain.com/?page_id=1920

Eartheater - Homonyms

Luz Sin Fronteras

from the album "RIP Chrysalis" coming out on Hausu Mountain on 10/20/15

For more info:
hausumountain.com/?page_id=2282

Eartheater - Wetware

Oh my my

history books say this was the first cryyawh track ever :o
re-uploaded

lyrics:
Easy gwap ya easy bake my cake ya
Different states ya i think i found my bae ya
On my way can i stay jus 4 today ya! x2

She wana sad boy sorry bby but im up ya!
Big cake yawh! got my gwap up!

Bitch Im saksd up im so bad yawh!
Callup Cryjng from da cut he gon blast ya

Easy bake my cake i gotta run it up
Cryjng n da cut coutin hunnids up

lil yawh & cryjng --  ez bake !

@0800shygirl out now on @NUXXE
prod by @segabodega

'Cruel Practice' EP : smarturl.it/NXX004

artwork by Samuel Ibram
mastered by Ziro

Cruel Practise

SHYGIRL — Asher Wolfe

https://traktrain.com/smokedoutpaulie#216288
composed by: @paulieleparik

traktrain

Beat fs 2

gettin paper [flip]

Water can put out flames 
But nothing can stop this day
I feel a high tide in my eyes 
Brimming at the sight of you 
I feel a high tide in my chest
Ready to flood this house 
Gush down the hallway 
Crashing through the windowpane 
Wash the pain away 
Water can put out flames
But nothing can stop this day

Written and performed by Eartheater 
Produced by Acemo and Eartheater
Mixed by Kiri Stensby 
Mastered by Heba Kadry 
Cover art direction by Christian Velasquez 
Photography by Sam Clarke

Eartheater - High Tide (prod. Acemo, Eartheater)

!!!! A pretty grooving EP going so fast it might pop your tires!!! The single "200mph" features TOFUKU's amazing vocal melodies & exhilarating lyrics, and "drag" features BUGCORE droppin heat ✿ Mariode has been making cute but cutting edge electronic jams consistently this year, and you should absolutely go listen to their other efforts after blasting this one from your car totally not going slightly over the speed limit! ☆

stream the EP elsewhere: https://smarturl.it/Mariode-Apex

Mariode on...
Soundcloud ~ https://soundcloud.com/mari0de
Spotify ~ https://open.spotify.com/artist/6dsYzp2eHU8In7uazD306z?si=sQaRBf3qQM6XeHdBFuzVPw
Twitter ~ https://twitter.com/_mariode_

(artwork & video is also by Mariode!)

TOFUKU on...
Soundcloud ~ https://soundcloud.com/tofuku
Twitter ~ https://twitter.com/IAMTOFUKU
Spotify ~ https://open.spotify.com/artist/3hg9J1p0uyzhuLwMic8pvW

BUGCORE on...
Soundcloud ~ https://soundcloud.com/ayyyyitsbugcore
Bandcamp ~ https://bugboi.bandcamp.com

Apex [MP3s]

Apex - EP

~ stream/download ~

Mariode - countdown

Written and performed by Eartheater
Produced by AceMo & Eartheater
Mixed by Kiri Stensby
Mastered by Heba Kadry

Eartheater - Prodigal Self (prod. Acemo)

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

Eartheater - High Tide (prod. Acemo, Eartheater)

Chemical X Club

Recent comments

oioioyster

Criss

Vitallu

Yung Marmalade

Related tracks