Name: Cherif Hashizume - Before It Collapses by Cherif Hashizume in Conductive Modular
Duration: 6 min 33 s
Description: Cherif Hashizume - Performance/Composition/Recording/Mixing/Mastering

Conductive Modular

Vänner is Swedish for "friends".
This album is a collection of remixes of tracks from Vena Portae's debut album, all done by friends of the band. How lucky we are that we have such talented friends!

Track 6 - All Will Be Well, remixed by Cherif Hashizume

Cherif Hashizume is an East London based remixer/producer known for his outstanding skills for sound design and audio manipulation using self-made plugins and DIY modular synths. His signature sound has been praised by many artists including Jon Hopkins, PVT, Tim Exile, Leafcutter John and many more.

https://soundcloud.com/cherif-hashizume
https://twitter.com/moonbase3 (@moonbase3)


All Will Be Well (Cherif Hashizume Remix)

Free DL

ATW - 100% (Hemmi Edit) [FREE DL]

Pretty Sweet flip of Fuck It Up by Disco Lines, SIDEPIECE, Mike Sherm

SUPPORT: @prettysweet2 @discolines @youasidepiece @mike-sherm
Instagram: www.instagram.com/whoisprettysweet/
Spotify: open.spotify.com/artist/1tGxccjxx…sTRkGz176bj9ncMg
TikTok: @whoisprettysweet
x: x.com/PrettyFnSweet

Free Download

Fuck It Up - Disco Lines, SIDEPIECE, Mike Sherm (PRETTY SWEET FLIP)

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Link to the video captured here in real-time: https://vimeo.com/150015591

Patch Notes:

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the "scatter" (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.

The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html

Strum - Modular Patch

A sizzling preview of Robert Aiki Aubrey Lowe's new 12" on Demdike Stare's DDS imprint.

Cognition / Observation will be released on DDS on January 21.

http://www.factmag.com/2016/01/21/robert-aiki-aubrey-lowe-cognition-observation/

Robert Aiki Aubrey Lowe - 'Observation (Sophrons)' (Excerpt)

"This mix is a selection of some of my favourite music out there at the moment" ~ Imaginary Forces

01 - Darkos Strife - Intro
02 - John Wall & Alex Rodgers - Rafia Longer
03 - Kyle Bruckmann - Tech. Music 2 (Track 12)
04 - Dale Cornish - Cut
05 - Dale Cornish - LW
06 - Shapednoise - Enlightenment
07 - Yves De Mey - Untitled
08 - Shapednoise - Well-Being
09 - Arash Moori - Possession
10 - Yves De Mey - Untitled
11 - Andrea Taeggi - Valis
12 - Dale Cornish - Sesquipedalian
13 - Vainio & Vigroux - Deux
14 - Imaginary Forces - Chat ‘Bout?
15 - Imaginary Forces & Kwam - On Road
16 - Kyle Bruckmann - Tech. Music 2 (Track 01)
17 - Ceinfuegos - Descending Order
18 - Cassius Select - He Ain't Worth
19 - Kyle Bruckmann - Tech. Music 2 (Track 03)
20 - Darkos Strife - Interlude
21 - Cienfuegos - A Los Mártires
22 - Cassius Select - Joy Mile
23 - Kyle Bruckmann - Tech. Music 2 (Track 03)
24 - Kyle Bruckmann - Tech. Music 2 (Track 08)
25 - Dale Cornish - Infix
26 - Rabit - Cross
27 - Coil - Fire Of The Green Dragon
28 - Darkos Strife - Outro

@imaginaryforces


EE 412

Imaginary Forces - 412 - Electronic Explorations

Trippel Fabrik

Cherif Hashizume - Performance/Composition/Recording/Mixing/Mastering

Cherif Hashizume - Before It Collapses

199Radio // 11/04/17 (10pm-12am) // Intergalactic Cat Adventures

www.newriverstudios.com/199radio

11/04/17 - Intergalactic Cat Adventures

https://planetmu.bleepstores.com/release/107937-richard-devine-sortlave
https://richarddevine.bandcamp.com/album/sort-lave
http://smarturl.it/RDSortLave

After a break of 6 years, Atlanta based electronic musician, producer and sound designer Richard Devine returns with a new album ‘Sort\Lave’ on Venetian Snares‘ Timesig imprint. Recorded between 2016 and 2017 using Richard’s custom built Eurorack modular system and two Nord G2 Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from abrasive percussive experiments such as ‘Revsic‘ to ‘Astra’s dazzling juxtaposition of sounds and onto the radiant ambience of the album’s closer ‘Takara‘.

Talking about the album’s genesis Devine explains “I’ve been using modular synthesizers since I was 17, but have never written complete tracks using these newer systems. This was my first experiment to see if it would be possible and I probably spent about 5 years building up the systems that I used on this album.”

“I wanted the record to sound very different to my previous works which had been more cold, digital, clinical even, and had all been made using computers. The aim here was the complete opposite, to create something that felt very organic, detailed, spacious, big and warm and just as importantly, a record that you could put on and play all the way through that flowed in a seamless way.”

This new approach was to prove fruitful and enabled Devine to create music in an entirely new way. “I really wanted to break free from timeline-based music creation and do things with my hands on the fly,” he explains. “So the tracks are more like captured snapshot performances where I could experiment and play around with the idea of probability-based sequencing for every patch, string multiple sequencers together that would feed other sequencers to come up with interesting rhythms and melodies. It was really fun coming up with new sounds this way too, I felt like I created several I haven't heard before with this album. Some of the tracks on the album were complete accidents and evolved from something that happened spontaneously. In the end I feel this is one of the best records I have released to date, so I’m very excited to share it with the world.”

Making his debut in 1995, Devine’s releases for labels including Schematic, Warp Records and Detroit Underground have established him as one of the leading figures within the electronica community. In addition to his musical productions, Devine has enjoyed a lengthy and successful career in sound design, developing patches for many of the world’s leading music technology businesses and working with companies such as Google and Nike.

Sort\Lave

Richard Devine - Opaque Ke (TIMESIG009)

Si Begg - North Norfolk Wire Taps 99
Alva Noto - Uni Acronym
Throwing Snow - The Butcher
Wallwork, RzR - Tonatiuh Dance
Djrum, Zosia Jagodzinska - Creature, Pt.2
Richard Devine -Opaque Ke
Objekt - Porcupine
Blown -Klade
Misty Conditions - Dusco
Perc, Randomer - Breezeblock
Akkord - XMTR
Christian Vogel - Don’t Take More (Jamie Lidell Remix) (2015 Remaster)
Djrum- Sex
Clark - Honey Badger
Mouse On Mars - Jack Is Out (Arson Only Edit 1)
BrainWalzera - Vodiga
Aeroc - Lude

Super stoked to have Cherif Hashizume turn in an hour of pure dance floor correctness. Having been on production duties for Jon Hopkins and Hunrosa this year, live mix for HS-fave Kelly Lee Owens, and previous work for Brian Eno, David Byrne, PVT, King Creosote and more, Hashizume is one of Folkestone's most prolific and vibrant residents. He's integral to the Profound Sound Festival team and and all round good egg. 

If you dig dance floors on that Kelly Lee Owns, Jon Hopkins, Four Tet, Caribou tip, then this mix is for you. Totally steeped in minimalist and avant garde overtones, but rooted in getting you moving into the late hours, Been on rotation here for a minute, and will be for the rest of the year I'm sure!

HOT SALVATION MIX 23/11/18 | CHERIF HASHIZUME | Producer | Jon Hopkins, Hunrosa, Kelly Lee Owens

Extended version of the "Creature II" composed entirely on the MakeNoise Modular system. 2012 - Catalog number - MNR001 

Buy it here:

http://trashaudio.com/2012/12/make-noise-records-presents-shared-system-series/


Label info:

http://www.makenoiserecords.com/

MakeNoise Records facebook page:

http://www.facebook.com/MakeNoiseRecords

Shared System page:

http://www.makenoisemusic.com/sharedsystem.shtml




Cherif Hashizume - Before It Collapses

Cherif Hashizume

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