Enabler (feat. Antha) [Live From Studio West]

Angels (Live From Studio West)

Sorry

Leftovers delves into the haunting spaces we create for those who don't reciprocate our consideration. With a sonic palette inspired by Fiona Apple, Phoebe Bridgers, and Lana Del Rey, Benton constructs a musical experience that juxtaposes delicate acoustic elements with jarring distortion to amplify discomfort. The track combines acoustic guitar, 1940s jazz piano, and a live horns section with heavily distorted electric guitars to shape an atmosphere that's both haunting and captivating.

"I wanted this song to feel like a waltz, " Benton reflects. "I wanted the production to feel almost like a dream sequence-until the electric guitars hit you, and you listen deeper to the lyrics and realize it isn't romantic at all. I wanted the audience to feel disturbed."

Leftovers resonates as a visceral narrative of confronting painful truths and unresolved feelings, capturing the cycle of realizing a situation's toxicity while struggling to let go. With its unexpected twists in sound, Leftovers evokes the overwhelming sensation of waking up from an emotional hangover, underscoring Benton's unique ability to bring raw emotions to the forefront of her music.

Leftovers

Corrupted, the sophomore album from Cheyenne Benton, is a searing, self-produced
exploration of deception, rage, and the brutal clarity that follows disillusionment. Blending
alt-pop, indie rock, and orchestral elements, Benton crafts a sonic landscape that’s both
cinematic and feral: distorted guitars that howl like ghosts, snares that crash like metal,
and horns that swell like sirens.

Across the album, Benton traces the slow-burn collapse of trust: in men, in the industry,
in herself — and builds something jagged and unflinching from the ruins. These are songs
about lovers who smiled as they rewired her — who mistook softness for permission,

vulnerability for vacancy. Inspired by artists like Fiona Apple, Phoebe Bridgers, and
Blondshell, Corrupted doesn’t seek redemption. It seeks truth, no matter how dark.
This is not a record about healing. It’s a record about the moment you stop searching for
silver linings and start naming the storm. It’s feminine rage as ritual, sorrow as seduction,
truth without polish. It’s the sound of a woman staring into the abyss and refusing to look
away.

Cheyenne Benton

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