New Pair Of Shoes

Better Days

My Father's Eyes

‘Feeling For Edges’ is about finding stillness in the chaos. The initial idea for the song came in one of those still moments, after watching ‘Reality Bites’ in the middle of the UK lockdown. We thought it would be fun to try and capture the feeling of that world as a writing exercise, as those characters felt like they were forever on the cusp of finding themselves and that was a fun starting place. In some ways it wasn’t that far from our own situation, as we had just recently returned from living in Japan for several years and in this way the lockdown felt like a period of re-invention and forming Wynona was a part of this process. 

We hope you enjoy it as much as we did making it 🧡

Song Credits

Songwriter(s): Richard Willats, Natalie Woodward
Vocals: Natalie Woodward
Guitars: Adam Hailstone, Richard Willats
Bass: Adam Hailstone
Drums: Kurt Phillips
Production by Adam Hailstone
Recorded By: Owain Fleetwood-Jenkins, Tom Sinnett
Mixing: Ross Gilmartin, Adam Hailstone
Mastering: Ross Gilmartin

Lyrics

I’ve been feeling for edges
Lead me into my room, my room where I tune out
I’ve been sitting on fences, for the longest time
Now I’m pulling out splinters

& we keep moving together
Find a place to keep us centered, while we try to make things better

We’re living way too fast, if forever never lasts
I’m gonna miss this so much

We’re trying to pretend it's alright
But really we’re holding handstands on high wires
We’re trying to pretend it's alright
But right now it feels like we’re falling apart

Wake up, wake up, my face needs cleaning up
Been a mess for a while now
I was trying to help you out, there was no need to shout
Rents expensive, so we’ll sleep on the floor of your brother’s house

Moving together, find a place to keep us centered
While we try to make things better

Links
Spotify: https://open.spotify.com/artist/3oy7blpOzOCXEUDtrF0Snd?si=LxkqnPmbR1mqih9NL53wHA
Instagram: https://www.instagram.com/wynonaband/
Twitter: https://twitter.com/wynonaband
TikTok: https://www.tiktok.com/@wynonaband?lang=en
Facebook: https://www.facebook.com/wynonaband

BUY ON BANDCAMP 🛒

Feeling For Edges

This song was born at 20 Joice St, San Francisco, CA. From the first studio session it grew into something big. In my head it was me and my acoustic guitar. On paper, it became keys, electric, guitar, pedal synth, violin, collaborations with drummers, bassists, and double bassists. The last piece recorded was the scream symbolic of the pain I had bottled up finally spilling over.

Joice St

How to Save Myself

How to Save Myself (Single Edit)

Ask Me Twice

the Radio edit of Barstaff's next single 'Tracy Island'

Tracy Island (Radio Edit)

Get ready for something you’ve never heard — or felt — before.

You could call this album a horror opera. Or maybe an audio horror movie. It’s an ecstatic mix… a soaking wet nightmare.

You might feel uneasy. Maybe even terrified. Possibly… watched. Or possessed.

We’ve had some of the strangest reactions from people lucky (or unlucky) enough to get an early listen. We just call it music. And hey — tastes vary. You might hate it. You might fall in love with it.

Either way, we can proudly say this is our absolute favorite album we’ve ever made.

Oh, and here’s the weird part — there’s no mastering on this record. What you hear is raw and unfiltered. Untouched. Unpolished. Not separated from reality in any way.

Maybe that’s what makes some people squirm.

So… enjoy the ride into the land of nightmares. And let The Witch seduce you.

P.S.
After listening, you might not only be possessed… but also pregnant — and your firstborn might already be sold straight to the Devil.


Featuring

Vocals: Noriko Mori, Sascha Häusler, Lisa Lex, Raphaela Hartmann, Andy Green

Guitar: Andy Green, Sascha Häusler, Lisa Lex

Piano: Sascha Häusler

Cello: Sascha Häusler, Ella Park, Anna Weiß

Violin: Tina Park

Bass: Thomas Kaiser

Percussion, Synths & Programming: Raphaela Hartmann

Concept & Lyrics: Sascha Häusler

Woke up with my mouth sewn shut

Where All Fades
A whispered song of sleep, trust, and release.

Description:
A dark, cinematic slow-pop ballad carried by breathy, intimate vocals and hypnotic soundscapes. Where All Fades drifts into the spiral of time, where shadows and light dissolve, where nothing holds, and everything begins again. It is a vessel of sound, fragile and gothic, tender and infinite – a song to let go, to surrender, to flow.

All music, lyrics, and visual artwork created in collaboration between human artistry and AI technology. © 2025 Mirage – All rights reserved.

Where All Fades (Loop-Vers.)

Introspective, dreamlike, sometimes surreal, and yet so intimate and human, Chiara’s sound world is an elegant texture of reflections, unique soundscapes, and her gentle voice. Through her music, she mirrors her inner world and the way she sees and perceives life, with both the awe of an eternal child and the thoughtfulness of an old soul, in the skin of a young woman. Chiara is a singer, composer, violinist, and producer who merges modern classical elements with electro/art - pop. She values the collaboration with live instruments, which have a central role in her works and in her sound textures, her début album Constellations being the perfect example. After majoring in violin and composition & theory at the Zürich University of the Arts and the Lugano Conservatoire, she leaves her Swiss homeland and moves to London, where she studies vocal performance at the Institute of Contemporary Music Performance. In 2020 she moves back to Switzerland where, after self-publishing Constellations, she sings with the boutique label LIVANA Music. The following years are mainly dedicated to bringing her work to the stage: she performs with her 8 - elements ensemble in Switzerland and Germany, and sells out her very first show (Brissago Islands, July 2022). Chiara is at the moment writing her second album, which she will release in Fall 2023 and is dedicating herself with her whole soul to the development of her artistic career.

How to Save Myself (Single Edit)

Chiara Dubey

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