Listen on all streaming platforms:
https://orcd.co/omasta-anklebreaker

The basketball court. The smell of hot asphalt. Dust hanging in the air. A samba rhythm driven by a bouncing ball — sometimes low to the ground, sometimes soaring above heads. On the bench, local hip-hop heads nod to the Brazilian beat, but today, this isn’t their game.

Third single from the upcoming debut is a story of scraped knees, jammed fingers, and twisted ankles – a soundtrack dedicated to the street legends of concrete courts.

Even before releasing any studio material, Omasta had already won over audiences across Europe with their powerful live performances. “Ankle Breaker” is the next glimpse into their upcoming album, Jazz Report from the Hood, set for release in autumn 2025 via Astigmatic Records.


𝗙𝗢𝗟𝗟𝗢𝗪 𝗢𝗠𝗔𝗦𝗧𝗔:
✔️ https://www.instagram.com/omasta.music/
✔️ https://www.facebook.com/omastamusic/
✔️ https://www.tiktok.com/@omastamusic
✔️https://omasta.bandcamp.com/

Follow Astigmatic Records:
✔️ https://facebook.com/astigmaticrecords​
✔️ https://instagram.com/astigmaticrecords​
✔️ https://astigmaticrec.bandcamp.com​
✔️ https://soundcloud.com/astigmaticrecords​
✔️ https://x.com/astigmaticrec

𝗖𝗥𝗘𝗗𝗜𝗧𝗦:
Wojtek Roman - bass
Bruno Sikorski - keys
Nikodem Wikieł - drums
Paweł Kowalik - trumpet
Antoni Blumhoff - flute

© 2025 Omasta
Ⓟ 2025 Omasta & Astigmatic Records
All Rights Reserved


𝗕𝗢𝗢𝗞𝗜𝗡𝗚𝗦:
+48 534 433 993
omastamusic@gmail.com

Omasta - Ankle Breaker

claire rousay is a Canadian-American musician, composer, and artist currently living in Los Angeles. rousay’s work operates in genre-spanning fashion; she is primarily known for composing highly emotive, whisper-quiet musical works that heavily forefront musique concrète and sound design elements like haptic sound and field recordings. These avant garde elements are often paired with strings, piano, and electronic melodies and textures. 

Jemima - rot 
Whitney Johnson, Lia Kohl - 48|50 
Christina Kubisch - Circles III 
Pauline Oliveros, Stuart Dempster, Panaiotis - Suiren 
James Rushford - The Bise 
Mordecoli, Valerio Tricoli, Ecka Mordecai - III 
Sarah Davachi, Sean McCann - Lamplighter 

 

L'envie #225 :: Claire Rousay

hello friends

#20 our sublabel @sedubtive + t.me/sedubtive , enjoy the dark side of dub electronic <3
-> https://sedubtive.bandcamp.com/album/akmuo-grace-of-god

also our projects:

► ambient field recordings label - @secretdomainlabel
- t.me/secretdomain
- www.secretdomainlabel.bandcamp.com
- www.instagram.com/secret.domain

► nature dub glitch label - @20label21
- t.me/label20_21
- www.2021.bandcamp.com

► hello ▼ strange
- t.me/hellostrange ( all podcasts )
- www.hellostrange.bandcamp.com
- www.instagram.com/hello.strange

Buy & Support

Akmuo - Language of the Clouds

Harding Conducts The Planets

It has been about 53 months since the last solo Purl album was released. 'Renovatio' marked the end of an emotional process related to music-making that I felt had become too heavy for me to continue, and the title signified the rebirth I felt was necessary. I thought at the time that perhaps this would be the last Purl album.

Since then there have been 17 singles, EPs and collaborative albums released that in different ways opened my mind and heart beyond anything that came before. There has also been solo releases planned that did not happen (yet), for different reasons.

'Himmelsandar' isn't really something new. Then again, I wonder if there ever has been or will be anything new from this stream of awareness and emotion that I call Purl. It somehow seems to me like everything essential was present from the beginning, and I'm not sure if anything has been added to it since. I dream of starting new projects; painting on a blank canvas again. But nothing here was painted on such a canvas. Everything was painted and repainted, so many times that the original idea may no longer be distinguished other than as the faintest wisp of something... ethereal.

released November 22, 2024

• all sounds and visuals shaped and arranged by Ludvig Cimbrelius
• the artwork contains photographs by Mohammad Alizade and drawings by Alexander Lux

released by LILA लीला



Himmelsandar

Observatory ('Himmelsandar')

https://soundcloud.com/tzii-126653845 https://soundcloud.com/hilalcan https://soundcloud.com/teenagemenopause
🛒 https://teenagemenopause.bandcamp.com
🔊 https://youtu.be/8Rrpk8xfImg

First extract from the next to come album on Teenage Menopause Records, by belgian soundcrafting experimentator Tzii and Istanbul pluridisciplinary artist/singer Hilal Can.

Fragments of ghosts, shattered memories, impossible romance—"Hayalet Kırıkları" drifts between dream and dissociation.
Born in Istanbul, where voices and street sounds collide with spectral echoes, the album reshapes fragments of Turkish songs into a haunted, timeless collection.
Hilal Can’s incandescent voice rises from within these fogged recollections, a vessel of intimacy and rupture, while Tzii sculpts vast soundscapes that feel both tender and unrelenting. Together, they create a music that lives in-between—between memory and invention, love and absence, presence and disappearance.
On two tracks, violinist Ruben Tenenbaum deepens the trance, weaving modal improvisations into the cracks of this fragile world.
The result is an album that feels like a diary written in smoke—half-remembered, half-invented, always shimmering on the edge of reality.

Tracklist:

a1	Bir İhtimal Daha Var
a2	Şimdi Uzaklardasın
a3	Parçaları İstanbul'un
	
b1	Kırıldı Aynam
b2	hayalet kırıkları
b3	Gündüzüm seninle
b4	Karakolda Ayna Var

PREMIERE: Tzii & Hilal Can - Şimdi Uzaklardasın (Feat. Ruben Tenenbaum) [Teenage Menopause]

Recorded between March and June of this year, Future Flowers is both a reflection and a rebirth - a gentle yet resolute act of hope from composer Hans Nox.

Some of these pieces have lived quietly for years - written a decade or more ago, resting like seeds beneath the soil. Others emerged spontaneously during the recording sessions, unfolding in real time as Hans allowed instinct and feeling to take the lead. The result is an album that bridges past and present, memory and anticipation - where old melodies find new breath, and improvisation opens unexpected pathways.

“I wanted the entire experience to be more free-flowing, more playful, more adventurous than the usual cautious approach I take to composing,” Hans writes. “Rather than regretting where I’ve been or the paths that led nowhere, I’ve chosen to trust my Savior and strive toward the brightness ahead. Yesterday is gone - tomorrow is coming. How much better it is to pursue confidence and courage.”

That sense of spiritual renewal and creative surrender runs through every note. There is a tender humanness here - fragile piano phrases that pause as if mid-thought, ambient textures that drift like light across water, melodies that carry both ache and affirmation. Even the silences seem to speak, offering a kind of stillness that listens back.

Future Flowers is, in many ways, an album about release - about letting go of the weight of the past to make room for something more open, more alive. It celebrates the decision to move forward with faith and boldness, even when the path ahead is unclear. The music does not rush; it unfolds patiently, like petals opening in the sun - quiet gestures of trust and becoming.

Like its title suggests, Future Flowers invites us to believe in renewal - to tend to the unseen roots beneath our lives, trusting that beauty will bloom again in time.

In keeping with the spirit of the music, this release has been lovingly hand-assembled in a limited Fluid Audio edition, pairing Hans Nox’s compositions with bespoke artwork and tactile design. Natural textures, archival papers, and hand-numbered inserts bring a physical warmth to the experience - each copy a small act of devotion, crafted with the same care and intentionality that shaped the album itself.

Gentle, honest, and filled with quiet light, Future Flowers is not just a collection of songs - it’s a testament to resilience, to grace, and to the faith that something beautiful still lies ahead.

Music - Hans Nox
Mastering - Ian Hawgood
Design - Daniel Crossley

Hold Fast

Thee pHactory w/ dESUS & GHRS - Radio Buena Vida 02.11.25

From the 2021 album "Bluebird" 

https://vienosounds.bandcamp.com/album/otto-taimela-bluebird



River Song (Live) / 7.11.2025 at Ambient Bar Helsinki)

Neon invites artist that highly inspire her. In comes Flora, fellow R&B head, amazing beat maker with a passion for some boom bap. Together they'll dive into two ours of sweet melodic, fast and loving Footwork and Juke 

https://www.instagram.com/neon_nuckles, https://www.instagram.com/beatsbyflora/
https://www.soundcloud.com/ooofloraooo



Swim Rinse Repeat with Flora @ The Lot Radio 11-08-2025

Rarities and Masterpieces

W. A. Mozart: Piano Sonata No. 10 in C Major, K. 330: II. Andante cantabile (Live)

Founded in 1891, the Chicago Symphony Orchestra is consistently hailed as one of the greatest orchestras in the world. In collaboration with the best conductors and guest artists on the international music scene, the CSO performs well over one hundred concerts each year at its downtown home, Symphony Center, and at the Ravinia Festival on Chicago’s North Shore, where it is in residency each summer. Music lovers outside Chicago enjoy the sounds of the Chicago Symphony Orchestra through best-selling recordings and frequent sold-out tour performances in the United States and around the globe.

Visit cso.org for tickets and information.

Harding Conducts The Planets

ChicagoSymphony

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