sudaca

Detalle De Mujer Con Sombrero - Silvio Rodríguez

Del LP MANSHINES .Musica :Chancha via circuito y El Remolon, letra y voces: Fauna ,produccion artistica y mezcla por Andres Oddone y
 Frikstailers


Manshines- 05- Para Mi

Dale Aborigen

ALERTA GUERRILLAS

FREE DOWNLOAD ACA!

http://dl.dropbox.com/u/3134054/Lamento%20En%20La%20Selva%20%28El%20Remol%C3%B3n%20Remix%29.mp3

Lamento En La Selva (El Remolón Remix)

Canibalismo

Depresión Tropical

05 Depresión Tropical

Inspirado en un track de Los Pibes Chorros, se armó este tema en el medio del Remolido Tour 2011. Y ya está para comprar dentro del compilado Future Sounds of Buenos Aires editado por ZZK Records.
El Remolón + Lido Pimienta = Remolido

http://zzkrecords.com/album/Future_Sounds_Of_Buenos_Aires

http://itunes.apple.com/us/album/future-sounds-of-buenos-aires/id514789281

Atras (feat Lido Pimienta)

Los espiritus - EL GATO EP - 01 El gato

Tomando fuerza con intención hacia la expansión

Hijos de las hojas - Tomando Fuerza

El Remolón nos presenta Pibe Cosmo, 12 tracks al ritmo de sus cumbias digitales y electro reggaetones, un disco que recorre desde los lugares mas fiesteros de la cumbia procesada con las artimañas del minimal techno hasta llegar a pequeñas canciones con melodías insuperables. Con la participación de Pablo Lescano, Ale Sergi, Fauna,  Blitto y Vanesa Strauch.

El disco sobrevuela las músicas que un pequeño pájaro mutante y bailarín (un hombre gorrión) puede absorber en su recorrido por los ritmos pegajosos del continente: se topa con un coro de niños guaraníes en la selva misionera (La Bonita), acuña un murguetón (o "mugretón", como define el artista a Escape, con la voz del salvaje Blitto), coloca un trance robótico e inteligente para bailar con altas llantas (Zapatillas galácticas) y entra clandestino a pegar flash en un barrio de casas de chapas ("Se fue a la villa", con la voz de Ale Sergi). Tampoco falta la joda para descontrolar: a puro microsampling de hitos de la cumbiamba local (DM$ GRT$ y Altos Cumbieros) y con los teclados cadenciosos de Pablo Lescano (en el refresh de Cumbia Bichera). Para bailar como embriagado y somnoliento, con ese talante que pueden generar un vaso de jarra loca o un flechazo de amor.

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El Remolón presents Pibe Cosmo, 12 rhythmic tracks of his signature digital cumbia and electro reggaeton. The record makes its way from party bangers to cumbia pushed through a minimal techno sieve, all the way to pretty pop melodies that stick in your head. With guests Pablo Lescano, Ale Sergi, Fauna,  Blitto and Vanesa Strauch.
The record takes flight, the mutant sparrow-man dancing to a swarm of keyboard birds, and along its journey it soaks up the sticky rhythms of South America. It stumbles on a chorus of Guarani children from the jungles of Misiones (La Bonita) and joins the parade of a marching band “murguetón” [marching band beat] (or "mugretón", [dirty beat] as defined by the artist in Escape, with gritty vocals by Blitto). It puts itself in a robotic, intelligent trance to dance to noisy tribal chant (Zapatillas galácticas) and it comes through a secret entrance to hit you over the head in a neighborhood of tin-roofed shacks ("Se fue a la villa," with vocals by Ale Sergi). The journey isn´t lacking in good times either. Samples of hits by local cumbia badboys Damas Gratis and Altos Cumbieros and the keyboard candences of Pablo Lescano (in the latest remix of Cumbia Bichera) keep you in a drunken, dancing stupor. The energy of songs that send you straight to jungle juice in a cup or to music-invoked ecstasy on the dancefloor.




01 - La bonita

gracias - sonido trucha

Políticamente Incorrecta por Rebeca Lane de Colectivo Última Dosis
Outstanding Productions: Julio Armas, Francisco Chang, Krystian Sagastume
Pista por Josfer (Perú)

Rebeca Lane - Políticamente incorrecta

Cover #26 from the series "Songs I Love" by Piers Faccini

Neil Young's 1974 album, On The Beach has always been one of my favourite records. I always loved the stripped down instrumentation and production and many of the songs are like uncut poetic gems, all the more beautiful for their raw unpolished quality. Like Springsteen's Nebraska, this album captures the full scope of a songwriter at the peak of creativity, uncensored and essential. Here's my version of the song, For the turnstiles, one of my favourites from the album and a song that playfully evokes mortality and the exit or turnstile that awaits us all at one point or another. In hommage to his original banjo part, I played the song with slide guitar and fretless banjo.

'Songs I Love vol.1' still available on:
iTunes: http://smarturl.it/songsilove1
Spotify: http://spoti.fi/1jbGOfl
Deezer: http://www.deezer.com/album/8050372
Google Play: http://bit.ly/songsiloveplay
__________
Piers Faccini : https://www.facebook.com/PiersFacciniMusic/
Beating Drum : http://www.beatingdrumrecords.com

SONGS I LOVE VOL II

Piers Faccini - For The Turnstiles (Neil Young cover) [Songs I Love #26]

Latinsizer "Malibu"
Feat: Ernesto Aello Guitar & Vox
         Melo Mckoy Moog Synths

Latinsizer-Malibu

03- Jovens - onda vaga

Mexicano mitad nicaragüense que explora el género urbano y la poesía. Una mezcla de coros metálicos con versos introspectivos que aluden a la contemplación de la naturaleza.

El caballo representa en Pegaso su lado salvaje, el subconsciente en su galopar azulado.

Chicha Libre plays a mixture of latin rhythms, surf  and psychedelic pop inspired by Peruvian music from Lima and the Amazon. The Brooklyn collective is made up of French, American, Venezuelan and Mexican musicians who mix up covers of Peruvian Chicha with original compositions in French, Spanish and English, re-interpretation of 70’s pop classics as well as cumbia versions of pieces by the likes of Satie, Love and Wagner.

Chicha is originally the name of a corn-based liquor favored by the Incas in pre-colombian days. Chicha is also the name of Peru's particular brand of cumbia first made popular in the late 60's by bands such as Los Destellos, Manzanita, Los Mirlos and Juaneco y su Combo.  While loosely inspired by Colombian accordion-driven cumbias, chicha incorporated the distinctive pentatonic scales of Andean melodies, some Cuban son, and the sounds of surf guitars, farfisa organs and moog synthesizers; an oddly post-modern combination of western psychedelia, Cuban and Colombian rhythms, national melodies and idiosyncratic inventions which were close in spirit to the Congolese rumba of Franco or the pop syncretism of Os Mutantes.

Chicha Libre started out in 2006 as a tribute to Peruvian pioneers but quickly evolved into an original project which MTV has cited as one of the world's preeminent Tropical Psychedelic band. Indeed, while they remain true to their Chicha roots, Chicha Libre's music has taken a definitely more psychedelic turn drawing more and more from its members' alternative background. 

Chicha Libre's sound and approach are completely indebted to the Peruvian bands it originally emulated. Like their mentors, they use surf guitar, organ sounds and latin percussion to play a mixture of borrowed and homegrown sounds. Their sound has become more processed, synth sounds and treated guitars and the borrowings are differ from that of Peruvian precursors   - classical music and pop debris from 3 continents in Chicha Libre's case – but the latin rhythms that form the basis of the music are both as inherent and as foreign to them as they were to the Shipibo Indians who first took up the electric guitar. 

.Chicha Libre has performed around the world, including Turkey, The UK, Germany, Portugal, Belgium, Denmark, Colombia, Argentina, Brazil,  Mexico, the US, Canada and, of course, Peru. They have showcased at WOMEX, in Copenhagen, and Globalfest, in NYC. They have played in Los angeles with guitarist Jose Carballo, of Chacalon y la Nueva Crema fame, in Lima with Los Shapis and in Berlin with Ranil, the legendary cumbiero from Iquitos. They have toured with cambodian psych-band Dengue Fever and shared the stage with bands as varied as Brazilian Girls, The Skatalites, Frente Cumbiero and the Orchestre Poly-rythmo de Cotonou.

Chicha Libre's music has been featured on TV shows Weeds and Homeland as well as a Simpsons' 20th anniversary special in which they were asked to play the Simpsons' theme "chicha" style alongside the likes of Red Hot Chili Pepper and ZZ Top. They have also scored a Vaclav Havel play which was performed at Colombia's Miller theater in the author's presence and two Charlie Chaplin films which they performed at NY's prestigious Merkin Hall.  Their two albums, Sonido Amazonico and Canibalismo, are available from Barbès Records in North America, Crammed Disc in Europe and Random Records in South America, as is their EP Cuatro Tigres.

05 Depresión Tropical

Chicha Libre

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