https://soundcloud.com/meezothedon/coolin-boolin

SICK BITCH SUMMER (LSDXOXO X DEFTONES)

Erika de Casier – Better Than That (Mechanic Remix)

TF LIVE AT CYBER BILLY'S

Stream/Download: https://chemicalx.ffm.to/trinitydeluxe

Eartheater Socials:
http://instagram.com/eartheater
http://twitter.com/younggummystone

Trinity

Spill The Milk (LCY Remix)

AI-generated song from Suno thanking God it's freaking Friday baby!  Have a great weekend!

TGIFF!

TELFAR FW17
Music by Aaron David Ross
Voice narrated & written by Ryan Trecartin
Special thanks Telfar + Babak Radboy + Art Tatum

ADR feat. Ryan Trecartin - What People? (TELFAR FW17)

roses ft. Dai Burger

RIP Douk Saga / Marguerite 
Purchase at : https://crystallmess.bandcamp.com/album/mere-noises

Just Because This is A Funeral It Doesn't Mean We Can't Rave

Pelada - Movimiento Para Cambio
Format: LP / Digital
Cat.No: PAN 102
Release Date: 04 October 2019
Purchase: bit.ly/2N5ID0M / bit.ly/2yWc1yu

Movimiento Para Cambio, is the full-length and debut for PAN from Montreal based duo Pelada. Comprising of vocalist Chris Vargas and producer Tobias Rochman, they have gained international attention through the city’s underground warehouse rave scene.

An urgent, headstrong body of work, the LP uses the music as a mechanism for delivering ideas central to the group’s moral and political ethos. Vargas explores themes of power, identity, surveillance and environmental justice atop Rochman’s raw mix of rave synths, acid basslines, breakbeats and dembow rhythms.

While at times unpredictable, the album is unified in its fast and loose approach. A Mí Me Juzgan Por Ser Mujer (‘I Am Judged Because I’m a Woman’) is an anti-machista anthem, stylistically nodding to NY house. Though Vargas doesn’t identify as a woman themselves, they understand their experience as a woman in an imbalanced patriarchal society that excludes women, femmes and non-binary people. Habla Tu Verdad (‘Speak Your Truth’) emphasizes the need to overcome the stigma around discussing sexual harassment, offering courage and strength to those who may need it. Asegura (‘Secure’) deals with the unprecedented power of Big Data, which monetizes a surveillance based economy through its users' data and behaviours. 
These themes are set to fierce unrelenting bpms, nods to gabber, and samples of a reality show where young men compete in a prison fitness contest. Caderona (‘big hips’), features a hardline perreo-tinged beat that carries Vargas’ vocals with refreshing ferocity. Inspired by a cumbia song, Caderona offers a counterpoint to the male gaze, acting as an opportunity to demand space. Aquí describes the reality of a global corporate domination, where capitalist insatiability meets government inaction as we sit on the precipice of a mass extinction of our own making.

Pelada hope to inspire critical self- reflexivity through engagement, building power, demanding space and action. Or as it is written in their liner notes: ‘ABRE TUS OJOS, LA BESTIA SE ALIMENTA DE LA EXPLOTACIÓN' which translates to ‘OPEN YOUR EYES, THE BEAST FEEDS ON EXPLOITATION’.

The album is mastered by Jeremy Cox, featuring artwork by Johannes Schnatmann & Bill Kouligas.

http://p-a-n.org

Movimiento Para Cambio

Pelada - Ajetreo (PAN 102)

Me and this guy 
Had a real strange relationship
It's like
We had some kinda power over each other
I mean,
I remember this one time
He called me
It had to be like 4 in the mornin'
it was like,
Pourin' rain outside
And I was knocked out...
But it was like, when...
When I heard his voice
Somethin' got me outta bed
And I had to come to him
And it's like
Whenever he would call
I
Came 
Runnin'

roses ft. Dai Burger

chicken

Recent comments

scortperu

Zedgar Infiniti

Scott Colcombe

ℜ𝔬𝔤𝔢 𝖒𝖆𝖓𝖆

Related tracks