Name: Chinanski - Notion - Free Download!!!! by Chin in E.B.F. Sounds/Records& and other artists,Dj´s/Djanes and Producer
Duration: 5 min 59 s
Description: free download enjoy and happy new year!!!

E.B.F. Sounds/Records& and other artists,Dj´s/Djanes and Producer

Here is the new Track from SELLER.
Tribal pumping forward techno.
ENJOY;) FREE DOWNLOAD!

(CapAcitor) Produced By SELLER (E.B.F. Sounds REC 011)

t sounds a little quieter deeper but impulsive , as usual....^^
a little Christmas treat!!!
have fun while listen ...

Patricia - Just 2015

free download enjoy and happy new year!!!

Chinanski - Notion - Free Download!!!!

Franco Rossi @ MIMAS 002 | 14.03.2025

Revive la segunda edición de MIMAS con Franco Rossi

Franco Rossi @ MIMAS,  Chile - 14.03.2025

"This hypnotic techno set is a journey through timeless sounds. Featuring hidden gems from past decades and a few enduring classics, it’s a reminder that techno isn't disposable — it’s a living archive. Some tracks are recent, but already feel like future relics."

SOUNDCLOUD : https://soundcloud.com/francorossimusic
INSTAGRAM : https://www.instagram.com/francorossi____/?hl=fr
BANDCAMP : https://francorossi.bandcamp.com/

DUSKCAST 026 : FRANCO ROSSI

Artist: Augusto Taito
Title: 'Rampage'
Label: Renegade Methodz
Cat. #: RM19
Format: Vinyl & Digital
Release: 2nd May,​ ​2025
Pre order: https://renegademethodz.bandcamp.com/album/rough-skin

Sounds From NoWhere is pleased to premiere a new Augusto Taito' gem on 'Renegade Methodz'.

Augusto Taito makes his mark on Renegade Methodz with Rough Skin — a raw, powerhouse Techno record that confirms his place among the genre’s most exciting talents.

Known for his unfiltered, high-octane approach to techno, Taito has already captured the attention of the scene, with respected releases on labels like Mord and Tar Hallow. 
The sound of ‘Rough Skin’ is a fearless fusion of techno’s physicality and dynamic rhythmic patterns, with each track a testament to his constant evolution while staying true to the genre’s roots. 
Whether he's crafting in the studio or commanding the decks, Taito's techno sound is as bold as it is sophisticated. 
 
Opening the EP is Rampage, a track that immediately establishes its dominance. 
A thunderous kick and bass-line combo demand your attention from the first beat. There’s no easing into this one — it's a full-on, relentless banger designed for the kind of dance-floors that thrive on intensity. 
With its driving rhythm and laser-sharp clarity, Rampage sets the tone for what's to come.

With Rough Skin, Augusto Taito solidifies his status as a rising talent in the world of modern techno. 
The EP is a rush of raw energy, immersive sonic layers and grooves that suck you in from start to finish. 
This is a standout release in his developing catalogue — a striking demonstration of Taito’s evolving sound, cementing him as a producer to watch closely in the years to come.
 

Written and produced by Augusto Taito. 
Recorded and mixed in Amsterdam, NL. 
Mastered at Tema Mastering, PT.
Lacquers by Simon at The Exchange Vinyl, UK.
Pressed at the Record Industry, Netherlands. 
Artwork & Design By George Kalofolias. 
Distributed By Triple Vision. 
℗ & © RENEGADE METHODZ 2025 

@augusto-taito
@endlec
@renegademethodz

Premiere: Augusto Taito - Rampage [Renegade Methodz]

@fadimohem is right at the heart of contemporary techno. He brings his own twist on the classic sound - deep, rhythmic and atmospheric. He's a Berghain resident whose first contact with the genre came at the hallowed club, and since then, he has blazed his own trail on the most influential labels in the scene, including his own Mohem imprint. This year, he plays twice at Dekmantel Festival, once as part of WSNWG Live and once on the Radar stage.

Ahead of that, he has put together an exclusive one-hour live set comprised only of unreleased music. It's a masterclass in control that embodies just what you get from Fadi in the club: deep techno planted firmly on the floor but always going somewhere. As dubbed out low ends, glitchy textures and more tripped out melodies come and go, the tension ramps up while both body and mind stay locked.

Dekmantel Mix 491 - Fadi Mohem

th:lo is a DJ from Hanover. The path to finding his current sound has been a long journey, shaped by constant evolution, deep engagement with electronic music and the ongoing pursuit of a unique style that continues to grow.

He started out in the world of hard techno and by organizing underground raves. Over time, his influences gradually shifted, especially through the impact of the scenes in Amsterdam and Berlin, towards a deep, driving and hypnotic techno sound. This style is often infused with tribal elements and guided by a strong sense of structure.

His new set for Synergie unfolds as a steadily building and high-energy journey with several distinctive peaks. Through the precise and harmonious interplay of each track, he creates an intense and cohesive sonic experience.

Tracklist:
Red Rooms - Emerge
Scheermann - Shima
art.ic, Modēm - Oeil
Mython - Speak
Red Rooms - Encounters
Flits - Morsen
Daryn Steytler - Tool 2
Yanamaste - Lahante
BLZS - Fever Dream
CARDAO - Whispering Chimes
Linear System - Bottom Left
Case - Kuang Grage
AgainstMe - Blooming
BLANKA - Tripping
BTM - LOST
LUAR - Come and Watch
Modēm - Reptile
KUSS & Sicion - Ego Death
KUSS & Sicion - Dissolve to Evolve
Ponygirl - Fluctuation
Sira - Anemoia
Toolboxxx - Ghost Proxy
Alarico - Shook Ones
BLANKA - Can You Hear Me?
Rilé - Opaque Signals
VATO - Wavering Steps
Peppe Amore - Soft Touch (with you)

Support th:lo:
SC: https://soundcloud.com/thilo_g
IG: https://www.instagram.com/th.lo__/

Syncast

SYN211

th:lo - Syncast [SYN211]

Recording of my set at Rote Sonne, Munich
hosted by Sumūsu
-
standing internationally with Sumūsu, sending all the strength to the crew

Franco Rossi @ Rote Sonne, Munich - 09.05.2025 | Sumūsu

Faustø | 28.06 Under Club

Bandcamp: https://trau-ma.bandcamp.com/album/brugada
Beatport: https://www.beatport.com/release/brugada/5158949

wwwavvve - They Didn't Notice (Original Mix) |TRM355|

This is the CLR Podcast 443 with a set by The Southern. Enjoy!

Support the artist:
SC: @thesouthern
IG: www.instagram.com/iamthesouthern
FB: www.facebook.com/thesouthernofficial/

Track list - CLR Podcast 443 I The Southern

The Southern -Trust Issue (ANAOH RECORDS)
Operator - Staccato Serpent (TRUNCATE)
The Southern - My to Be (TRUNCATE) Upcoming
Mr Coalman - Nomads (sway)
The Southern - Dub Shot (TRUNCATE)
Conrad  Orton - City Roaming (MITSUBASA)
The Southern - Circle of Life (CLR)
Antic - Soul Clay (MITSUBASA)
Khas - Need i say more (SUARA)
MANDY , Booka Shade - Body Language (Baugruppe90 remix)
The Southern - Ultrasound of You ( Unreleased)
SLV - Far from Madding (MITSUBASA)
Thimo Konings - Crawlspace
The Southern - Evrthing (CLR)
The Southern - Particle (CLR)

CLR Podcast 443 I The Southern

Reach

Reach (Lee - Cabrera Mix)

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

E.B.F.

ELECTRONIC BEAT FACTORY

DJ/PRODUCER:SELLER UND NOBBSEN


Chinanski, UK DJ and Producer
Contact : 
Bookings/Releases/Remixes/Promo's
davechinanski@gmail.com


Chinanski - Notion - Free Download!!!!

Chin

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