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Hard-hitting breaks, distorted bass stabs layered with French spoken word & an addictive hook, MISFYA isn’t here to mess around with new single ‘COZ I’M THAT MOTHERF*CKIN’.

Follow MISFYA:
Instagram: https://www.instagram.com/_misfya
Bandcamp: https://misfya.bandcamp.com/
Spotify: https://open.spotify.com/artist/1O8tZYYaRppS0CGIAVI8sc
Youtube: https://www.youtube.com/channel/UCNqVd6HUuUDvUFF_UhjBl4g

MEND UR BROKENHEART

COZ I'M THAT MOTHERF*CKIN

Dog's Fart Is So Bad The Cat Throws Up

Rustie Le Clown

First track from the forthcoming debut album on our own label KECK: giantswan.ffm.to/keck001

55 Year Old Daughter

Pelada - Movimiento Para Cambio
Format: LP / Digital
Cat.No: PAN 102
Release Date: 04 October 2019
Purchase: bit.ly/2N5ID0M / bit.ly/2yWc1yu

Movimiento Para Cambio, is the full-length and debut for PAN from Montreal based duo Pelada. Comprising of vocalist Chris Vargas and producer Tobias Rochman, they have gained international attention through the city’s underground warehouse rave scene.

An urgent, headstrong body of work, the LP uses the music as a mechanism for delivering ideas central to the group’s moral and political ethos. Vargas explores themes of power, identity, surveillance and environmental justice atop Rochman’s raw mix of rave synths, acid basslines, breakbeats and dembow rhythms.

While at times unpredictable, the album is unified in its fast and loose approach. A Mí Me Juzgan Por Ser Mujer (‘I Am Judged Because I’m a Woman’) is an anti-machista anthem, stylistically nodding to NY house. Though Vargas doesn’t identify as a woman themselves, they understand their experience as a woman in an imbalanced patriarchal society that excludes women, femmes and non-binary people. Habla Tu Verdad (‘Speak Your Truth’) emphasizes the need to overcome the stigma around discussing sexual harassment, offering courage and strength to those who may need it. Asegura (‘Secure’) deals with the unprecedented power of Big Data, which monetizes a surveillance based economy through its users' data and behaviours.
These themes are set to fierce unrelenting bpms, nods to gabber, and samples of a reality show where young men compete in a prison fitness contest. Caderona (‘big hips’), features a hardline perreo-tinged beat that carries Vargas’ vocals with refreshing ferocity. Inspired by a cumbia song, Caderona offers a counterpoint to the male gaze, acting as an opportunity to demand space. Aquí describes the reality of a global corporate domination, where capitalist insatiability meets government inaction as we sit on the precipice of a mass extinction of our own making.

Pelada hope to inspire critical self- reflexivity through engagement, building power, demanding space and action. Or as it is written in their liner notes: ‘ABRE TUS OJOS, LA BESTIA SE ALIMENTA DE LA EXPLOTACIÓN' which translates to ‘OPEN YOUR EYES, THE BEAST FEEDS ON EXPLOITATION’.

The album is mastered by Jeremy Cox, featuring artwork by Johannes Schnatmann & Bill Kouligas.

http://p-a-n.org

Movimiento Para Cambio

Pelada - Asegura (PAN 102)

Pelada - Habla Tu Verdad (PAN 102)

Following her breakout EP, SiS, Jasmine Infiniti returns with thirteen disruptive club tracks fit for the The Infernal Ballroom. On her meticulously-crafted debut LP, she conjures occult rave incantations with sub-tectonic bass and spectral, seductive harmonies. Audaciously championing R&B, vogue and hip-hop sounds, Jasmine Infiniti’s latest collection of techno-hybrid dance tunes is bound to be the new soundtrack of NYC’s queer underground nightlife. 

Where SiS was an ode to queer solidarity, community and sisterhood, BXTCH SLÄP is as much about personal myth-building as it is about claiming individual space as a queer person. 

BXTCH SLÄP is cunt, unflinching and uncompromising, but it also boasts surprising range—moving briskly between ethereal hardcore house (“HOTT”), the anxious pounding of dark electro (“SPOOKED”), and certifiable techno bangers (“YES, SIR”, “WELLFAIR”). Meanwhile album standout “<3” hovers just above 100 BPM, a defiant statement of sensuality, calmness, and euphoria that’s no less gripping for its dramatic deceleration. Closing number “SHONUFF” clocks in at ten and half minutes; not a second of this adrenaline-rush of an acid techno tune feels wasted. BXTCH SLÄP might be most appropriate for the club, played at dangerously high volumes, but this music certainly takes on a new life after hours, in the moments we spend between the parties, alone and full of desire. 

The Queen of Hell is back and her powers are stronger than ever. 
All hail The Queen!


(Photo IG @shotbyguerilla)

Bandcamp

01 - Jasmine Infiniti - BXTCH SLAP // Queen Of Hell (intro)

PAPER MAGAZINE INTERVIEW & PREMIERE
https://www.papermag.com/chippy-nonstop-dj-genderfluid-to-myself-2650626338.html

ON ALL STREAMING SERVICES NOW:
https://fanlink.to/WTRX064

To Myself

CHIPPY NONSTOP

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