Long-time collaborator Marco Lucchi provides sublime, longform pieces (most 15+ minutes), which Henrik has carefully imbued with his cello. 

ambientologist.bandcamp.com/album/suggestiva

Featuring artwork from Luca Lionello, it touches on ancient mystic ideas and sentiment, attempting the impossible task of touching the sublime through art.

Suggestiva

CD & Download

Marco Lucchi & Henrik Meierkord - Suggestiva (Album Mini-Mix)

Sonoris is a broad representation of the main trends in modern ambient music.

Pleq (Poland)
https://pleq.bandcamp.com

Dionisaf (USA)
https://dionisaf.bandcamp.com

Alessandro Barbanera (Italy) 
https://alessandrobarbanera.bandcamp.com

Sebby Kowal (USA) 
https://soundcloud.com/sebbykowalmusic

Michele Andreotti (Italy) 
https://soundcloud.com/michele-andreotti

Soloi Sounds (Japan)
https://soundcloud.com/monotone-orchestra

Chelidon Frame (Italy)
https://chelidonframe.bandcamp.com

Henrik Meierkord (Sweden) 
https://soundbread.se

NK x [Ųvás Gøød It] (Ukraine) 
https://nkxmusic.bandcamp.com

Kenji Katayose (Japan)
https://kenji-katayose.bandcamp.com

Merkaida (Russia)
https://soundcloud.com/merkaida

Adrian Lane (UK)
https://adrianlane.bandcamp.com

July in January (Russia)
https://julyinjanuary.bandcamp.com

CosmoMoose (UK)
https://cosmomoose.com

Sonidos Precarios (Chile)
https://sonidosprecarios-fs.bandcamp.com

Toni Dimitrov (Macedonia)
https://soundcloud.com/sound_00

Mastering by Dionis Afonichev (Dionisaf)
Photo by Dionis Afonichev (Dionisaf)
Artwork and cover design by Dionis Afonichev (Dionisaf)

https://www.chitrarecords.com

Sonoris

Góðr

Cellophane Universe (a cassette tape loop project)

Cellophane-Universe

11:11

Track 4 from my latest album in 2023 "The Leaves Don´t Leave The Tree"

The Free Harvest

Plateau

Seven Tides

Upside Down

2023-06-16

NLS - 2023 - 06 - 16 Hófn

a work by Marco Lucchi reworked by Mean Flow
*
here is the original composition
https://marcolucchi.bandcamp.com/album/le-je-ne-sais-quoi-et-le-presque-rien
*
agosto 2023

Mean Flow & Marco Lucchi - Le Je-ne-sais-quoi et le Presque-rien

19Oct23

My naviarhaiku511 track;
https://www.naviarrecords.com/2023/10/18/naviarhaiku511-in-dark-autumn-nights/
:D

reaching out to moon [naviarhaiku511]

Blue

Sky Driving

Six Three
1: Six Three, 02:32
2: Six Three Touch, 03:00
3: Six Three Orbits, 03:39
4: Six Three Particles, 02:13

Dates:
05-Dec-2025 (inception), 06-Dec-2025 (finalised), 07-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/six-three

SHORTEN VERSION, excludes Table 1 tuning, see my BandCamp site or my social media page for full details (https://www.facebook.com/norman.freund.545/)

Description:

Marcelo Leal Ref. [1] posts an article on FaceBook group, "Microtonal Music and Tuning Theory" and tags me, I looked on with interest. A tuning scale developed using at most harmonics one through to and include sixty three, octave reduced (i.e. divided by powers of 2 to ensure the frequency ratios remained within the 1. to 2. range. 32 Notes were used in this scale with adjacent note intervals starting from 53 cent, gradually reducing to 27 cent for the last interval to the first octave. So loosely speaking a quarter tone tuning with some stretching. I have tried quarter tone equal divisions of the octave tunings (24EDO) in the past and could not really get warm with them. Still, I was intrigued. 

Thirty notes, a lot of intervals to imagine, so I thought some form of colour coding on my Ableton Push2 midi controller would help. My Digital synthesiser, PulseRectOsc has micro-tuning and a user definable colour table, so switched this on and began experimenting. Stepping back just a bit, some preparation work on a spread sheet was necessary to calculate the frequency ratios, figure out a colour system using nearest 12EDO notes as a frame work.

The colour coding was to start the root note out as RED (1), colour all the diatonic notes of the nearest 12EDO major scale notes (the white keys on a piano) in GREEN (10), colour the nearest 12EDO sharp accidentals (#) in BLUE (15) and what was left over (the ^ and \/'s) coloured in PURPLE (18). The note naming convention used here was intended as a performer guide.

The PulseRectOsc synthesiser is a drone with a pulse like wave shape, amplitude modulation, wave folder distortion, a delay+feedback net work and your choice of VST reverb (or other effect). I used the Native Instruments' Raum for reverb. PulseRecOsc has an eight track audio recorder, so I recorded some four note chords to improvise over on the Soma Lyra 8.

The Soma Lyra 8 tuning approach was to tune it by ear to eight notes from the Table 1 tuning for the first track prior to the performance, then improvise a melodic line. Subsequent tracks would use a different four note drone chord from the PulseRectOsc and the Lyra 8 would use the tuning from the previous track as a starting point but alter the tuning during the performance. Each performance would introduce additional entropy into the tuning as performed on the Lyra 8, all done live, by ear, during the performance.

Each track's duration was purposely kept short, I wanted to demonstrate the various flavours of the 63-Limit Otonality tuning and in Lyra 8 style interpret this tuning organically.

The signal chain for the Lyra 8: mono out to the Soma COSMOS (rhythmic firmware, adds reverb and stereo space) -> stereo to digital interface -> 8 track recorder of PulseRectOsc.

The tuning of the Lyra 8 is very organic, is influenced by adjacent oscillators and has a "MOD" dial to accept frequency modulations from what it calls a "Hyper LFO". The Hyper LFO comprises of two low frequency oscillators, I used them here in the OR mode not synchronised, each pulse of the LFO changes the oscillator voice frequency according to the MOD dial. You don't control it strictly, more like guiding it, you listen and decide to increase or decrease the amount of modulation. A very organic approach.

References:
[1] Marcelo Leal, 5-Dec-2025, 63-Limit Otonality by Pitch (tuning scale). FaceBook group "Microtonal Music and Tuning Theory" Link: https://www.facebook.com/share/p/1asmaHiK7G/

Six Three

Experimental ambient music label.

Surreal music for a deep listening experience.

Góðr

Chitra Records