Even though it isn't Christmas time anymore, this song still applies.  Great feel, thanks for this.

Soo lovely! wonderful music and lovely vocals!

Emotive soulful string intro...deeply moving Dear Chivicke...love how the song progresses...the various thematic parts...enjoying over here XOXOXO

Very emotional piece, quite moving. I think your track itself has made the world a better place to be Chivicke.

it may not be Christmas sir ...but this work is astounding, thankyou 🙏

A lovely atmospheric, relaxed and tuneful piece …….. very elegant and moving work :)

CAN YOU MIND TREES ON JUPITER?

Original description disappeared !!

NADA  / NOTHING

He pensado en la muerte  /  I've thought about death
y en lo que habrá detrás.  /  and what will be behind.
Puede que no haya nada,  /  It may be nothing,
¿te has parado a pensar?  /  have you stopped to think?

Nada, nada... nada.  /  Nothing, nothing... nothing.

Nada, nada, nada ni siquiera aire,  /  Nothing, nothing, nothing not even air,
nada, nada, nada que pueda tocarse,  /  nothing, nothing, nothing you can touch.
Nada, nada, nada que tocar ni respirar.  /  Nothing, nothing, nothing to touch nor breathe.

Nada, nada, ni una idea ni un deseo,  /  Nothing, nothing, neither an idea nor a desire,
nada, nada, ningún miedo ni silencio,  /  nothing, nothing, no fear or silence,
nada, nada, nada nada se puede escuchar.  /  nothing, nothing, nothing nothing can be heard.
...
Nada, nada, no esperes encontrarte  /  Nothing, nothing, don't expect finding
nada, nada, no puedes imaginarte  /  nothing, nothing, you cannot imagine
nada, nada, nada, no te entra en la razón.  /  nothing, nothing, it doesn't fit your mind.

ER18PB06 - ©1995 E-RUIZZO – ®2014 FRANCÉS RECORDS ;)

Nada (He pensado en la muerte)

Merry Christmas or Happy Holiday of your choice(s)!! Most of what few holiday songs I have done, I have put an unexpected twist in the middle. For example, Valentines day I did an ambient candy outer shell with a chewy jazzy center. Or last Christmas, I did a song called Bipolar Charlie (Brown) which took a happy Peanuts song and made it dark in the middle in an unexpected turn of events. Here's this holiday's take with a twist on the old classic; "Oh Christmas Tree". 

Hope you enjoy!

J.J.

Oh Christmas Tree (with a surprise in the middle)

Once again Christmas has arrived. It is time to express our best wishes for happiness and fulfillment to everyone and to imbue ourselves with a sweet and happy atmosphere. It's not easy to do so when we think about the number of people who are currently suffering from wars, persecution, repression and famine. We need a better world, let's try ....let's do it ...... Merry Christmas !!!

Composed & produced by: Chivicke
HomeStudio Productions ©2023
Kontakt Voices: Adey
Image: Mo Eid

We Need A Better World

Cast of Eclectic Collective Characters:
J.J. Terrell–@j-j-terrell –piano, synth, and composition
mistermark-- @user-432503709 -- Mark—synth effects, synth strings and flute, lyrics, and vocals
TexMex Shaman–@texmex-shaman –Stephen– electric and acoustic guitars, production, and mix
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four-string Fender P bass

  This is a song that JJ created late one Saturday night on the piano, drums, bass, and guitar. You can hear his Grateful Dead influence if you're familiar with the band. He then presented it to the rest of the Eclectic Collective so we could do our thing with it. I replaced JJ's rough bass with my interpretation of the line as soon as Ken replaced the drums with his interpretation of the beat. Interestingly, Ravel's Bolero had a lot to do with the inspiration for the second part of the song. After the rhythm section was done, we turned it over to Stephen, who came up with some really subtle, yet very necessary guitar lines. 
  We then turned it over to our relatively new collaborator, Mark, who came up with the lyrics and vocals. He was also instrumental in getting the arrangement to fit right with the vocals. This is a lyrical and vocal songwriting debut for Mark, who was inspired by his very first listen to JJ's rough draft. Thus, this song is extra special for him.  
  We all hope you enjoy listening to this as much as we did creating it.
  Mark's lyrics are about our Earthly relatives in the far distant future. At that point life on earth would have just about reached its limits, and so mankind embarks on a journey through space to find another place to call home.
Lyrics:
Part 1:
All you know, all you love is here today
Feel the sun, see the flowers embrace her rays
And you know, all we have must fade away
And now its time to go… away…

Part 2:
Here we are, flying high, flying high above the moons of Mars
And beyond another sunrise greets a world once again,
a million miles from where we are
To embrace the flowers of Jupiter, once again…

On and on we sail away, searching for another day,
the universe an endless sea
And you know that somewhere out there,
a brand new world, for you and me….

Flowers of Jupiter (Eclectic Collective)

I Don’t Mind feat. Patricia Edwards / Paploviante Music
Vocals and Lyrics :
Patricia Edwards
https://soundcloud.com/patriciaedwards
https://www.looperman.com/acapellas/detail/17219/i-dont-mind-94bpm-country-acapella
Paploviante:
Bass, Music Composing, Mix and Mastering

I Don't Mind Feat. Patricia Edwards

Keith had a gentle guitar phrase and  a few words that he was playing with and shuffled it over to me for a listen to see what I made of it. The result is the song below. The conflict is in the spirituality represented by the sparks on a fire ascending, and the observation that the embers twinkle, fade and fall, silent. What is it all about if the prayers, meditations and positive thoughts just fall back to earth like the sparks? The beliefs we embrace must hit the road of reality. If they measure up to good - wonderful! But if not? The supreme irony for me is watching kids being taught to hate in a religious school class.  I was going to use the coordinating conjunction BUT to set up the point of contrast (But you can't..."). Instead, Keith preferred the AND ("And you can't...") as, in addition to all that one CAN believe, you must be aware that other things follow too. Can And Cannot. So simple. Or is it?
Free D/L - Track 9 of the new album Hold On To Someone : https://www.terrywigmore.com/wigmore-allen-gibbons

Lyrics:
We seem to want to find
A spiritual connection to space and time
An affinity for infinity and the great beyond
Now, chuck your branch onto the fire
Watch it spark, and come alive
Embers drawn up into the night sky
Twinkling, fading, and in silence, fall

And you can't lead, once they've all been turned
And you can't light, what's already burned
And you can't teach compassion and hope
Once the hating's all been learned,

It's the lack of definition of in the twilight hours
That makes it so difficult to find our way
Past all the claims and assertions of things that cannot be proven
Now, chuck your branch onto the fire
Watch it spark, and come alive
Embers drawn up into the night sky
Twinkling, fading, and in silence fall

And you can't lead, once they've all been turned
And you can't light, what's already burned
And you can't teach compassion and hope
Once the hating's all been learned,

Wigmore: synths, production, lyrics, vocals
Allen: guitars, bass, music, additional vocals

Hold On (To Someone)

And You Can't

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony in the end vocals, mastering
TexMex Shaman–@texmex-shaman –Stephen– production and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and third harmony on the end vocals

This song actually began more than a year ago, when Ken and I were just sniffing each other out. We'd been working on Zeppelin's Night Flight, for those of you who remember that long ago, and I was having trouble with latency in my recording. Out of frustration, I recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, I got my recording issues settled and we continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten. 
  In the meantime, I'd been following John Anthony on both YouTube (https://youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud. If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. Since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion. 
  Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher. 
  You can even watch a video of us all adding our parts on John's page right here. https://www.youtube.com/watch?v=1mdeT8ySZow&ab_channel=LowTechniqueCovers
  Our hope is that we honored the almighty Led Zeppelin with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

Hey Hey What Can I Do by Led Zeppelin (Eclectic Collective with John Anthony)

RPR09_04

And the clock goes tick tock [special version]

Some analogue tube warmth on guitar and bass | Art: Ax.W. '24

More: http://www.axelweis.bplaced.net/wordpress

more

Geht II

When i was a young Boy my father use to come home late at night drunk and looking for a fight with my Mother. She eventually got sick of the abuse and left him and i was left at home to help him.
Here is what i use to say to him.
I was 9 years old. 
Written and performed by : John Mc Farlane

Daddy Will You Hold My Hand

Композитор: Nivea Vespera
Артист: Nivea Vespera (голос, гитара, программирование VST инструментов)

Песня "Are You the One?" была написана около 2 лет тому назад и записана прошлым месяцем. Исполнитель и также продюсер этой записи - Nivea Vespera (Елена Горн).

Свяжитесь со мной в социальных сетях:
https://www.youtube.com/channel/UCnPBf98fWN1m9GS2bdEDk4g
https://t.me/niveavespera
https://niveavespera.bandcamp.com
https://www.instagram.com/niveavespera/
https://soundcloud.com/niveavespera

Большое спасибо за то что вы слушаете мою музыку, надеюсь вам она понравилась.
Пожалуйста, поделитесь с друзьями, поставьте лайк и подписывайтесь на мой канал.
Если хотите услышать больше музыки в классическом жанре или в стиле авторской песни посетите Nivea Vespera.

************************************************

Composer: Nivea Vespera
Artist: Nivea Vespera (voice, guitar, VST instruments programming)

Song "Are You the One?" was written about 2 years ago and recorded last month. This recording is played and produced by Nivea Vespera (Yelena Gorn).

Social media links:
https://www.youtube.com/channel/UCnPBf98fWN1m9GS2bdEDk4g
https://t.me/niveavespera
https://niveavespera.bandcamp.com
https://www.instagram.com/niveavespera/
https://soundcloud.com/niveavespera

Thank you so much for listening and watching this video by Nivea Vespera. I hope you enjoyed the music! Please share, like and subscribe to my YouTube channel. Visit Nivea Vespera for more music in classical, singer-songwriter, and ambient genres.

************************************************
Are you the one
Always smiling
Seeing magic 
At every sunset

Breathing hope
At every snowfall
Are you the one
Always smiling

Are you the one
Always weeping
Your heart breaking
With every last goodbye

I still
Don't know 
Who you are
Are you the one?

Are you the one, are you the one…?

Are you the one
    are you the one
Always smiling
    always smiling
Seeing magic
    seeing magic 
At every sunset
   every sunset 

I still
  still don't know
Don't know
  I don't know
Who you are
  who are you? 
Are you the one?

Are you the one, are you the one…?

Are You the One?

DRUMAX PROJECT proudly present .... // ... their 50th track ! A small anniversary ... ;-)
@joerxworx > Composition, Instruments, Arrangement, EWI String & Synthsolos, Mix
@docfritz > Rhythm Design, brilliant Drums & Percussion
© 2024 by joerxworx and docfritz / DRUMAX PROJECT

FIFTY

DRUMAX No. 50 // FIFTY

Please drop a line to us if this track talks to you. It's very much based on Kit's journey thouugh his metal health nightmare. Hills to Climb.. who hasn't got Hills to Climb?

Hills to Climb

(Tugay Güler is a composer and songwriter officially a member of the US-based BMI (Broadcast Music Inc.). His works are registered with BMI, which oversees and controls copyrights worldwide.) 

“Throughout our lives, we sweat and save for a shallow grave. But I never lived confined within walls. If life consists of borders, then not crossing them is my real grave.”
 — Tugay GÜLER 

Tugay Güler is a poet, lyricist, and composer who pushes boundaries with the lyrics and compositions born from his poetry. 

With his unique style, he transforms deep emotions into powerful and soul-touching melodies. 

He is much more than an ordinary person. 

In addition to composing all kinds of music with his Turkish and English poems, he also reaches people's souls with his resonant modern symphonies. His stories express silence, resistance, and emotion. 

Every word, every note, every breath carries profound meaning. 

🎶 Works created with love, performed freely, and resonating beyond borders.


(3) THE REST IS A LIE with Piano No.1 Op.2 (Re minör - Dm)

Crillon Compositions is a deeply personal orchestral suite, born from a journey that began with musical sketches and youthful piano doodles at age 19 at the famed Hôtel de Crillon , and culminating in a sweeping symphonic vision as the composer clebrated his 35th birthday at the Crillon. These newly revised and recorded works honor the enduring influence of French classical tradition—Debussy & Ravel—infused with the modern emotional landscapes of the grandeur of Rachmaninov. From brooding chamber pieces to cinematic overtures, the album embodies the conflict and beauty of legacy, identity, and time beneath the marbled hush of a Parisian palace.

Track 11 Debussy Détour Deux

I started with music in the 60s. I was part of several bands.
While my blood boiled to the rhythm of the best Rock & Roll, a tsunami called The Beatles came from Liverpool. That tide lasted twenty years during which the best musicians of the 20th century appeared.
I was there !!!
In the mid-seventies I completely abandoned music. I didn't play a single note for the next fifty years. And now, a little older, I play music in my studio again with more enthusiasm than ever. I think I never should have left it... It gives me life.....
Thank you all, friends, for taking part of your precious time to listen to my humble noises...

(Don't follow me here, best on my main page ;)

We Need A Better World

chivicke

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