@richard-akingbehin

www.wakinglife.pt
19 - 24 June 2024

📸 kieran behan

Richard Akingbehin at Praia - Waking Life '23

dear friends,
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after a sweet break from the world wide web I'm sending out some signals with this recording aired on EOS radio on December 9th 2023 alongside outstanding artists such as bsz!p, Doxan, Inner Lakes, speziman, Olya Smok & yuri. 
many thanks to @ma_rius for putting this together ✧✦
music by Daum Bentley, Uwe Schmidt, 4E, F.C Europa, Thru Zero, & more.
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O__ver  &  O___ut

TASCAM DR-40

Gurl on EOS Radio ⌑ o9.12.2o23 ⌑

Jane Fitz @ Dañs An Diaoul 2024

Drama Source Artifacts x Galo x Miran N (Terra Magica Takeover)  21/11/24

S.O.N.S is the mysterious man behind DIM320. French but living in Seoul for over ten years, Timothée has long been somewhat of an enigma in the scene's fast, trance-tinged wilderness, releasing a stretch of understated 12"s, using different aliases (Prophecy 47, Dj Jacuzziy..) When he's not making or spinning records, you'll find the Ring Club resident selling them behind the counter at Junction, the excellent store he owns in Seoul which has also recently begun life as a label, Junction Forest. 

Known for impeccable mixing technique and taste, both shine bright during this 80-minute dive into his bag. Strap in and get ready for his Dimensions debut this summer.

@s-o-n-s

DIM320 - S.O.N.S

We’re proud to welcome @daisyrecordsmelbourne into our WHiTMIX series — a mix that moves with the pulse of so-called Australia and the deep threads of community that continue to shape us across distance and time.

Crafted by the Berlin/Naarm-based collective, this mix holds space for the voices and rhythms that formed their roots and ours — a sonic reflection of connection, memory, and place.

From Daisy Records:
“We’re a Berlin/Naarm-based label, online store, DJ duo and event series. This mix is a personal one, made entirely of artists from so-called Australia — a place that shaped our ears, friendships and dancefloors, and continues to ground our project even as we live oceans away.

Through our first three annual compilations and beyond, we’ve always aimed to highlight emerging talent from back home. This mix is no different — it’s filled with rhythm, memory, and love for the community that raised us.”

Grateful to share this frequency with you.

WHiTMIX | #22 Daisy Records

Live recording of @sookiesarah's vinyl only set in the notorious garage room at @horstartsandmusicfestival's Club, a stripped down space where sound acts as the protagonist. The mix was recorded during the afterhours on Sunday 9th March from 11am-2pm, transitioning from a night of deep techno to housey afternoon vibes, resulting in a mix that keeps the energy high while also offering a soft landing.

Release date: 12th May 2025

WHOMP013 : Sookie

closing small steps at bis.club 15022025

Last March, our good friend @opulmcr made his live debut in the main room of Wellington Studio for the second edition of Positive Harmony.

For about an hour, a small, intimate crowd gathered to experience a set that opened with deep, contemplative ambient layers textured and immersive before gradually moving into more minimal, groove-driven sounds.

The whole performance felt elegant and meditative, capturing a unique moment of focused creativity within the artist’s space, far from the club environment.

We're super happy to share with you the recording of that moment

Opul - Hybrid Live Set @ Positive Harmony - 01/03/25

Jane Fitz played the 2011 Dorisburg track "Tundra" around the middle of her Sunday night set at the Treehouse. We're mentioning this because "Tundra" does a nice job of illustrating Fitz's sound, a sound that's seen her international bookings grow substantially over the past couple years. The track rolls and bubbles and fizzes, its groove locking you completely to the floor without being flashy about it. 

RA Live - 2016.06.12 - Jane Fitz, Gottwood Festival, Anglesey

Dolphin vocalisations recorded in the Tasman National Park off the eastern coast of Tasmania. These recordings were captured from a boat with an A/B spaced pair of omnidirectional hydrophones. 

"Dolphins use echolocation to “see” objects underwater by producing high-frequency clicks and interpreting the echoes that return to them. They have complex social lives and modes of communication that are not fully understood by humans. This pod was curious about our hydrophones and decided to investigate, targeting them directly with clicks of surprising depth and variety.

Special thanks to Damo from Wild Ocean Tasmania."

chm. three - okeg

chomley

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