Name: Orange Juice by Chris Beneficial
Duration: 2 min 51 s
Description: A relaxing summer sound like you're kicking back in the sun with your eyes closed

Yeti Season

Uncut Gem

Hypnotic Brass Ensemble's colorful instrumentation is coupled with the stirring vocals of the legendary Yasiin Bey. This long awaited collaboration marks over a decade of brotherhood between the artists. Yasiin, who was among the first to discover the group busking in NYC,  helped introduce them to the world. Nuff Respect!!!

https://open.spotify.com/track/46O9AO4IlGTKJi8RztLIEc
https://music.apple.com/us/album/space/1699578415?i=1699578427&at=1000lHKX&ct=linktree_http&itsct=lt_m&itscg=30200&ls=1

Space Ft. Yasin Bey

Finn Rees, one of the key members of Melbourne’s bubbling music scene, announces his debut solo album, Dawn Is A Melody on Mr Bongo with the first single, ‘Looking Up’. As part of 30/70 and Close Counters his previous work has found form in its groove, Dawn Is A Melody instead places the piano and arrangements centre stage, embracing a timeless warmth infused with bittersweet melodies and saturated textures.
 
The lead single ‘Looking Up’ is a divine dose of uplifting, soul-rousing optimism that kicks off the album. A blank canvas for Finn and a whole host of Melbourne’s finest talent to fill with colour. Sitting between spiritual and cinematic, the track instantly envelops you in a swell of vintage hues, Lucky Pereira feathering the drums as Blakely McLean Davies riffs on the double bass. Finn’s fingers flow across the ‘70s Yamaha grand piano, delicately dancing around Siwei Wong’s stunning harp playing as the track builds and breaks. A sublime string section made up of Chloe Danger, Eunise Cheng, Nils Hobiger and McLean Davies, alongside shimmering vocal harmonies by 30/70 bandmate Allysha Joy, lift the track to limitless heights.
 
Finn’s layered synthwork on the Moog and Prophet provides a contemporary touch to proceedings, but one of the beauties of ‘Looking Up’ and the rest of the Dawn Is A Melody is its inability to be placed by age or era. A blend of inspirations from Arthur Verocai to Alice Coltrane, Miguel Atwood-Ferguson to Kamasi Washington, tied together with recording and mix engineer Henry Jenkin’s vintage recording setup warmth.
 
Just as the swell washed in at the start, the tide draws ‘Looking Up’ to a close, fading back out across the horizon as the sun sets another story.

Finn Rees - Looking Up

Listen on all platforms: https://idol-io.ffm.to/sholto-letting-go-of-forever
Order the double LP on Bandcamp: https://sholto2.bandcamp.com/album/letting-go-of-forever
Listen to the DeepMatter Catalogue: https://tinyurl.com/dm-catalogue

Letting Go of Forever

SHOLTO - Moki Part II

featuring coco g. diez 
aka koyko on vibes: 
https://soundcloud.com/cocogdiez
https://soundcloud.com/koyko

https://jupitertuningcenter.bandcamp.com/album/the-tenth-chapter

laidback funk in dungarees 4 your new years eve appéritif... santé !

champs arrive at sky port

A relaxing summer sound like you're kicking back in the sun with your eyes closed

Orange Juice

Egypt

Harping

The Things Themselves

Tribute to That Great Musician with a remix version that i've made it longer for our Pleasure.
Check this link if you wanna discover this artist and the Album Alive
This version doesn't exist on the original album. You can find it on The New Groove (The Remix Project) on Blue Note Compilation in 1996.
http://www.musicmookreview.com/2010/11/grant-green-alive/


Grant Green - Down Here On The Ground Feat. Diana Reeves (Luciole Edit)

http://www.strut-records.com/

As featured on Music For Dancefloors, we present a library gem from one of the heaviest and most sought after of all KPM LPs, Afro Rock, recorded at Morgan Studios by John Cameron and Alan Parker in London in 1973. As well as being a library music veteran (with over a dozen different LPs recorded for KPM and Bruton Music since the '70s), Cameron is a bona fide film composer whose credits include Kes from 1969 and 1973’s A Touch Of Class (starring Glenda Jackson and George Segal) for which he received an Academy Award nomination.

Music For Dancefloors: The KPM Music Library (Deluxe version) is released on April 2nd in three formats: 2CD (original studio recordings and live concert), 2LP featuring the original studio recordings and 2CD insert of the full CD content, and digital (original studio recordings and live concert). The album features the original sleeve notes by Charles Waring (Mojo magazine) alongside extra photos and memorabilia.

This new edition features an exclusive bonus disc, which makes available for the first time the debut gig by the KPM All-Stars, bringing together many of KPM’s greatest composers for a unique night at London’s Jazz Cafe on 27th April 2000.

<a href="http://www.facebook.com/pages/Strut-Records/20359830443">Strut Records on Facebook</a>
<a href="https://twitter.com/strutrecords">Strut Records on Twitter</a>

John Cameron - Swamp Fever (KPM)

https://hypnoticbrass.fanlink.to/badboysofjazz

Indigo

S P A C E P U N K W A S T E L A N D

New tracks on Sundays 

Specializing in surrealistic boom bap beats

Constantly evolving in sound, mind, and soul

Orange Juice

Chris Beneficial

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