Since 1992

È stato solo ieri
Di un lungo giorno
Il giro è chiuso già 
E tu dov'eri
Perché non sei arrivata prima
Non lo so 

Se una stagione muore 
Sa rifiorire
E dopo un cerchio che si chiude
Ce n'è uno da aprire 

Dimmi se in questo tempo
Tutto è reale o sei tu
Che accendi i miei pensieri
E mi fai volare più su 

Rimani qui
E stiamo soli per un po'
È di nuovo primavera
Se mi guardi lo so 

Non basta una vita intera
Se l'amore 
Sa ancora di primavera 

Rimani qui
E stiamo soli per un po'
È di nuovo primavera
Se mi guardi lo so 

È di nuovo primavera
È di nuovo primavera 


Copyright 2022 All Rights Reserved

Primavera

Solo Piano - Chris Bright

casting clouds - 2:4:23, 7.06 PM

Coderelar

Fleeting memories

The soundtrack to my third and latest novel, Head House. A journey inside the consciousness of a dying man. A difficult yet fulfilling book to write, the music was somewhat easier and I hope has an optimistic ambience.

I would be grateful If you would share the link below on your social media, if you feel comfortable doing so.

https://www.amazon.co.uk/Head-House-Mr-Nick-Davies/dp/B0BZF8V4X2/ref=sr_1_1?crid=2SUAC1IJ6ORN6&keywords=NICK+R+DAVIES+HEAD+HOUSE&qid=1682868651&s=books&sprefix=nick+r+davies+head+house%2Cstripbooks%2C79&sr=1-1

Thanks as always and be good

Head House (soundtrack to a novel)free DL

Monster Rave

Waiting

Moy Road

down the road a bit 9.25.25

Tape Recordings

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

casting clouds - 2:4:23, 7.06 PM

Chris Bright

Recent comments

Little Man

Related tracks