a beautiful place to spend some time Chris thank you

I would like to express my gratitude to Shevannai, the female vocal of this music.
Shevannai is a soprano female vocal plugin software.
The language she sings in is not Japanese. It is a language that does not exist on this planet.

Stairs To The Moon

Stairs To The Moon（月への階段）

Surolista

Performance/remix by Loper via iPhone/Groovepad app
Loops created by Synthferatu via Groovepad app
Image provided by Loper from personal photos

JOYFUL INTOXICATION

We Have A Great Planet Earth

You Killed My Heart

Then That Day Came

See The Lion at the bottom of the road?
Telling everyone he is made of gold?
Standing in the night when it's quiet and still.
Turn your eyes and look towards the hill...

We're going down in the ground where the devil lives
We're going down in the ground where the devil lives
We're going down in the ground where the devil lives
We're going down in the ground where the devil lives

There's a rock in a field just before the park
What they did up there has left a mark
It's where the burned the Witches in times gone by
It's where they took our sisters, to die

We're going down in the ground where the devil lives
We're going down in the ground where the devil lives
We're going down in the ground where the devil lives
We're going down in the ground where the devil lives

When the wind changes it blows your mind
There's a million rainbows in your lies
Can you hear the birds calling out your name?
The entire universe knows you're ashamed

We're going down in the ground where the devil lives
We're going down in the ground where the devil lives
We're going down in the ground where the devil lives
We're going down in the ground where the devil lives

--

Fourth song in the series. It's a concept album, it tells a story. It's set in #Lancaster in the UK. The lyrics to this one put you outside The Golden Lion pub, at night, and take you up the road to the rock in the field just before the park which is there to commemorate the Witches of Pendle, "and all who were killed for their faith".

The Devil Lives

Solo Piano - Chris Bright

face it - 6:27:23, 9.13 PM

This track is not meant to replace the original cover I made; I was merely playing with it in post production recently and eventually also added some extra vocals and some more details. I felt relatively pleased with and fascinated by the result, so I decided to share it here.
Have a good day!

Daydreaming (Radiohead cover) [foggy autumn remix]

Piano M 8017 4:38 27-10-2025

Solo Kurzweil.  Created in Real-Time in my home studio.

Photo by Richard Carr.

Year of Music XIV

Year of Music: October 31, 2025

Copyright 2025 Brian James McDonald Publishing (ASCAP)
Inspired by these words of William Wordsworth

"Moving about in worlds not realised,
High instincts before which our mortal Nature
Did tremble like a guilty thing surprised:
                      But for those first affections,
                      Those shadowy recollections,
                Which, be they what they may
Are yet the fountain-light of all our day,
Are yet a master-light of all our seeing;
                Uphold us, cherish, and have power to make
Our noisy years seem moments in the being
Of the eternal Silence: truths that wake"

Before The Eternal Silence (Piano)

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

face it - 6:27:23, 9.13 PM

Chris Bright

Recent comments

ZITOU ITOU

Little Man

Magi©ian™ (Making music make a difference)

No Mates Ensemble

Related tracks