Handke: op. 41/2 Symphōnia in f - Adagio

6Jul22

My naviarhaiku443 submission;
https://www.naviarrecords.com/2022/06/29/naviarhaiku443-just-before-sunrise/

just before sunrise
the quiet mystery of dawn
silences the birds

:D

The quiet mystery of dawn [naviarhaiku443]

ARANTZAZU

Forest Fixed Puns

Monolith

Piano solo improvisation over field recording

Summer Descent

Solo Piano - Chris Bright

immaterial 0929 - 9:29:22, 10.30 PM

The photo was taken on the coastal path in North Cornwall [close to where a several of my ancestors had lived]. The slate dry stone walls in this area have a distinctive herring bone structure. The orange lichen might be the Common Sunburst Lichen.

The Sea Below [was Azure Blue]

Solo Piano.  Created in Real-Time at the Midwest Music Conservatory, St. Louis MO.

Key West Sunset photo by Greg Carr, my brother.

Year of Music XIII

Year of Music: February 26, 2025

Piano M 7232 4:00 23-02-2025

We wanted to create something a little different this time around. We've always loved the mellow and soft vibes from the charcoal album from Brambles, so a lot of inspiration came from that. 

We're really happy with how this one turned out! 
We hope you enjoy and thanks lots for listening Bananas :)

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Music and production by POTASSIUM RECORDS (us)
More music/socials: linktr.ee/bananablackoutmusic

ARE YOU AWAKE NOW?

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

immaterial 0929 - 9:29:22, 10.30 PM

Chris Bright

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