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The Awakening (Free Download)

Unfinished Sketch

Thoughts on the Miracle

Piano solo improvisation over field recording

Summer Descent

Present Tense (live cover, orig. song by Radiohead)

Dancing With The Wolf

This is one of the dungeon tracks of the previous unreleased game Anthador.
I tried to create a desolate mood, referring to the desperation of the prisoners who have been captured or even died inside the dungeon's walls.

Ancient Dust

Solo Piano - Chris Bright

immaterial 0929 - 9:29:22, 10.30 PM

Solo Piano.  Created in Real-Time at the Midwest Music Conservatory, St. Louis MO.

Key West Sunset photo by Greg Carr, my brother.

Year of Music XIII

Year of Music: February 26, 2025

Beautiful piano, airy guitar and strings on this collection of 4 instrumental sounds. Blessings to you!

Memories (Opus 1)

dedicated to my sister Cindy (more to com)

During Sophie's last piano lesson I asked her to improvise a track on this piece. ( the mid range strings)  Then she started to improvise more.  I picked a key and told her to keep playing.  She did. She played beautiful music and she realized that she no longer needed music to play.  The light bulb turned on and she smiled.  People who only memorize music will forget it if they don't keep playing it.  When you can improvise in any key, you never forget that. You will always be able to play any time you sit at a piano and have no fear that you won't remember what you knew. it's important to know how to read music and the theory that goes with it,  but if that is all you can do, find a teacher who can teach you improv.  I'm very proud of her.  She has talent. 

Learning Forgiveness - Collab with Sophie

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

immaterial 0929 - 9:29:22, 10.30 PM

Chris Bright

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